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Wilfred Avery

It is with great sadness that we have to inform readers that Wilfred died on 26th April 2016. Wilfred Avery's paintings, neither real nor surreal, were developed from his interest in depth psychology. Coming from a dialogue between the conscious and unconscious minds he created strangely enigmatic images. These exist in a mystical and ambiguous space - a space that both advances and recedes.

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Wilfred Avery | wilfredavery.co.uk Reviews
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It is with great sadness that we have to inform readers that Wilfred died on 26th April 2016. Wilfred Avery's paintings, neither real nor surreal, were developed from his interest in depth psychology. Coming from a dialogue between the conscious and unconscious minds he created strangely enigmatic images. These exist in a mystical and ambiguous space - a space that both advances and recedes.
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Wilfred Avery | wilfredavery.co.uk Reviews

https://wilfredavery.co.uk

It is with great sadness that we have to inform readers that Wilfred died on 26th April 2016. Wilfred Avery's paintings, neither real nor surreal, were developed from his interest in depth psychology. Coming from a dialogue between the conscious and unconscious minds he created strangely enigmatic images. These exist in a mystical and ambiguous space - a space that both advances and recedes.

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Wilfred Avery

http://www.wilfredavery.co.uk/drawings.php

Throughout his working life Wilfred Avery has produced a stream of subjective drawings. Strong black and white 'flomaster' drawings of landscapes and figures in early years were followed by finer work in pencil, crayon and wash. There are works by Wilfred Avery in private collections in Britain, France, Germany, America, Canada, Australia, and New Zealand.

2

Wilfred Avery

http://www.wilfredavery.co.uk/gallery2.php

Drawn to the source of the late cubist and surrealist work now influencing him Wilfred Avery moved to Paris in 1963. He met some of the American abstract expressionists working there, including Joan Mitchell, but he continued to use a great deal of imagery which became even more enigmatic. After Paris, at Cagnes-sur-Mer, he began to make small collage-gouaches using photographs of athletes and footballers. This technique became a regular feature of his work for years to come.

3

Wilfred Avery

http://www.wilfredavery.co.uk/gallery3.php

A one-man exhibition was held at the Archer Gallery, Grafton Street, London W1 in 1970. In 1972 a whole new range of colour and space was explored in a series of collages-gouaches. The oils that followed became more complex often taking the form of diptychs, triptychs and multiple canvases. A large retrospective exhibition called 'The Evolving Image' was held at Woodlands Gallery, Greenwich in 1977.

4

Wilfred Avery

http://www.wilfredavery.co.uk/gallery4.php

In 1995 Wilfred Avery moved to East Sussex. Here his colour became more radiant and the theme of 'Figures by the Sea' was developed in various ways. Some new collage techniques evolved with the use of photographs taken by the artist. Figures by the Sea 1996-1997. A group of small intense landscapes in oil followed. He also experimented with superimposed canvas boards in works such as 'Top Man' and 'Hero'.

5

Wilfred Avery

http://www.wilfredavery.co.uk/collage.php

Collage, Gouache and Recent Works. In 1960 the artist developed the use of collage with gouache as a quicker method of working. The most important of the early collages is 'Mandala' 1962. There are examples here from most periods but some of the most powerful are later works such as 'Chain Reaction' and 'Danger Point' in 1996 and 'Rainbow Figure 1' and 'Rainbow Figure 2' in 2000. Rainbow Figure No. 1 2000. Rainbow Figure No. 2 2000.

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Pic: As Luck Would Have It by Samuel Lock). Pic: Genesis 1963 by Wilfred Avery). Pic: Sonja Sekula 'Palette' Christmas card to Menasce 1959). Pic: Menasce by Jacques Dupont c. 1955). Http:/ www.independent.co.uk/news/. Pic: Alberto de Lacerda by Rory McEwan 1978). Adriendemenasce.com site by metanym.

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It is with great sadness that we have to inform readers that Wilfred died on 26th April 2016. Wilfred Avery's paintings, neither real nor surreal, were developed from his interest in depth psychology. Coming from a dialogue between the conscious and unconscious minds he created strangely enigmatic images. These exist in a mystical and ambiguous space - a space that both advances and recedes.

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