work.mariabonn.com
work.mariabonn.comPortfolio site for Maria Bonn. Visual examples of work. Exhibition information. Bio. Artist statement. Resume. Links.
http://work.mariabonn.com/
Portfolio site for Maria Bonn. Visual examples of work. Exhibition information. Bio. Artist statement. Resume. Links.
http://work.mariabonn.com/
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work.mariabonn.com | work.mariabonn.com Reviews
https://work.mariabonn.com
Portfolio site for Maria Bonn. Visual examples of work. Exhibition information. Bio. Artist statement. Resume. Links.
work.mariabonn.com
Maria Bonn Recent Nightmares
http://www.work.mariabonn.com/recni
Color zerox transfers on watercolor paper, with polaroids. Installation view. From. Recent Dreams, Recent Nightmares, & Recent Realities—. A three part installation on two facing walls combining polaroids & collages. Detail 1 of 5). 175″ × 11.5″. Color zerox transfers on watercolor paper. Detail 2 of 5). 175″ × 11.5″. Color zerox transfers on watercolor paper. Detail 3 of 5). 175″ × 11.5″. Color zerox transfers on watercolor paper. Detail 4 of 5). 175″ × 11.5″. Color zerox transfers on watercolor paper.
Maria Bonn Paper Dolls
http://www.work.mariabonn.com/pap
5″ × 7″. My trash in found frame. 10″ × 8″. Scrambled Parts Over Theory. 7″ × 5″. C-print, paper, screen print, tape, negative, on board. Parts & Theory. 7″ × 5″. C-print, screen print, medical tape, letraset, on board. 7″ × 2.5″. C-print, paper, on wood.
Maria Bonn Panel Sketches
http://www.work.mariabonn.com/pan
10″ × 10″. Polaroid, gelatin silver print from x-ray, medical tape, paper, acrylic, drill bit, my tooth, on wood. Gelatin silver print from x-ray, medical tape, paper, acrylic, drill bit, my tooth, on wood. 10″ × 10″. Polaroid negative, gelatin silver print, paper, medical tape, acrylic, enamel, transfer, on wood. 10″ × 10″. Pills, prescription label warnings, paper, acrylic, on wood. 10″ × 10″. Gelatin silver print from x-ray, medical tape, acrylic, transfer, on wood. 10″ × 10″.
Maria Bonn Pro Polaroid
http://www.work.mariabonn.com/polpro
325″ × 4.25″. Photographic montages of my hands & health paraphernalia on Polaroid Type 664 & 669 Film using a Daylab Printer. Frustrated by a lack of mobility and severe pain with my fingers, unable to accomplish any task requiring joint dexterity, I noticed piles of health related papers strewn around. I layered these in a slide printer without removing my hands, enlarging both onto the film. 325″ × 4.25″. 325″ × 4.25″. 325″ × 4.25″. Frustrated by a lack of mobility and severe pain with my fingers, una...
Maria Bonn Other Work
http://www.work.mariabonn.com/oth
14″ × 11″. Polaroid, screen print, museum board, paper, miniature clothes pin, found frame. 12″ × 18″. Mobile Cube Studio for 2. 3′ × 3′ × 2′. Found wood, rubber wheels, hardware, plastic crates, acrylic, enamel, our art supplies. Collaboration with Christian Ebert. We built a functioning and mobile studio for two, enabling us to store, move, and work with our materials anywhere. Mobile Cube Studio for 2. 3′ × 3′ × 2′. Found wood, rubber wheels, hardware, plastic crates, acrylic, enamel, our art supplies.
TOTAL PAGES IN THIS WEBSITE
10
Accumulations
http://shows.mariabonn.com/acc
April 29–30, 2006. April 29–30, 2006. April 29–30, 2006. April 29–30, 2006. April 29–30, 2006. Artwork by Zane Peach. April 29–30, 2006. Artwork by Kira Inglis. April 29–30, 2006. Artwork by Owen Takabayashi. April 29–30, 2006. Artwork by Owen Takabayashi. April 29–30, 2006. Artwork by Alex Braubach. April 29–30, 2006. Artwork by Alex Braubach. April 29–30, 2006. Artwork by Maria Bonn. April 29–30, 2006. Artwork by Spencer Hansen. April 29–30, 2006. Artwork by Christian Ebert. April 29–30, 2006.
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M. Di Marco
A collection of things I make on the web, like DataMaps. Often with Javascript, sometimes with a D600. Find me on Twitter. Hate crime data visualization ➔. I had the opportunity to do a last-minute data visualization for a new partnership at my employer ( https:/ data.world/. I only had 2 hours to throw this together, while some other members of my team prepped the data and provided some last second over-the-shoulder feedback while we programmed up to the wire. This is my attempt to recreate that effect ...
