3 Mart 2012 Cumartesi. Contact : seckinaydin1980@hotmail.com. 8220;I can't carry my grandma, neither can I eat or wear her” / “Babaannemi Taşıyamam, ayrıca onu ne yiyebilirim ne de giyebilirim”. 160; . Awesome Inc. şablonu. Powered by Blogger.
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3 Mart 2012 Cumartesi. Contact : seckinaydin1980@hotmail.com. 8220;I can't carry my grandma, neither can I eat or wear her” / “Babaannemi Taşıyamam, ayrıca onu ne yiyebilirim ne de giyebilirim”. 160; . Awesome Inc. şablonu. Powered by Blogger.
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Wearable Gallery
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3 Mart 2012 Cumartesi. Kaydol: Kayıt Yorumları (Atom). Contact : seckinaydin1980@hotmail.com. 8220;I can't carry my grandma, neither can I eat or wear her” / “Babaannemi Taşıyamam, ayrıca onu ne yiyebilirim ne de giyebilirim”. 160; . Awesome Inc. şablonu. Powered by Blogger.
Wearable Gallery: Mart 2012
http://wearablegallery.blogspot.com/2012_03_01_archive.html
3 Mart 2012 Cumartesi. Contact : seckinaydin1980@hotmail.com. 160; . Awesome Inc. şablonu. Powered by Blogger.
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SEÇKİN AYDIN: Kasım 2012
http://seckinaydin.blogspot.com/2012_11_01_archive.html
17 Kasım 2012 Cumartesi. Artist As a Flâneur, Ragpicker, Storyteller. A ragpicker collects, categorizes and eliminates found objects in order to take them to recycling centers as it is by mentioned Walter Benjamin. Also, artist categorizes and eliminates the objects, events or memories, found from different places and times, to use later. The artist, as a Storyteller, remeaning the objects, life or ideas, from different places and times, like senteces from different books. Diyarbakır, Oct 2012. Walter Be...
SEÇKİN AYDIN: Haziran 2011
http://seckinaydin.blogspot.com/2011_06_01_archive.html
6 Haziran 2011 Pazartesi. Hay Ji Xwe He Be! Take Care of You! Http:/ www.kendinedikkatet.blogspot.com/. Cümlesi tedirginliğimizi uç noktalara taşımaktadır. Sosyal iletişim yöntemlerinin zenginliğine rağmen karşımızdakini anlayamamamız, yani, her şeye rağmen kendi başlarının çaresine bakabilmenin yolunu bulanlardan habersiz kalışımız da günümüzün başlı başına başka bir sorunudur. Uyarıya ihtiyacı olmadığını bilmeden hafif yollu “kendine dikkat et” demek “sen beceremezsin, dikkatli ol...Nasıl kullanılmak i...
SEÇKİN AYDIN: Temmuz 2011
http://seckinaydin.blogspot.com/2011_07_01_archive.html
18 Temmuz 2011 Pazartesi. UYARILAR / TEMBİHLER / TEHDİTLER: ELE GEÇİRİLEMEYENİN DOLAYIMINDA BİR SERGİ. 8221; adlı, foto-performası, nihayetinde eriyip gitmeye, sınırlarından içe doğru büzülmeye mahkum katılaşmış yapıların askıda kalmış hallerini görünür kılan M. Ali Uysal’ın “Askıda” isimli çalışmasıyla, kaotik, güvensiz, belirsiz bir toplumsal aralıktan bakışıma sunulan sergideki yerlerini alıyorlar. Pazartesi, Temmuz 18, 2011. Bu yayına verilen bağlantılar. 2 Temmuz 2011 Cumartesi. 8220;Painting”,.
SEÇKİN AYDIN: Haziran 2014
http://seckinaydin.blogspot.com/2014_06_01_archive.html
26 Haziran 2014 Perşembe. The Financial Impossibility of Production at the Works of an Ordinary Artist. Perşembe, Haziran 26, 2014. Bu yayına verilen bağlantılar. Google Website Translator Gadget. 1980- Diyarbakır / Turkey. 8220;Painting”,. Hacettepe University, Faculty of Fine Arts Ankara-Turkey. 8220;Fashion Design” ,. As A Erasmus Exchange Student, Univerzita Jana Evangelista. Purkyne, Faculty of Fine Arts, Usti Nad Labem-. Subject of Ph.D Thesis:. Circulate Therefore I Am. 2006 – 2008). 04/2012 ̶...
SEÇKİN AYDIN
http://seckinaydin.blogspot.com/2012/11/re-re-re-re-re-re-re-relocalization.html
17 Kasım 2012 Cumartesi. Artist As a Flâneur, Ragpicker, Storyteller. A ragpicker collects, categorizes and eliminates found objects in order to take them to recycling centers as it is by mentioned Walter Benjamin. Also, artist categorizes and eliminates the objects, events or memories, found from different places and times, to use later. The artist, as a Storyteller, remeaning the objects, life or ideas, from different places and times, like senteces from different books. Diyarbakır, Oct 2012. Walter Be...
SEÇKİN AYDIN: “I can't carry my grandma, neither can I eat or wear her” / “Babaannemi Taşıyamam, ayrıca onu ne yiyebilirim ne de giyebilirim”
http://seckinaydin.blogspot.com/2015/03/i-cant-carry-my-grandma-neither-can-i.html
27 Mart 2015 Cuma. 8220;I can't carry my grandma, neither can I eat or wear her” / “Babaannemi Taşıyamam, ayrıca onu ne yiyebilirim ne de giyebilirim”. Türkçe için aşağı ininiz. Seçkin Aydın, “I can’t carry my grandma, i can also not eat her or wear her”, 2015. Insttallation/Costume, 40x40 cm. Fruit Leather, Sewing Thread. Seçkin Aydın, “Babaanemi Taşıyamam, ayrıca onu ne yiyebilirim ne de giyebilirim”, 2015. Yerleştirme/Kostüm, 40x40 cm. Pestil, Dikiş ipi. Once again, it was time to take the roads. ...
SEÇKİN AYDIN: Mayıs 2013
http://seckinaydin.blogspot.com/2013_05_01_archive.html
16 Mayıs 2013 Perşembe. Mediterranea 16 Young Artists Biennial – Errors Allowed. Http:/ www.bjcem.org/mediterranea-16-selected-artists/. Mediterranea 16: selected artists. We are proud to announce the selected artists for Mediterranea 16 Young Artists Biennial – Errors Allowed. Curated by Charlotte Bank, Alessandro Castiglioni, Nadira Laggoune, Delphine Leccas, Slobodne Beze/Loose Associations, Marco Trulli, Claudio Zecchi. Ancona, June 6. 8211; July 7. Mediterranea 16 Young Artists Biennial. As a refere...
SEÇKİN AYDIN: Mart 2012
http://seckinaydin.blogspot.com/2012_03_01_archive.html
4 Mart 2012 Pazar. Under the control of. Becoming the uniform of the world. Rulers like to establish. Of uniform thought,. And making it easier. Olicy is making borders unclear, creating a uniform daily. Of life and instead, forms an artificial global culture. Culture is withdrawn to. The aim of the project, “ GlobaliFashion”, is to reveal the negative effects. Sampling an ironic language. Homogeneous clothing culture, by using the colorless. Seçkin AYDIN, 2011. Egemenler, iktidarlarını pekiştirip, toplu...
SEÇKİN AYDIN: Mart 2015
http://seckinaydin.blogspot.com/2015_03_01_archive.html
27 Mart 2015 Cuma. 8220;I can't carry my grandma, neither can I eat or wear her” / “Babaannemi Taşıyamam, ayrıca onu ne yiyebilirim ne de giyebilirim”. Türkçe için aşağı ininiz. Seçkin Aydın, “I can’t carry my grandma, i can also not eat her or wear her”, 2015. Insttallation/Costume, 40x40 cm. Fruit Leather, Sewing Thread. Seçkin Aydın, “Babaanemi Taşıyamam, ayrıca onu ne yiyebilirim ne de giyebilirim”, 2015. Yerleştirme/Kostüm, 40x40 cm. Pestil, Dikiş ipi. Once again, it was time to take the roads. ...
SEÇKİN AYDIN: Şubat 2011
http://seckinaydin.blogspot.com/2011_02_01_archive.html
9 Şubat 2011 Çarşamba. Çarşamba, Şubat 09, 2011. Bu yayına verilen bağlantılar. Google Website Translator Gadget. 1980- Diyarbakır / Turkey. 8220;Painting”,. Hacettepe University, Faculty of Fine Arts Ankara-Turkey. 8220;Fashion Design” ,. As A Erasmus Exchange Student, Univerzita Jana Evangelista. Purkyne, Faculty of Fine Arts, Usti Nad Labem-. Subject of Ph.D Thesis:. Circulation of The Artist and His/Her Art Work As A Commodity: I. Circulate Therefore I Am. 2006 – 2008). Subject of Master Thesis:.
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Wearable Funk
8230;make it your own…. We offer products which are based on several important descriptors: funky, durable, affordable and fashionable. Products have a unique or ‘funky’ quality to them. You won’t find most of them in a store or at a market. They speak the unique language of the artisan that created them. Hence the name ‘Wearable Funk’. Products are durable and will serve you well for a long time. All our products are lead-free. Web Design by Penner Computing and Consulting.
Wearable Futures
Innovation and inspiration in design, technology and business. Exploring the future of wearables, from smart materials to new technologies. A place for designers, innovators, and all creative minds. A world of possibilities. Wearable Futures is produced by Ravensbourne and funded by The European Regional Development Fund. Hear from thinkers and doers in technology, design and business from around the world. Ask critical questions - for you, your business and your future. 4 of 50 Speakers.
Wearable Futures: Smart Clothes and Wearable Technology — W E A R A B L E • F U T U R E S • D E S I G N • G R O U P
Wearable Futures: Smart Clothes and Wearable Technology. The research phase of the Design for Ageing Well project has come to an end, and the project team are now in the reporting phase. This is an important element of the project which summaries the academic research and practical industry focussed outputs of the project. The report is intended to demonstrate the project success [.]. Check us out on Facebook www.facebook.com/SmartClothesResearch. July 2, 2013. Read the full article →. July 1, 2013.
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Wearable Gallery
3 Mart 2012 Cumartesi. Contact : seckinaydin1980@hotmail.com. 8220;I can't carry my grandma, neither can I eat or wear her” / “Babaannemi Taşıyamam, ayrıca onu ne yiyebilirim ne de giyebilirim”. 160; . Awesome Inc. şablonu. Powered by Blogger.
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Wearable Games | An innovative graduation project by Christiaan Ribbens & Patrick Kersten
An innovative graduation project by Christiaan Ribbens and Patrick Kersten. Spooky lets the player experience the hidden dark and funny world of ghosts, spirits and phantoms. Invisible for the human eye, they are looking to misbehave. You will go on a big adventure, collecting these spirits. The player will be attacked at different times and different locations. Fight these evil ghosts, defeat them and capture them! Woven & SPOOKY. The conceptualization of this project started in February and finishes at...
Costumes and Wearables as Game Controllers | TEI 2015 Studio
Earlybird registration is now open! Stanford University, January 15th. Participation in the studio is open to everyone attending the TEI conference, provided they register before the deadline. Registration is first come, first served, and spots are limited. If you are interested in joining us, please also contact us directly with the information requested below, so that we can plan our supplies accordingly. Looking forward to seeing many of you there! Describes masks as a source of. Fashion aficionados s...
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