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Between the Time-Image & Cinema Hostis: HUNTERS IN THE SNOW? | nora volkova

https://52moviesinacollegetown.wordpress.com/2014/06/22/2485

My only top 10. Between the Time-Image and Cinema Hostis: HUNTERS IN THE SNOW? June 22, 2014. Commentary by Vida Johnson and Graham Petrie]. The Hunters in the Snow. Bruegel the Elder, 1565) appears in both. Tarkovsky, 1972) and. Von Trier, 2011.) Since each of the films respond to a very different economic base, the ways Tarkovsky and von Trier work with the painting might clarify the distinction between two cinematic regimes. Reproduce themselves and work in the same place. In. Shows the painting in.

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No Media | nora volkova

https://52moviesinacollegetown.wordpress.com/2014/06/24/the-myth-of-media

My only top 10. June 24, 2014. Andre Bazin wrote “The Myth Of Total Cinema” before film studies became an academic field, and so, before it became a strong source of reasoning about “media.” In the 1970s, a revival of Lessing’s children, Hugo Münsterburg and Rudolf Arnhiem, would lead to a theory of media specificity based upon a series of errors, starting with blessings assumption that Greek statues were unpainted. Originally a book review of Georges Sadoul’s. General History Of Cinema,. Long before Bad...

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nora volkova

https://52moviesinacollegetown.wordpress.com/2014/06/11/2472

My only top 10. June 11, 2014. What does it mean to speak of cinema’s apical meristem? In part it means to speak of films that generate cine-plastics which can be extended without quickly becoming clichés. These shots, from Epstein’s. L’Or des Mers. Of children watching the formally starving protagonist spend his newfound wealth on food, become models for variations in much later films. L’Or des Mers. Becomes the old man in Bela Tarr’s. This entry was posted in Uncategorized. Leave a Reply Cancel reply.

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totalizingcritique | nora volkova

https://52moviesinacollegetown.wordpress.com/author/totalizingcritique

My only top 10. Hunters In The Snow 2. June 30, 2014. Von Trier, 2010) and. Tarkovsky, 1972) both present Bruegel the Elder’s. Hunters In The Snow. 1565), but each film does it differently. In. The painting appears as part of the films diegesis, hanging on the wall of the space station’s library. In. Repeats several elements found in. The expressive presence of horses in the mise en scène, an alien planet as of figure human affect, references to precapitalist painting. In. Hunters In The Snow. To set up ...

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Rifts: Cinema Hostis Degree Zero | nora volkova

https://52moviesinacollegetown.wordpress.com/2014/06/21/rifts-cinema-hostis-degree-zero

My only top 10. Rifts: Cinema Hostis Degree Zero. June 21, 2014. This entry was posted in Uncategorized. Between the Time-Image and Cinema Hostis: HUNTERS IN THE SNOW? Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. The sound of eye.

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2004 | nora volkova

https://52moviesinacollegetown.wordpress.com/2013/03/26/2004

My only top 10. March 26, 2013. This entry was posted in Uncategorized. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email. The sound of eye.

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Hunters In The Snow 2 | nora volkova

https://52moviesinacollegetown.wordpress.com/2014/06/30/hunters-in-the-snow-2

My only top 10. Hunters In The Snow 2. June 30, 2014. Von Trier, 2010) and. Tarkovsky, 1972) both present Bruegel the Elder’s. Hunters In The Snow. 1565), but each film does it differently. In. The painting appears as part of the films diegesis, hanging on the wall of the space station’s library. In. Repeats several elements found in. The expressive presence of horses in the mise en scène, an alien planet as of figure human affect, references to precapitalist painting. In. Hunters In The Snow. To set up ...

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my only top 10 | nora volkova

https://52moviesinacollegetown.wordpress.com/my-only-top-10

My only top 10. My only top 10. Instead of the “top 10 movies i saw at the mall last decade,” or the “best music of the last decade in the only genre i listen to,” I offer you the top 10 events of the last decade:. 1: Credit crash of 2008/ capitalism’s 1989. 2: International occupation movement. 3: 2005 Paris banlieue riots. 4: Election/reelection of Evo Morales. 5: Middle class Tehranians making the “revolutionary guard” beg for forgiveness. 6: Gay marriage in Iowa. Leave a Reply Cancel reply. Send to E...