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VIDEO GROUND: Online Supplement

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VIDEO GROUND: Online Supplement | videoground.wordpress.com Reviews
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(by Rachel)
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1 skip to content
2 about / maap
3 artist bios
4 screening notes brief
5 posted on
6 leave a comment
7 at the rotunda
8 delivery
9 references
10 e flux journal
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skip to content,about / maap,artist bios,screening notes brief,posted on,leave a comment,at the rotunda,delivery,references,e flux journal,october,posted in,pacific washup,pacific washup’s,south pacific,historiography,divide,whitefellanormal,search it
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VIDEO GROUND: Online Supplement | videoground.wordpress.com Reviews

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(by Rachel)

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1

South Pacific (2007), Stella Brennan | VIDEO GROUND: Online Supplement

https://videoground.wordpress.com/2008/09/07/south-pacific

VIDEO GROUND: Online Supplement. Divide (2006), John Gillies. Pacific Washup 2003, Rachael Rakena et al. →. South Pacific (2007), Stella Brennan. Explores the historical conjunction of visual imaging technologies with specific narratives about place that have impacted upon the region she describes as home. The evocative imagery of. To her neighbour, who was an aerial photographer with Australian forces in Rabaul during WW2 and who showed her the photos he took of the Japanese surrender there. While o...

2

Screening notes (brief) | VIDEO GROUND: Online Supplement

https://videoground.wordpress.com/screening-notes

VIDEO GROUND: Online Supplement. For extended writing on individual works, see the core blog posts. 1 John Gillies (AUS). DVD, colour, sound, 23:00mins. 2 Stella Brennan (Aotearoa/NZ). DVD, colour, sound, 10:30mins. 3 Rachel Rakena (Aotearoa/NZ). DVD, colour, sound, 6:00mins. 4 Merilyn Fairskye (AUS). DVD, colour, sound, 25:16mins. 5 Vernon Ah Kee (AUS). DVD, colour, sound, 0:30mins. 6 Peter Alwast (AUS). DVD, colour, sound, 20:00mins. At the Rotunda (2005), Peter Alwast*. Divide (2006), John Gillies.

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About / MAAP | VIDEO GROUND: Online Supplement

https://videoground.wordpress.com/aboutmaap

VIDEO GROUND: Online Supplement. Video Ground: Recent moving image work from Australia and Aotearoa / New Zealand. Is a 2008 touring program commissioned by MAAP Multimedia Art Asia Pacific. And curated by Rachel O’Reilly. Gathering together a group of artists from Australia and Aotearoa/NZ who work outside of stable cinematic genres to rethink historical and narrative accounts of place, this program was also inspired by recent critiques of locative media art paradigms and place-interested aesthetics.

4

Artist bios | VIDEO GROUND: Online Supplement

https://videoground.wordpress.com/artist-bios

VIDEO GROUND: Online Supplement. Her work South Pacific premiered at the 2007 Auckland International Film Festival, and was included in the 2008 Liverpool Biennale. She is represented by Starkwhite, Auckland (www.starkwhite.co.nz), and lectures at the Auckland University of Technology. Her website is at: www.stella.net.nz. Fa’anana (collaborator, Pacific Washup). Brian Fuata (collaborator, Pacific Washup). At the Rotunda (2005), Peter Alwast*. Pacific Washup 2003, Rachael Rakena et al.

5

At the Rotunda (2005), Peter Alwast* | VIDEO GROUND: Online Supplement

https://videoground.wordpress.com/2009/03/24/at-the-rotunda-2005-peter-alwast

VIDEO GROUND: Online Supplement. Pacific Washup 2003, Rachael Rakena et al. At the Rotunda (2005), Peter Alwast*. Peter Alwast’s conceptual video piece. Was originally made for inclusion in a 2005 installation work entilted. There is canny rhetorical use made of media references in. Adapted from an unpublished essay ‘Peter Alwast and Peculiar Positivity’ by Rachel O’Reilly. Agamben, Giorgio. What is a Dispositor? Lecture transcript by Jason Michael Adams, 2005),. Groys, Boris. Politics of Installation.

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Curatorial | Rachel O'Reilly

https://racheloreilly.net/curatorial

Publications, Talks, Commissions. 2014 Some Profound Misunderstanding at the Heart of What Is. Co-curated with Marcel Dickhage and Cathleen Schuster. This collaborative artistic research exhibition project of the Jan Van Eyck ‘Moving Images of Speculation’ Inlab, at Hedah Centre for Contemporary Art, Maastricht, explored the spatialization of the essay film in recent art, in the context of contemporary linkages between film form and finance. The JVE SOME-PROFOUND exhibition-1. 2008 The Leisure Class.

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Video Ground: Recent moving image works from Australia and Aotearoa / New Zealand

Video Ground: Recent moving image works from Australia and Aotearoa / New Zealand. Tuesday, April 29, 2008. The South Pacific as dream sequence. Explores narratives about place that have impacted upon the region from the outside, and flowed in. I love how illusory and poetic the narrative voice of this work is, switching from one kind of omniscient position to another (plane passenger, Islander, the non-human landscape) in different ways sympathetic and sensitive to a diverse set of actors, observers, an...

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VIDEO GROUND: Online Supplement

VIDEO GROUND: Online Supplement. At the Rotunda (2005), Peter Alwast*. Peter Alwast’s conceptual video piece. Was originally made for inclusion in a 2005 installation work entilted. There is canny rhetorical use made of media references in. Adapted from an unpublished essay ‘Peter Alwast and Peculiar Positivity’ by Rachel O’Reilly. Agamben, Giorgio. What is a Dispositor? Lecture transcript by Jason Michael Adams, 2005),. Http:/ www.zoepolitics.com/transcript.html. Fall 2004, No. 110: 23 48. The term Sout...

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