widescreenjournal.org widescreenjournal.org

widescreenjournal.org

Wide Screen

Wide Screen is a peer-reviewed, open access film and video studies journal. The non-profit academic journal is devoted to the critical study of cinema and video from historical, theoretical, political, economic, aesthetic, and technological perspectives.

http://www.widescreenjournal.org/

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Wide Screen | widescreenjournal.org Reviews
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Wide Screen is a peer-reviewed, open access film and video studies journal. The non-profit academic journal is devoted to the critical study of cinema and video from historical, theoretical, political, economic, aesthetic, and technological perspectives.
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Wide Screen | widescreenjournal.org Reviews

https://widescreenjournal.org

Wide Screen is a peer-reviewed, open access film and video studies journal. The non-profit academic journal is devoted to the critical study of cinema and video from historical, theoretical, political, economic, aesthetic, and technological perspectives.

INTERNAL PAGES

widescreenjournal.org widescreenjournal.org
1

About the Journal

http://www.widescreenjournal.org/index.php/journal/about

About this Publishing System.

2

Information For Authors

http://www.widescreenjournal.org/index.php/journal/information/authors

Interested in submitting to this journal? We recommend that you review the About the Journal. Page for the journal's section policies, as well as the Author Guidelines. Authors need to register. With the journal prior to submitting or, if already registered, can simply log in. And begin the five-step process.

3

Vol 6, No 1 (2016)

http://www.widescreenjournal.org/index.php/journal/issue/current

Vol 6, No 1 (2016). Vol 6, No 1 (2016). Special Issue: Videogame Adaptation. Guest Editor: Kevin M. Flanagan. INTRODUCTION - VIDEOGAME ADAPTATION: SOME EXPERIMENTS IN METHOD. METAPROCEDURALISM: THE STANLEY PARABLE AND THE LEGACIES OF POSTMODERN METAFICTION. Bradley J. Fest. 8-BIT GOES TO THE MOVIES. SUBJECTIVE AND AFFECTIVE ADAPTATIONS: REMEDIATION AND THE PLAYSTATION 2 VIDEOGAME. VISITING THE VIDEOGAME THEME PARK. From the Editors' Desk.

4

Wide Screen

http://www.widescreenjournal.org/index.php/journal/index

Wide Screen Special Issue on Indian. Terrible trends at Bollywood award shows. Filmfare covers from the 1950s. 100 Years of Indian Cinema: Whose. Early colour motion pictures. The madness of Ram Gopal Varma? Lemon Tree, five years hence. Vol 5, No 1 (2014). Vol 5, No 1 (2014): Special Issue: An Unseen Century: Indian Cinema 1913-2013. This work is licensed under a Creative Commons Attribution 3.0 License.

5

Vol 5, No 1 (2014)

http://www.widescreenjournal.org/index.php/journal/issue/view/7

Vol 5, No 1 (2014). Vol 5, No 1 (2014). Special Issue: An Unseen Century: Indian Cinema 1913-2013. This work is licensed under a Creative Commons Attribution 3.0 License.

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i write what i like | niteflyer's pozi

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Critique of everyday life. About niteflyer’s pozi. I write what i like. I write what i like. Posts on Biko’s. I Write What I Like. Below…an experiment in using the blog to get through reading texts in a more disciplined fashion. Follow the thread, leave your comment, partake. 12 August 2008 –. We write what we like: biko revisited. 20 August 2008 –. Frank talks – saso and liberalism (1). 27 August 2008 –. Frank talks – we blacks (2). 30 September 2008 –. 8 October 2008 –. 26 October 2008 –. The film-make...

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realisations | niteflyer's pozi

https://niteflyer.wordpress.com/2009/12/18/realisations

Critique of everyday life. About niteflyer’s pozi. I write what i like. From → autonomy. Larr; naked truths. Karma karma →. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Creative-i...

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naked truths | niteflyer's pozi

https://niteflyer.wordpress.com/2009/12/04/naked-truths

Critique of everyday life. About niteflyer’s pozi. I write what i like. From → cartooning. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email. Enter ...

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the sea | niteflyer's pozi

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Critique of everyday life. About niteflyer’s pozi. I write what i like. 8212; Virginia Wolf, The Waves. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. A pair of shoes. Inter press s...

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karma karma | niteflyer's pozi

https://niteflyer.wordpress.com/2010/02/21/karma-karma

Critique of everyday life. About niteflyer’s pozi. I write what i like. But when the karma come back for what you do. It’s too late to make up – some excuse. Here do we go,. From → music. Enemies of the state →. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. Notify me of new comments via email.

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solitary life | niteflyer's pozi

https://niteflyer.wordpress.com/2011/08/13/1277

Critique of everyday life. About niteflyer’s pozi. I write what i like. This I who comes to this world alone. And passes away from this world alone –. It’s the same I who lives in this humble hut all alone. 8211; Japanese Zen master Sengai 1750-1837 Song of Solitary Life. From → zen. Larr; enemies of the state. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your Twitter account. ( Log Out.

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Editorial Board:JPCS

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Directory of Open Access Journals. Imaging Cinema 2012 Workshop on Screenwriting and Film Direction. When the Abnormal Becomes the Normal: The Case of Palestine. Laments from a Lacerated Terrain. Three cultures and a variety of religions: The Quest of Malaysian Identity. Journal of Postcolonial Writing. Website Designed and Hosted by Web Stockist.

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enemies of the state | niteflyer's pozi

https://niteflyer.wordpress.com/2010/02/24/enemies-of-the-state

Critique of everyday life. About niteflyer’s pozi. I write what i like. Enemies of the state. There’s a reason you separate military and the police. One fights the enemies of the state, the other serves and protects the people. When the military becomes both, then the enemies of the state tend to become the people. 8220;We are the devils men”. 8211; Colonel Saul Tigh (left). From → uncategorized. Larr; karma karma. Solitary life →. Leave a Reply Cancel reply. Enter your comment here. A pair of shoes.

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critique of everyday life | niteflyer's pozi

https://niteflyer.wordpress.com/critique-of-everyday-life

Critique of everyday life. About niteflyer’s pozi. I write what i like. Critique of everyday life. List of blog posts on Lefebvre’s. Critique of Everyday Life. 19 January 2009 –. Critique of everyday life. 27 January 2009 –. Leave one →. Living philosophy (1) « niteflyer’s pozi. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. A pair of shoes. On decoloni...

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Wide Screen Special Issue on Indian. Terrible trends at Bollywood award shows. Filmfare covers from the 1950s. 100 Years of Indian Cinema: Whose. Early colour motion pictures. The madness of Ram Gopal Varma? Lemon Tree, five years hence. Vol 5, No 1 (2014). Vol 5, No 1 (2014): Special Issue: An Unseen Century: Indian Cinema 1913-2013. This work is licensed under a Creative Commons Attribution 3.0 License.

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