victorauuu.blogspot.com

Victor Au

Thursday, 18 June 2009. Elective Visuals (might upload more later.). The innocence [4/4 : 20x30];. The Pastel Laputa [3/4 : 150x100];. Tuesday, 16 June 2009. The exhibition of art. A gallery of magic. Please enjoy your trip to;. Of getting A0 work onto computer. Ambulating left to right;. Courtyard, office, main gallery, utilities, workshop. Small gallery, bridge, office lv.2, upper gallery, living quarters. Poche of the Living Space. 三 : Interlocking Interplays. Loose forms consolidate to create lines.

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Victor Au | victorauuu.blogspot.com Reviews

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Thursday, 18 June 2009. Elective Visuals (might upload more later.). The innocence [4/4 : 20x30];. The Pastel Laputa [3/4 : 150x100];. Tuesday, 16 June 2009. The exhibition of art. A gallery of magic. Please enjoy your trip to;. Of getting A0 work onto computer. Ambulating left to right;. Courtyard, office, main gallery, utilities, workshop. Small gallery, bridge, office lv.2, upper gallery, living quarters. Poche of the Living Space. 三 : Interlocking Interplays. Loose forms consolidate to create lines.

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Victor Au | victorauuu.blogspot.com Reviews

https://victorauuu.blogspot.com

Thursday, 18 June 2009. Elective Visuals (might upload more later.). The innocence [4/4 : 20x30];. The Pastel Laputa [3/4 : 150x100];. Tuesday, 16 June 2009. The exhibition of art. A gallery of magic. Please enjoy your trip to;. Of getting A0 work onto computer. Ambulating left to right;. Courtyard, office, main gallery, utilities, workshop. Small gallery, bridge, office lv.2, upper gallery, living quarters. Poche of the Living Space. 三 : Interlocking Interplays. Loose forms consolidate to create lines.

INTERNAL PAGES

victorauuu.blogspot.com

1

Victor Au: May 2009

http://www.victorauuu.blogspot.com/2009_05_01_archive.html

Monday, 11 May 2009. The Sinister Summit, Laputa. Fantasy fills the thoughts of the unimaginative mind.". Fantasy fills the thoughts of the unimaginative mind.". The Geographer has reached an absolution. The model reflects upon the imagination of the 'Geographer' as featured in Vermeer's painting. Everyday tasks have become a burden and he wishes to regress back to his childhood. He feels the need to escape, and dreams of a space where he can escape. Through these pieces used as such; windows, doors and ...

2

Victor Au: 三 : Hello Lebbeus!

http://www.victorauuu.blogspot.com/2009/06/hello-lebbeus.html

Tuesday, 16 June 2009. 三 : Hello Lebbeus! Influence from Lebbeus Woods. Forms attacking forms,. Subscribe to: Post Comments (Atom). Elective Visuals (might upload more later.). 三 : Interlocking Interplays. 三 : Hello Lebbeus! 三 : Fluid thoughts. 三 : Downtown Newtown. View my complete profile.

3

Victor Au: April 2009

http://www.victorauuu.blogspot.com/2009_04_01_archive.html

Tuesday, 7 April 2009. The Illustrious Villa Muller. Subscribe to: Posts (Atom). The Illustrious Villa Muller. View my complete profile.

4

Victor Au: Elective Visuals (might upload more later..)

http://www.victorauuu.blogspot.com/2009/06/advanced-drawing-final-project.html

Thursday, 18 June 2009. Elective Visuals (might upload more later.). The innocence [4/4 : 20x30];. The Pastel Laputa [3/4 : 150x100];. 6 July 2009 at 21:27. 6 October 2009 at 18:47. Subscribe to: Post Comments (Atom). Elective Visuals (might upload more later.). 三 : Interlocking Interplays. 三 : Hello Lebbeus! 三 : Fluid thoughts. 三 : Downtown Newtown. View my complete profile.

5

Victor Au: June 2009

http://www.victorauuu.blogspot.com/2009_06_01_archive.html

Thursday, 18 June 2009. Elective Visuals (might upload more later.). The innocence [4/4 : 20x30];. The Pastel Laputa [3/4 : 150x100];. Tuesday, 16 June 2009. The exhibition of art. A gallery of magic. Please enjoy your trip to;. Of getting A0 work onto computer. Ambulating left to right;. Courtyard, office, main gallery, utilities, workshop. Small gallery, bridge, office lv.2, upper gallery, living quarters. Poche of the Living Space. 三 : Interlocking Interplays. Loose forms consolidate to create lines.

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shaowenwang-arch1201-2009.blogspot.com

Shaowen Wang: How To Start?

http://shaowenwang-arch1201-2009.blogspot.com/2009/04/how-to-start.html

Tuesday, April 7, 2009. P2 - Room and Narrative. We will discuss one aspect of interpreting and translating pictorial suggestions "accumulated" in Piranesi's Imaginary Prisons. Plate VI) into several possible spatial relations in plan. . Notice that this is only one of the many "attempts" to draw out the . Architectural possibilities either inspired by or embedded in a piece of. Valentina Ricciuti, " Architectural Scripts,". Subscribe to: Post Comments (Atom). ARCH1201-2009(UNSW) - SHAOWEN WANG'S STUDIO.

shaowenwang-arch1201-2009.blogspot.com

Shaowen Wang: March 2009

http://shaowenwang-arch1201-2009.blogspot.com/2009_03_01_archive.html

Tuesday, March 24, 2009. 1309 - 1316, France (Paris). As it is easier to understand what is geometry in general, the geometry in architecture demands certain understanding of history. In this beautifully didactic illustration, geometry can be understood in two parts of a whole: the measuring instruments(a set-square and a compass), and the world of triangle, circle, square, and rectangle. The painting connotes a real world and an abstracted world that signify one and another. Quoted from: Christian Hubert.

shaowenwang-arch1201-2009.blogspot.com

Shaowen Wang: April 2009

http://shaowenwang-arch1201-2009.blogspot.com/2009_04_01_archive.html

Wednesday, April 15, 2009. Getting Inside - Micro Environment. These are a series of engraving, fresco and paintings depicting St. Jerome in His Study. It is essential for you to explore the "ways" to get inside of an architectonic object at this stage. Narrative constructed from the reading of your selected painting is just a beginning to launch a simultaneously inward and outward search for a project. Can it be a series of opposites held together by a vertical structure, sort of a metaphysical "tower"?

shaowenwang-arch1201-2009.blogspot.com

Shaowen Wang: Wall

http://shaowenwang-arch1201-2009.blogspot.com/2009/04/wall_07.html

Tuesday, April 7, 2009. Theme 1 - The Cutting. In my buildings, walls play a dual role, serving both to reject and affirm. This tense relationship between inside and outside is based on the act of cutting (as with a sword). Which to the Japanese is not cruel and destructive but is instead sacred; it is a ceremonial act symbolizing a new disclosure. To the Japanese this act has become an end in itself. It provides a spiritual focus both in space and time. In that tense moment, an object.

shaowenwang-arch1201-2009.blogspot.com

Shaowen Wang: Opening-Variations of a Theme

http://shaowenwang-arch1201-2009.blogspot.com/2009/04/openings-variations-of-theme.html

Monday, April 6, 2009. Opening-Variations of a Theme. Wall Section With Opening(s):. Drawing of a handle for ceremonial door of Mill Owner's Association Building, Ahmedabad, Le Corbusier(1954). Section through niche Norte-Dame du Haut, Ronchamp, Le Corbusier (1950-54). Norte-Dame, Cathedral of Amiens (1220-1269): wall system, vaulting and buttressing. Light Revealed, or, How To Stage Light:. Norte-Dame du Haut, Ronchamp, Le Corbusier (1950-54). Le Corbusier, Toward a New Architecture. Open eyes that looks.

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Victor Au

Thursday, 18 June 2009. Elective Visuals (might upload more later.). The innocence [4/4 : 20x30];. The Pastel Laputa [3/4 : 150x100];. Tuesday, 16 June 2009. The exhibition of art. A gallery of magic. Please enjoy your trip to;. Of getting A0 work onto computer. Ambulating left to right;. Courtyard, office, main gallery, utilities, workshop. Small gallery, bridge, office lv.2, upper gallery, living quarters. Poche of the Living Space. 三 : Interlocking Interplays. Loose forms consolidate to create lines.

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