theblackyellowarrow.blogspot.com
theblackyellowarrow: December 2010
http://theblackyellowarrow.blogspot.com/2010_12_01_archive.html
A change is just around the corner. Rethinking art, contemporaneity and (my)self. Friday, December 24, 2010. What is today for tomorrow. A naxalite training camp in Central India. They have lost their land". Said a feeble voice. The villagers of Mardana. Eaten up by a large dam. That gives us electricity. Heart of india -from google earth. 22°10'36.87" N 75°49'10.15" E. Its so irritating" the feeble voice said. So much fertile land.such fertile land. The villagers of Mardana. Eaten by a large dam. Indian...
theblackyellowarrow.blogspot.com
theblackyellowarrow: August 2011
http://theblackyellowarrow.blogspot.com/2011_08_01_archive.html
A change is just around the corner. Rethinking art, contemporaneity and (my)self. Friday, August 19, 2011. Don't cry for me yet. Fighting with the army. Living with no strength. Betrayed at the weakest moments. Jinni and all such memories. Drunk dialing made me fall sick. Disappeared.but still have left a trace. Don't cry for me yet. Links to this post. Monday, August 8, 2011. Return of Chittaprosad and printmaking in Contemporary Indian Art. 40th issue editorial for Art&Deal Magazine. Maybe this is a be...
theblackyellowarrow.blogspot.com
theblackyellowarrow: March 2007
http://theblackyellowarrow.blogspot.com/2007_03_01_archive.html
A change is just around the corner. Rethinking art, contemporaneity and (my)self. Tuesday, March 27, 2007. Art History - Pedagogy - Vision : Conversing with Prof Shivaji Panniker. To be frank I am not fascinated by media itself, what are you communicating through the media is more important. So I am not much over bowled by mediumistic things. Interviews Prof Shivaji Panniker (. Art critic/historian and the H.O.D Department of art History, MS University of Baroda- Early 2007. But then you can’t actu...
theblackyellowarrow.blogspot.com
theblackyellowarrow: March 2011
http://theblackyellowarrow.blogspot.com/2011_03_01_archive.html
A change is just around the corner. Rethinking art, contemporaneity and (my)self. Tuesday, March 29, 2011. On Monday, 28 March 2011 at 11:44 ·. The other important shift from the action plan is not to use cameras as a primary mode of documentation as we would be occupying private spaces and the camera is often viewed as a tool that infringes privacy. Here are the day by day break up of what we might be doing. Might because we can always choose). Lands between omkareshwar and pusa. From lunch time on ever...
theblackyellowarrow.blogspot.com
theblackyellowarrow: what is it that am looking for
http://theblackyellowarrow.blogspot.com/2015/07/what-is-it-that-am-looking-for.html
A change is just around the corner. Rethinking art, contemporaneity and (my)self. Monday, July 6, 2015. What is it that am looking for. Here was a rabbit at the door. No news paper on the fl oo. Being told that i. Lue whales are cast ashore. I loved the tea that you po u. The shirts that i wore. But i must have done that b. Or dreams are such a. It at the door. Did make me implor e. Hat is it that am looking for. Subscribe to: Post Comments (Atom). 43rd issue editorial- thinking post modern. It is imposs...
theblackyellowarrow.blogspot.com
theblackyellowarrow: March 2006
http://theblackyellowarrow.blogspot.com/2006_03_01_archive.html
A change is just around the corner. Rethinking art, contemporaneity and (my)self. Wednesday, March 15, 2006. Report on ARABIAN NIGHT- Presented by Zuleikha Chaudhari and Performers at Work. Presented by Zuleikha Chaudhari and Performers at Work. Direction and Design: Zuleikha Chaudhari : Translation: Rajesh Tailang. And Instruction - Rashid Ansari. Cast: Manish Choudhari, Mandakini Goswami, Jitender Kumar, Supriya Shukla, Sujith Shankar. Funders: KHOJ International artists Association, Max Muller/ Bhavan.
theblackyellowarrow.blogspot.com
theblackyellowarrow: February 2008
http://theblackyellowarrow.blogspot.com/2008_02_01_archive.html
A change is just around the corner. Rethinking art, contemporaneity and (my)self. Monday, February 4, 2008. Iraqi origin Al Saidi Hassan, performed ADAM FEET,. Sunday, April 6. A much deffered post. The performance happened on February 28, 2008 during. Curated by Marta Jakimowicz, the exhibition was entitled as "The Mechanism of Motion". Photo credit - artmaharaj. After being forced to conform orders of 'the other' and also being denied the right to air his voice as he desired, Al Saidi, the rebellious a...
theblackyellowarrow.blogspot.com
theblackyellowarrow: October 2006
http://theblackyellowarrow.blogspot.com/2006_10_01_archive.html
A change is just around the corner. Rethinking art, contemporaneity and (my)self. Monday, October 2, 2006. Reading…un reading published by www.mattersofart.com 2007. Rahul Bhattacharya reads Sabrina’s ‘Fragments Of Fading Memories’ by Sabrina at the Art. Heritage as a site where one can locate challenges to contemporary skills of consumption and. 8216;Fragments Of Fading Memories’ an exhibition of assemblages and collages by Sabrina at the. 8216;entry’ into her works seem obvious. That analysis through K...
theblackyellowarrow.blogspot.com
theblackyellowarrow: editorial note for - Radicalism: ruptures and possibilities.
http://theblackyellowarrow.blogspot.com/p/editorial-note-for-radicalism-ruptures.html
A change is just around the corner. Rethinking art, contemporaneity and (my)self. Editorial note for - Radicalism: ruptures and possibilities. How do we live with such political circumstances? Even if we do not know the specific language or political context of an art work, what can we get from it purely by looking? Maybe it is time to go beyond Postmodernism's critique of critique that remains dominant in contemporary art praxis. This issue (titled) Radicalism: ruptures and possibilities is an attem...
theblackyellowarrow.blogspot.com
theblackyellowarrow: Lessons on Leonardo: Connoisseurship in the Open Market
http://theblackyellowarrow.blogspot.com/2015/08/lessons-on-leonardo-connoisseurship-in.html
A change is just around the corner. Rethinking art, contemporaneity and (my)self. Tuesday, August 4, 2015. Lessons on Leonardo: Connoisseurship in the Open Market. 2011 review -‘Leonardo da Vinci: Painter at the Court of Milan’. There are sceptics, of course, and I too am one of them, but to a general knowledge this work has long been established as an original. Then why this intellectual wrestling, why this mad angst to extract it from doubts all over again? What are we to make of attribution, then?
SOCIAL ENGAGEMENT