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Tuesday, April 6, 2010. Http:/ www.weareseventeen.com/. Tuesday, March 30, 2010. The sound effects of swords clanging, the scuffled footsteps, and the drumbeats all evoke a tension in the battle. The viewer waits for the next attack waiting to see more action. I believe this animation, while short, is very effective in all aspects. The modeling and texturing is phenomenal. This combined with the amazing sound and lighting creates a very unique and special film. Tuesday, March 23, 2010. I decided that I w...

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Vin's Blog | vingaeta.blogspot.com Reviews
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Tuesday, April 6, 2010. Http:/ www.weareseventeen.com/. Tuesday, March 30, 2010. The sound effects of swords clanging, the scuffled footsteps, and the drumbeats all evoke a tension in the battle. The viewer waits for the next attack waiting to see more action. I believe this animation, while short, is very effective in all aspects. The modeling and texturing is phenomenal. This combined with the amazing sound and lighting creates a very unique and special film. Tuesday, March 23, 2010. I decided that I w...
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Vin's Blog | vingaeta.blogspot.com Reviews

https://vingaeta.blogspot.com

Tuesday, April 6, 2010. Http:/ www.weareseventeen.com/. Tuesday, March 30, 2010. The sound effects of swords clanging, the scuffled footsteps, and the drumbeats all evoke a tension in the battle. The viewer waits for the next attack waiting to see more action. I believe this animation, while short, is very effective in all aspects. The modeling and texturing is phenomenal. This combined with the amazing sound and lighting creates a very unique and special film. Tuesday, March 23, 2010. I decided that I w...

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vingaeta.blogspot.com vingaeta.blogspot.com
1

Vin's Blog: I am Ironman!

http://vingaeta.blogspot.com/2010/02/i-am-ironman.html

Tuesday, February 16, 2010. I decided that I wanted to take a look into one of my favorite movie' ending title sequences. Ironman' credit sequence, created by Prologue, is a visually stunning, fast paced animation. The Executive Producer of the credits is none other than Kyle Cooper. Cooper was previously associate with the Imaginary Forces design firm, but left and is currently working with Prologue. Subscribe to: Post Comments (Atom).

2

Vin's Blog: Samurai

http://vingaeta.blogspot.com/2010/03/samurai.html

Tuesday, March 30, 2010. The sound effects of swords clanging, the scuffled footsteps, and the drumbeats all evoke a tension in the battle. The viewer waits for the next attack waiting to see more action. I believe this animation, while short, is very effective in all aspects. The modeling and texturing is phenomenal. This combined with the amazing sound and lighting creates a very unique and special film. Subscribe to: Post Comments (Atom).

3

Vin's Blog: I Want My

http://vingaeta.blogspot.com/2010/04/i-want-my.html

Tuesday, April 6, 2010. Http:/ www.weareseventeen.com/. Subscribe to: Post Comments (Atom).

4

Vin's Blog: None Shall Pass

http://vingaeta.blogspot.com/2010/03/none-shall-pass.html

Tuesday, March 23, 2010. I believe that the animation for this music video is put together amazingly. Jeremy Fish, the artist behind the video, has a very abstract style that is completely unique. It pairs very well with Aesop Rock’s lyrical style. The instrumentals on the song lend to the effectiveness of the animation because it has a silly vibe as does the depictions of the characters in the video. Subscribe to: Post Comments (Atom).

5

Vin's Blog: Hallmark

http://vingaeta.blogspot.com/2010/03/hallmark.html

Tuesday, March 16, 2010. Subscribe to: Post Comments (Atom).

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Tuesday, April 6, 2010. Http:/ www.weareseventeen.com/. Tuesday, March 30, 2010. The sound effects of swords clanging, the scuffled footsteps, and the drumbeats all evoke a tension in the battle. The viewer waits for the next attack waiting to see more action. I believe this animation, while short, is very effective in all aspects. The modeling and texturing is phenomenal. This combined with the amazing sound and lighting creates a very unique and special film. Tuesday, March 23, 2010. I decided that I w...

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