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Visual Confessions- As I see it! | They say, "A picture is worth a thousand words".They say, "A picture is worth a thousand words".
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Visual Confessions- As I see it! | They say, "A picture is worth a thousand words". | visualconfessions.wordpress.com Reviews
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They say, "A picture is worth a thousand words".
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Participatory cinema: Subjects vs. non-actors, and the natural representation! | Visual Confessions- As I see it!
https://visualconfessions.wordpress.com/2013/03/10/participatory-cinema-subjects-vs-non-actors-and-the-natural-representation
Visual Confessions- As I see it! They say, A picture is worth a thousand words. March 10, 2013. Participatory cinema: Subjects vs. non-actors, and the natural representation! The move from observational cinema to participatory cinema through Jean-Rouch’s Chronicle of a summer. 1960) has potential answers to some of my questions and concerns that I mentioned in my last post. Feld notes Rouch’s stance on shared anthropology and participatory cinema as:. Nevertheless, I have two more concrete points to disc...
Forest of Bliss: Missing the trees in the forest | Visual Confessions- As I see it!
https://visualconfessions.wordpress.com/2013/02/22/forest-of-bliss-missing-the-trees-in-the-forest
Visual Confessions- As I see it! They say, A picture is worth a thousand words. February 22, 2013. Forest of Bliss: Missing the trees in the forest. However, as Banks puts it, Ethnographicness is not a thing out there which is captured by the camera, but a thing we construct for ourselves in our relation to film. After watching the film, I think the most apt way to describe my experience of watching. Is what Ostor puts as:. US exhibition traces history of altered photo images. February 22, 2013 at 9:41 pm.
The dilemma of subjective/experiential and objective/collective forms of knowledge: Can there be any balance? | Visual Confessions- As I see it!
https://visualconfessions.wordpress.com/2013/03/04/the-dilemma-of-subjectiveexperiential-and-objectivecollective-forms-of-knowledge-can-there-be-any-balance
Visual Confessions- As I see it! They say, A picture is worth a thousand words. March 4, 2013. The dilemma of subjective/experiential and objective/collective forms of knowledge: Can there be any balance? At this point in the course on Visual Anthropology, I feel utterly confused: knowing more concrete things about the visual representations , yet more uncertain and confused as to what Visual Anthropology is? What is the criterion to rank various forms of documentary films? The inter-play of objective st...
“Them and me”: The inversion of subjective voice (Week 9) | Visual Confessions- As I see it!
https://visualconfessions.wordpress.com/2013/04/02/them-and-me-the-inversion-of-subjective-voice-week-9
Visual Confessions- As I see it! They say, A picture is worth a thousand words. April 2, 2013. 8220;Them and me”: The inversion of subjective voice (Week 9). MacDougall, 100) how the community views him and finds him alien and unfamiliar, rather than the anthropologist presenting such an exotic view of a tropical paradise. Thus, Breton’s use of camera resituates the distance between him and the natives- and tries to film with camera being a neutral medium. Leave a Reply Cancel reply. You are commenting u...
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Week 4: The Language of Photography – Whose Language? | serendipityscraps
https://serendipityscraps.wordpress.com/2013/02/19/week-4-the-language-of-photography-whose-language
A Visual Anthropology Blog. Week 4: The Language of Photography Whose Language? I have always tended to envision photography (the visual) and language (the verbal) in terms of a relationship, rather as an exchange in the sense given by Victor Burgin, in which photography is a complex of exchanges between the verbal and the visual (in Mitchell, 1994: 282-3 [1]. While browsing through the POYi (Pictures of the Year International) the 70th Winners list [2]. Which is not accompanied by language? And if you m...
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Week 6: The Fiction of Reality. Through Vertov’s ‘Kino-Eye’ | serendipityscraps
https://serendipityscraps.wordpress.com/2013/04/12/week-6-the-fiction-of-reality-through-vertovs-kino-eye
A Visual Anthropology Blog. Week 6: The Fiction of Reality. Through Vertov’s ‘Kino-Eye’. Watching Vertov’ Man with a Movie Camera. For the second time, I found it strangely ethnographic in the sense used by Vaughan (1992) [i]. Namely, Vertov in the position of a cine-anthropologist , but paradoxically not because of his neutrality in documenting ( Documentary and its obsession with realism ) but more because of his structure of reality through editing and montage. Extract from Vertov’s Manisfesto –.
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Week 9 Play and Revelation: Rouch’s Chronique d’un été and Mads Brügger’s Ambassador | serendipityscraps
https://serendipityscraps.wordpress.com/2013/04/14/week-9-play-and-revelation-rouchs-chronique-dun-ete-and-mads-bruggers-ambassador
A Visual Anthropology Blog. Week 9 Play and Revelation: Rouch’s Chronique d’un été and Mads Brügger’s Ambassador. In this film, the anthropologist, Jean Rouch, and the sociologist, Edgar Morin, explore the ground of cin. Specifically it can be claimed that the movie is an etno-fiction because of the open script that explores this central motive of acting naturally or challenging the naturalness in front of the camera. This leads to a second point of view, which is the revelation. Although, this veils the...
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Week 5: Ways of seeing. Photo Wallahs | serendipityscraps
https://serendipityscraps.wordpress.com/2013/03/10/week-5-ways-of-seeing-photo-wallahs
A Visual Anthropology Blog. Week 5: Ways of seeing. Photo Wallahs. MacDougall’s text opened up many viewpoints on photography’s ‘play’ with the ways of seeing. Specifically, imagined as a mirror that doubles us, photography is considered a form of representation that lacks mediation but still, it becomes hard to tell if the represented self is the real lasting one or just temporary that re-identify us. Within these lines, MacDougall mentions two types of photographies. On the ‘cemetery culture’ in Ukrain...
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Week 8 Observational Cinema: Tim Ash, Maysles Brothers, Frederick Wiseman | serendipityscraps
https://serendipityscraps.wordpress.com/2013/04/14/week-8-observational-cinema-tim-ash-maysles-brothers-frederick-wiseman
A Visual Anthropology Blog. Week 8 Observational Cinema: Tim Ash, Maysles Brothers, Frederick Wiseman. This was by far my favorite session in the Visual Anthropology class because of the screenings’ ‘marathon’ that began from the same start line: the debate around cinéma verité. Or the observational cinema, understood mainly as direct cinema or being without a narrator’ voice. After the Ax Fight , we watched some extracts from Salesman. 2003) and The Yes Men Fix the World. Leave a Reply Cancel reply.
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Photographs of the Soviet Union in WWII | serendipityscraps
https://serendipityscraps.wordpress.com/2013/01/23/photographs-of-the-soviet-union-in-wwii
A Visual Anthropology Blog. Photographs of the Soviet Union in WWII. One thought on “ Photographs of the Soviet Union in WWII. June 21, 2013 at 3:28 pm. Thanks for your personal marvelous posting! I quite enjoyed reading it, you’re a great author.I will always bookmark your blog and will come back at some point. I want to encourage you continue your great job, have a nice day! Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Follow Blog via Email.
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Week 3: Between exoticizing and documenting: photography as ethnography? | serendipityscraps
https://serendipityscraps.wordpress.com/2013/01/26/week-3-between-exoticizing-and-documenting-photography-as-ethnography
A Visual Anthropology Blog. Week 3: Between exoticizing and documenting: photography as ethnography? To photograph people is to violate them, by seeing them as they never see themselves, by having knowledge of them that they can never have; it turns people into objects that can be symbolically possessed. Just as a camera is a sublimation of the gun, to photograph someone is a subliminal murder – a soft murder, appropriate to a sad, frightened time. Susan Sontag, On Photography. 3 thoughts on “ Week...
iuliafvacaroiu | ethnisual
https://ethnisual.wordpress.com/author/iuliafvacaroiu
A critical lens on visual anthropology. What stillness cannot evoke. January 25, 2013. My post on Leni Riefenstahl’s photos of the Nuba can be found at the following link. WordPress keeps erasing it when I try to post it here. Posted in Weekly entries. January 20, 2013. Coming from a University with an important background in social aid or, rather, teaching about social aid, you only ever get one perspective of the homeless. It’s always. Are the ones who are hungry,. Nanook meets North Korea. His acclaim...
Final project | Being Visual
https://beingvisual.wordpress.com/2013/04/19/final-project
April 19, 2013. The final version of my very first documentary is here:. My ethnographic movie experiment is about an old shoemaker, who runs a tiny shop in Budapest. This entry was posted in Budapest. A local about locals. On why the public transport system in Brussels made me a proud Central European citizen. One response to “. April 21, 2013 at 22:34. Reblogged this on Visual Anthro@CEU Blog. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:.
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Visual Confessions- As I see it! | They say, "A picture is worth a thousand words".
Visual Confessions- As I see it! They say, A picture is worth a thousand words. April 2, 2013. Anthropology and Television: Going Public (Week 10). Bruce Parry’s film series on BBC, titled Tribe. Rather than what is. April 2, 2013. 8220;Them and me”: The inversion of subjective voice (Week 9). MacDougall, 100) how the community views him and finds him alien and unfamiliar, rather than the anthropologist presenting such an exotic view of a tropical paradise. Infact, the complexity is that everyone is look...
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