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February 2, 2013. An essay by David Hagger for the occasion of. Gippsland Art Gallery, Sale. 2 February 31 March 2013. Curated by David Hagger. In the 1960s, Anthony Caro revolutionised the way we saw sculpture by removing the plinth, thereby situating the work in the viewer’s space, making the experience profoundly more direct. [i]. Advancing this notion, Fred Sandback’s acrylic yarn constructions [ii]. Similarly, Jonathan Jones and Nicki Wynnychuk are artists whose works distinctively inhabit the area ...

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WRITTEN OBJECTIVE PROJECT | woproject.wordpress.com Reviews

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February 2, 2013. An essay by David Hagger for the occasion of. Gippsland Art Gallery, Sale. 2 February 31 March 2013. Curated by David Hagger. In the 1960s, Anthony Caro revolutionised the way we saw sculpture by removing the plinth, thereby situating the work in the viewer’s space, making the experience profoundly more direct. [i]. Advancing this notion, Fred Sandback’s acrylic yarn constructions [ii]. Similarly, Jonathan Jones and Nicki Wynnychuk are artists whose works distinctively inhabit the area ...

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WRITTEN OBJECTIVE PROJECT | woproject.wordpress.com Reviews

https://woproject.wordpress.com

February 2, 2013. An essay by David Hagger for the occasion of. Gippsland Art Gallery, Sale. 2 February 31 March 2013. Curated by David Hagger. In the 1960s, Anthony Caro revolutionised the way we saw sculpture by removing the plinth, thereby situating the work in the viewer’s space, making the experience profoundly more direct. [i]. Advancing this notion, Fred Sandback’s acrylic yarn constructions [ii]. Similarly, Jonathan Jones and Nicki Wynnychuk are artists whose works distinctively inhabit the area ...

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100 : BLACKARTPROJECTS | WRITTEN OBJECTIVE PROJECT

https://woproject.wordpress.com/2011/10/15/100-blackartprojects

October 15, 2011. North Melbourne, Victoria Australia. 4 13 November 2011. An exhibition of this magnitude is certainly ambitious. Some would say, and have said already, that it is ambitious beyond reason. Interestingly, the most stirring commentary on drawing I have read in recent times was found in a book on an artist most known for his large steel sculptures, Richard Serra. The artists involved in 100 have not been limited by traditional conventions, media or size in realising artworks for the exhibit...

2

GAGS | WRITTEN OBJECTIVE PROJECT

https://woproject.wordpress.com/2012/04/05/gags

April 5, 2012. Compiling a selection of memories a summation of times spent together with the other grandchildren and I was never going to be an easy task. I could be here for hours, days, even weeks, such was his love and time for us. Perhaps, more than anything else, this small patch of concrete (which changed with its immediate surroundings many times over the years) encapsulates the character of a man whose arms were forever open for those whom he loved. It has served as a passage of time. We...Perso...

3

ZAI KUANG : THE REALITY OF SILENCE | WRITTEN OBJECTIVE PROJECT

https://woproject.wordpress.com/2011/09/08/zai-kuang-the-reality-of-silence

ZAI KUANG : THE REALITY OF SILENCE. September 8, 2011 1 Comment. An essay by David Hagger for the occasion of. ZAI KUANG : THE REALITY OF SILENCE. Collingwood, Victoria Australia. 28 September 20 October 2011. Where a traditional still life may include a concoction of bowls, vases, fruit or flowers, Kuang’s. Is reduced to only two elements a bag of flour and the tabletop onto which it spills. There are no utensils, not even a measuring cup, in sight. He has removed any notion of food preparation&...Recog...

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TIGER YALTANGKI : THE FIRST SOLO EXHIBITION | WRITTEN OBJECTIVE PROJECT

https://woproject.wordpress.com/2011/08/31/tiger-yaltangki-the-first-solo-exhibition

TIGER YALTANGKI : THE FIRST SOLO EXHIBITION. August 31, 2011. An essay by David Hagger for the occasion of. TIGER YALTANGKI : THE FIRST SOLO EXHIBITION. Collingwood, Victoria Australia. 31 August 24 September 2011. If we look back on that day nearly two years ago, when Yaltangki asked for a simple share of paint, one never could have guessed what would unfold – not even Yaltangki himself. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Laquo; Z...

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WRITTEN OBJECTIVE PROJECT | Page 2

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JASON CORDERO : BEING HERE. July 2, 2011. An essay by David Hagger for the occasion of. JASON CORDERO : BEING HERE. Collingwood, Victoria Australia. 27 July 20 August 2011. Oil on linen, 101 x 52 cm. Any higher, at least not standing with both feet planted on the ground. Cordero is a storyteller. His paintings transcend the physicality of the landscape. They befit the human psyche, laden with expectation, enlightenment, tyranny and despair. His skies are never empty. Clouds bear the weigh...This corporea...

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December | 2011 | melbourne non objective project

https://noproject.wordpress.com/2011/12

Melbourne non objective project. RICHARD SERRA DRAWING : A RETROSPECTIVE. December 1, 2011, 11:15. San francisco museum of modern art. RICHARD SERRA DRAWING : A RETROSPECTIVE. San Francisco Museum of Modern Art. San Francisco, Calafornia. 15 October 2011 – 16 January 2012. Blog at WordPress.com. Melbourne non objective project. Blog at WordPress.com. Follow “melbourne non objective project”. Get every new post delivered to your Inbox. Build a website with WordPress.com.

nomanstongue.blogspot.com

No Man's Tongue: Farewell No Man's Tongue

http://nomanstongue.blogspot.com/2012/09/farewell-no-mans-tongue.html

General Rantings from a Perth-boy in. Saturday, September 15, 2012. Farewell No Man's Tongue. Thank you for visiting No Man's Tongue. Sadly, this site is no longer operative. To keep up with my essays and criticism, please visit my new site:. Henry F. Skerritt. Henry F. Skerritt. I LOVE the Snow White painting! Do you know of anywhere where I could buy a print? January 9, 2013 at 3:54 AM. Subscribe to: Post Comments (Atom). Henry F. Skerritt. View my complete profile. Friends and Worthy Adversaries.

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No Man's Tongue: Bob Gibson Tjungurrayi

http://nomanstongue.blogspot.com/2010/04/bob-gibson-tjungurrayi.html

General Rantings from a Perth-boy in. Monday, April 26, 2010. Bob Gibson Tjungarrayi was born at Papunya in 1974, before moving with his family to Tjukurla during the time of the homelands movement. The son of renowned artist Mary Gibson, Bob paints his ancestral stories with a raw intensity. His palette of wild hues reveals an unrestrained joy for experimentation, tempered with nostalgia as he recalls his father’s country around Patjarr and his mother’s country of Kulkuta. Henry F. Skerritt.

nomanstongue.blogspot.com

No Man's Tongue: June 2009

http://nomanstongue.blogspot.com/2009_06_01_archive.html

General Rantings from a Perth-boy in. Friday, June 12, 2009. Ancestral Power and the Aesthetic. Below is an extended version of a piece that was published in Crikey. Ancestral Power and the Aesthetic. Ian Potter Museum of Art, University of Melbourne. Last Wednesday, amidst relatively little fanfare, the Ian Potter Museum at the University of Melbourne launched Ancestral Power and the Aesthetic. If the works in Ancestral Power and the Aesthetic. Arriving in central Arnhem Land in 1935, Thomson immersed h...

nomanstongue.blogspot.com

No Man's Tongue: May 2010

http://nomanstongue.blogspot.com/2010_05_01_archive.html

General Rantings from a Perth-boy in. Sunday, May 30, 2010. A Contemporary Spirit: The Art of Graham Badari. Salt-water crocodile) and the more otherworldly Ngalyod (Rainbow Serpent). Badari believes wholeheartedly in the presence of these spirit beings; they are an intrinsic part of the cultural heritage that has informed his life. Henry F. Skerritt. Tuesday, May 25, 2010. Geographic Cosmology: The Art of Lucy Ward. In the jubilant glow of Ward’s paintings there is a reflection on her long life li...

nomanstongue.blogspot.com

No Man's Tongue: August 2007

http://nomanstongue.blogspot.com/2007_08_01_archive.html

General Rantings from a Perth-boy in. Monday, August 20, 2007. A Response to Mr O. Boot. So, first, here are Mr Boot's comments. Ii) You're not an exile, you're a migrant. Just like the Greeks, Italians, Vietnamese, Sudanese etc etc coming to Melbourne to seek a better like. It's good here. If you really want to assimilate you should go for Essendon or Collingood. Iii) Welcome to the 21st century. And here are my somewhat rushed, immediate responses. Dear Mr Boot,. You can be in exile for many reasons, b...

nomanstongue.blogspot.com

No Man's Tongue: A Contemporary Spirit: The Art of Graham Badari

http://nomanstongue.blogspot.com/2010/05/contemporary-spirit-art-of-graham.html

General Rantings from a Perth-boy in. Sunday, May 30, 2010. A Contemporary Spirit: The Art of Graham Badari. Salt-water crocodile) and the more otherworldly Ngalyod (Rainbow Serpent). Badari believes wholeheartedly in the presence of these spirit beings; they are an intrinsic part of the cultural heritage that has informed his life. Henry F. Skerritt. Subscribe to: Post Comments (Atom). Henry F. Skerritt. View my complete profile. Friends and Worthy Adversaries. Melbourne Written Non-Objective Project.

nomanstongue.blogspot.com

No Man's Tongue: March 2009

http://nomanstongue.blogspot.com/2009_03_01_archive.html

General Rantings from a Perth-boy in. Monday, March 9, 2009. Kunoth Pwerle’s earliest works show a clear debt to his parents’ observational style. And yet, as Kunoth Pwerle gained confidence as an artist, he quickly abandoned their astute attention to detail in favour of a plastic freedom. As his parents’ work became more detailed and naturalistic, Kunoth Pwerle’s sculptures became more abstract, dispensing with all unnecessary representational elements. Henry F. Skerritt. Subscribe to: Posts (Atom).

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July | 2011 | melbourne non objective project

https://noproject.wordpress.com/2011/07

Melbourne non objective project. JUSTIN ANDREWS : MONUMENTS. July 3, 2011, 19:02. JUSTIN ANDREWS : MONUMENTS. University of Southern Queensland. West Street Toowoomba QLD Australia 4350. 20 July – 5 August, 2011. Create a free website or blog at WordPress.com. Melbourne non objective project. Create a free website or blog at WordPress.com. Follow “melbourne non objective project”. Get every new post delivered to your Inbox. Build a website with WordPress.com.

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August | 2011 | melbourne non objective project

https://noproject.wordpress.com/2011/08

Melbourne non objective project. TOMMA ABTS : KUNSTHALLE DUSSELDORF. August 18, 2011, 20:27. TOMMA ABTS : KUNSTHALLE DUSSELDORF. July 16 October 9, 2011. GEMMA SMITH : TANGLE PAINTINGS. August 10, 2011, 20:30. GEMMA SMITH : TANGLE PAINTINGS. 5 August – 3 September. Create a free website or blog at WordPress.com. Melbourne non objective project. Blog at WordPress.com. Follow “melbourne non objective project”. Get every new post delivered to your Inbox. Build a website with WordPress.com.

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WRITTEN OBJECTIVE PROJECT

February 2, 2013. An essay by David Hagger for the occasion of. Gippsland Art Gallery, Sale. 2 February 31 March 2013. Curated by David Hagger. In the 1960s, Anthony Caro revolutionised the way we saw sculpture by removing the plinth, thereby situating the work in the viewer’s space, making the experience profoundly more direct. [i]. Advancing this notion, Fred Sandback’s acrylic yarn constructions [ii]. Similarly, Jonathan Jones and Nicki Wynnychuk are artists whose works distinctively inhabit the area ...

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