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WEAREVISUAL.org | w3arevisual.wordpress.com Reviews

https://w3arevisual.wordpress.com

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1

PUDEL ART BASEL – MELIKE BILIR / 2013 | WEAREVISUAL.org

https://w3arevisual.wordpress.com/2013/09/03/pudel-art-basel-melike-bilir-2013

PUDEL ART BASEL – MELIKE BILIR / 2013. September 3, 2013. VENTILATOR vs. CCTV / 2013. OLYMP / PART13 / 2013 →. Auf Facebook teilen(Öffne ein neues Fenster). Hier klicken, um auf Twitter zu teilen(Öffne ein neues Fenster). Hier klicken, um auf Tumblr zu teilen(Öffne ein neues Fenster). Click to email(Öffne ein neues Fenster). Klicken zum Ausdrucken(Öffne ein neues Fenster). Gib hier Deinen Kommentar ein . Trage deine Daten unten ein oder klicke ein Icon um dich einzuloggen:. Lamu IslandnLamu, Kenya.

2

KUNSTHAUS RHENANIA – F*KK / 2014 | WEAREVISUAL.org

https://w3arevisual.wordpress.com/2014/05/05/kunsthaus-rhenania-fkk-2014

KUNSTHAUS RHENANIA – F*KK / 2014. Mai 5, 2014. Bayenwerft Kunsthaus Rhenania e.V. BREMER KUNSTFRÜHLING – GALERIE MELIKE BILIR / 2014 →. Wir konnten die Figuren beim Beobachten beobachten. Doch was sie sehen und gesehen haben, bleibt uns verborgen. Schauen sie in die Zukunft oder Vergangenheit? 11 Figuren in Lebensgröße / Holzkonstrukt / Schaumstoff / Secondhand Kleidung. Or even art viewers? Http:/ www.kunsthaus-rhenania.de. Auf Facebook teilen(Öffne ein neues Fenster). Mai 6, 2014 um 10:13 pm. Http:/ mo...

3

BREMER KUNSTFRÜHLING – GALERIE MELIKE BILIR / 2014 | WEAREVISUAL.org

https://w3arevisual.wordpress.com/2014/05/15/bremer-kunstfruhling-galerie-melike-bilir-2014

BREMER KUNSTFRÜHLING – GALERIE MELIKE BILIR / 2014. Mai 15, 2014. KUNSTHAUS RHENANIA – F*KK / 2014. DER ABSOLUTE ZWEIFEL SPECKSTRASSE HAMBURG / 2014 →. Diese Rauminstallation entstand zum Anlass des Bremer Kunstfrühlings 2014 in der Gleishalle am. Güterbahnhof. Die Installation zeigt ein Büro. Behandelt wird hier das Thema Break Out bzw. Break Down in unserer Nine-to-Five-Gesellschaft. Sekunden – stattgefunden hat. 300 x 200 x 250 cm/ modifizierter Bürostuhl /Rigips / 2013 Bremen. Du kommentierst mit Dei...

4

OLYMP / PART13 / 2013 | WEAREVISUAL.org

https://w3arevisual.wordpress.com/2013/09/25/olymp-part13-hamburg-2013

OLYMP / PART13 / 2013. September 25, 2013. PUDEL ART BASEL – MELIKE BILIR / 2013. 20 METER – 59 CANS – 40 SEKUNDEN / 2013 →. Die Ästhetik des Vandalismus und deren anziehende Faszination der Veränderung von Oberfläche, Form und Struktur ist der Auftakt dieser installativen Forschung. Die Zurschaustellung aus dem Außenraum entwendeter Objekte in einer White Cube. Material: Plastik / Stahl / Spiegel / Holz. FOTO / SEBASTIAN ASIEDU. Auf Facebook teilen(Öffne ein neues Fenster). September 27, 2013 um 8:35 am.

5

videos | WEAREVISUAL.org

https://w3arevisual.wordpress.com/videos

Auf Facebook teilen(Öffne ein neues Fenster). Hier klicken, um auf Twitter zu teilen(Öffne ein neues Fenster). Hier klicken, um auf Tumblr zu teilen(Öffne ein neues Fenster). Click to email(Öffne ein neues Fenster). Klicken zum Ausdrucken(Öffne ein neues Fenster). Ein Gedanke zu “ videos. Mai 3, 2014 um 3:50 pm. Das ist eine super Aktion! Habe gerade den Kultur Spiegel gelesen. Gib hier Deinen Kommentar ein . Trage deine Daten unten ein oder klicke ein Icon um dich einzuloggen:. Lamu IslandnLamu, Kenya.

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lohmanndialog-hamburg.de lohmanndialog-hamburg.de

LOHMANNdialog - Aktuell 2014

http://www.lohmanndialog-hamburg.de/aktuell-2014

LOHMANN konzept bei add art - Unternehmen in Hamburg zeigen und fördern Kunst. Klaus Geldmacher, Licht-Klang-Objekt, Miss Merkel, 2010, Objekt Nr. 256 (Multiple 9/9), 45x40x25cm - Foto: falk von traubenberg. Zeitgenössische Kunst ist in den Geschäftsräumen von LOHMANN konzept. Allgegenwärtig. Und so ist es nur folgerichtig, bei add art Hamburg. 01 und 02. November 2014 dabei zu sein. Vertreten ist ein breites Spektrum aktueller Positionen: Kunst auf Papier,. Svenja Maaß, Rechstshänder, 2013, 30x40cm.

thegcanyon.com thegcanyon.com

annatriboli | THE G. CANYON IN A CRACK

https://thegcanyon.com/author/annatriboli

THE G CANYON IN A CRACK. A crack in the wall, if viewed in terms of scale, not size, could be called the Grand Canyon. Size determines an object, but scale determines art. Robert Smithson. A Catalogue of Street Art Techniques. When light can shape the invisible. February 7, 2013. Give me some polygons, nature and light: you will immediately catch my attention. I recently bumped into two different works which I would like to spend some words on. Image taken from javierriera.es. Is the second project that ...

thegcanyon.com thegcanyon.com

Urban Interventions | THE G. CANYON IN A CRACK

https://thegcanyon.com/category/urban-interventions

THE G CANYON IN A CRACK. A crack in the wall, if viewed in terms of scale, not size, could be called the Grand Canyon. Size determines an object, but scale determines art. Robert Smithson. A Catalogue of Street Art Techniques. When light can shape the invisible. February 7, 2013. Give me some polygons, nature and light: you will immediately catch my attention. I recently bumped into two different works which I would like to spend some words on. Image taken from javierriera.es. Is the second project that ...

thegcanyon.com thegcanyon.com

Buff This | THE G. CANYON IN A CRACK

https://thegcanyon.com/2012/11/14/buff-this

THE G CANYON IN A CRACK. A crack in the wall, if viewed in terms of scale, not size, could be called the Grand Canyon. Size determines an object, but scale determines art. Robert Smithson. A Catalogue of Street Art Techniques. November 14, 2012. Some time ago I wrote a post. Describing an interesting and crazy documentary about the unconscious art of graffiti removal. Recently WAV. We Are Visual), urban activists and artists from Germany, made up a project. Playing with the buff man. Both artists are tak...

thegcanyon.com thegcanyon.com

Activism | THE G. CANYON IN A CRACK

https://thegcanyon.com/category/activism

THE G CANYON IN A CRACK. A crack in the wall, if viewed in terms of scale, not size, could be called the Grand Canyon. Size determines an object, but scale determines art. Robert Smithson. A Catalogue of Street Art Techniques. November 14, 2012. Some time ago I wrote a post. Describing an interesting and crazy documentary about the unconscious art of graffiti removal. Recently WAV. We Are Visual), urban activists and artists from Germany, made up a project. Playing with the buff man. Both artists are tak...

heidundgriess.de heidundgriess.de

heidundgriess.de – links

http://heidundgriess.de/en/links

Http:/ www.meikegerstenberg.de/. Http:/ www.nilsknott.de/. Http:/ www.jivanfrenster.de/.

thegcanyon.com thegcanyon.com

Street Art | THE G. CANYON IN A CRACK

https://thegcanyon.com/category/street-art-2

THE G CANYON IN A CRACK. A crack in the wall, if viewed in terms of scale, not size, could be called the Grand Canyon. Size determines an object, but scale determines art. Robert Smithson. A Catalogue of Street Art Techniques. November 14, 2012. Some time ago I wrote a post. Describing an interesting and crazy documentary about the unconscious art of graffiti removal. Recently WAV. We Are Visual), urban activists and artists from Germany, made up a project. Playing with the buff man. Both artists are tak...

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WEAREVISUAL.org

DIE STADT AUS DER DISKURSSICHT EINS – DER ÖFFENTLICHE RAUM / 2015. PETERSBURGER SALON / 2014. LOST FOUND AND STOLEN – RAUM LINKS RECHTS / 2014. THE ART OF BEING MANY / KAMPNAGEL / 2014. WE ARE VISUAL / ARBEITEN 2010 – 2014. BALLON – GALERIE MELIKE BILIR / 2014. DER ABSOLUTE ZWEIFEL SPECKSTRASSE HAMBURG / 2014. BREMER KUNSTFRÜHLING – GALERIE MELIKE BILIR / 2014. KUNSTHAUS RHENANIA – F*KK / 2014. BAUHAUS UNIVERSITÄT / WEIMAR / 2014. 20 METER – 59 CANS – 40 SEKUNDEN / 2013. OLYMP / PART13 / 2013. September ...

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