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World Aesthetics | A blog of unfinished thoughts on film and theory | worldscreenblog.wordpress.com Reviews
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A blog of unfinished thoughts on film and theory
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‘Flesh is the common ground of all being’ | World Aesthetics
https://worldscreenblog.wordpress.com/2007/10/10/flesh-is-the-common-ground-of-all-being
A blog of unfinished thoughts on film and theory. The opposite of desire. Yours, the World. 8216;Flesh is the common ground of all being’. October 10, 2007. The sexual act for her is something given- bodies are made to have sex, so they should. She is angry that even though Paul (Sagamore Stévenin) can have sex he won’t, that he won’t fulfil his subject-role as her sexual partner. So what is Marie, then? Her continual comments that she. Cheat on Paul suggest that it. Mind-body relation, but to see as man...
Over-democratization | World Aesthetics
https://worldscreenblog.wordpress.com/2007/08/22/over-democratization
A blog of unfinished thoughts on film and theory. Never mind how we kill each other. How do we talk about it? The alteration of perception (* Separate assessment* ). August 22, 2007. Aesthetics exists in ‘the world of perception and experience’ and demands its own language, its own logic, outside of a broader recognition of reason (Eagleton 16). It is related to affect, something which is precognitive, but can only be grasped fully with the interception of thought after the event. Benjamin’s explan...
November | 2007 | World Aesthetics
https://worldscreenblog.wordpress.com/2007/11
A blog of unfinished thoughts on film and theory. Archive for November, 2007. Yours, the World. November 7, 2007. Thai filmmaker Apichatpong Weerasethakul says here. Architecture gives more freedom? The feeling that stuck with me most about Apichatpong’s. 2002) is that none of the characters in the film were actually very nice; I couldn’t imagine myself being friends with any of them (like the four protagonists in. Which means that what I liked most about the film was that it returned me again to a state...
Aesthetics for a dystopian reality | World Aesthetics
https://worldscreenblog.wordpress.com/2007/09/07/aesthetics-for-a-dystopian-reality
A blog of unfinished thoughts on film and theory. The alteration of perception (* Separate assessment* ). Aesthetics for a dystopian reality. September 7, 2007. Moving on- reading about artistic regimes, I think I have discerned that I just prefer films that don’t have this kind of. Grittiness and rawness to them. Films from the poetic, mimetic regime, as Rancière classifies art that is regulated around reality and imitation, don’t offer as much as his other defined types. From Godard’s 1968. It’s ...
September | 2007 | World Aesthetics
https://worldscreenblog.wordpress.com/2007/09
A blog of unfinished thoughts on film and theory. Archive for September, 2007. September 21, 2007. Simon Frith theorises music in terms of how it produces and shapes an experience, and the characters within. Our experience of this aesthetic medium must be had from a space of subjective and collective identity, which means that as we experience music, we also change our own subjectivity, and thus identity. So, ‘identity is mobile, a becoming and not a being’. In Sofia Coppola’s. Does to the image) . T...
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Taxi! | this is cinemelo
https://cinemelo.wordpress.com/2014/12/14/taxi
Manhattan Melodrama (“Can I have a hot dog? Film Noir Dreamscapes →. December 14, 2014. Everyone loves a film with an exclamation mark in the title. I do, anyway. The poster doesn’t have one, but the title card in the film print does. Plastered across the screen, and the typical overhead shot of skyscrapers, a newspaper closeup reveals WAR DECLARED! Does in a subway tunnel. This is obviously a set, and one used in other films, too and there are some terrific scenes of dancing, drinking, indulgence, i...
Manhattan Melodrama (“Can I have a hot dog?”) | this is cinemelo
https://cinemelo.wordpress.com/2014/12/01/manhattan-melodrama-can-i-have-a-hot-dog
Manhattan Melodrama (“Can I have a hot dog? December 1, 2014. 8221; and a brawl breaks out. It’s all very transparent but you can say one thing for co-writer Joseph L Mankiewicz: his sure demonstrates his sharp talent for expressionistic dialogue. Angels With Dirty Faces. I love to write about film and comment on culture. Hopefully providing insight and interesting thoughts for fellow cultural itinerants. View all posts by cinemelo →. This entry was posted in cinema. Leave a Reply Cancel reply.
About | this is cinemelo
https://cinemelo.wordpress.com/about
I am Eloise Ross, PhD candidate at La Trobe University, my research is based around phenomenologies of sound in films from the latter half of the Golden Age, and the sensory affectiveness of cinema on the spectator-auditor. I live in Melbourne but I am through and through a cultural itinerant. And I love Barbara Stanwyck so much it hurts sometimes. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). Second Ave. Sagas.
The Little Foxes | this is cinemelo
https://cinemelo.wordpress.com/2014/11/30/the-little-foxes
Manhattan Melodrama (“Can I have a hot dog? 8221;) →. November 30, 2014. An early scene in. William Wyler, 1941). In 1968. He wasn’t entirely happy with Davis’ performance, with whom he had worked before with great results (on. 1941], but Wyler certainly makes a good film. The final set of thirds is this; Regina withdrawing into the shadows. Is she now trapped? I love to write about film and comment on culture. Hopefully providing insight and interesting thoughts for fellow cultural itinerants. Join 862 ...
cinemelo | this is cinemelo
https://cinemelo.wordpress.com/author/cinemelo
I love to write about film and comment on culture. Hopefully providing insight and interesting thoughts for fellow cultural itinerants. Walter Neff’s apartment. February 7, 2016. I had a lovely surprise this morning. I was running in Los Feliz near my hotel (it’s cheap, but I can see the Hollywood sign from my room), and, while I didn’t expect it, I began to feel familiar with the … Continue reading →. Dana Andrews and Cornel Wilde. August 28, 2015. Today in male privilege is bullshit:. August 23, 2015.
Film Noir Dreamscapes | this is cinemelo
https://cinemelo.wordpress.com/2014/12/16/film-noir-dreamscapes
The Barkleys of Broadway (Charles Walters, 1949) →. December 16, 2014. I stopped a film noir midway through this afternoon to have a nap, and had a dream to rival one of Adrian’s! I entered into the dream smack bang embroiled in the slowly brewing action, involved with a man in a sharp suit, and a large bag filled with a lot of money. Clearly, these plot elements entered my subconscious directly from the film I had stopped,. Too Late For Tears. Lawrence Kasdan, 1981), or. Surely this was the end of me?
The Barkleys of Broadway (Charles Walters, 1949) | this is cinemelo
https://cinemelo.wordpress.com/2014/12/18/the-barkleys-of-broadway-charles-walters-1949
Lawless (John Hillcoat, 2012) →. The Barkleys of Broadway (Charles Walters, 1949). December 18, 2014. The Barkleys of Broadway. The Wizard of Oz. Victor Fleming, 1939), but without so much tulle. While MGM’s The Barkleys of Broadway. Ivan the Terrible. Eisenstein’s, of course. Dinah is the pancake, because she’s shaped by her husband’s excessive talents or something as uninspiring as that. 1937) when they didn’t dance! Howard Hawks, 1952), when all she really does is pout and whinge. In something like.
Casque D’or | this is cinemelo
https://cinemelo.wordpress.com/2014/11/29/casque-dor
Reflecting on Dragonwyck (Mankiewicz, 1946). The Little Foxes →. November 29, 2014. It took a little while for. I love to write about film and comment on culture. Hopefully providing insight and interesting thoughts for fellow cultural itinerants. View all posts by cinemelo →. This entry was posted in Uncategorized. Reflecting on Dragonwyck (Mankiewicz, 1946). The Little Foxes →. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:.
July | 2015 | this is cinemelo
https://cinemelo.wordpress.com/2015/07
Monthly Archives: July 2015. Lawless (John Hillcoat, 2012). July 23, 2015. 8220;It is not the violence that sets men apart. It is the distance he is prepared to go.” Lawless is not a great film. In fact it takes about thirty minutes for the film to hit its stride, shortly after … Continue reading →. Enter your email address to subscribe to this blog and receive notifications of new posts by email. Join 862 other followers. Walter Neff’s apartment. Dana Andrews and Cornel Wilde. Every Person in New York.
Lawless (John Hillcoat, 2012) | this is cinemelo
https://cinemelo.wordpress.com/2015/07/23/lawless-john-hillcoat-2012
The Barkleys of Broadway (Charles Walters, 1949). Letty Lynton (1932) →. Lawless (John Hillcoat, 2012). July 23, 2015. 8220;It is not the violence that sets men apart. It is the distance he is prepared to go.”. Is not a great film. In fact it takes about thirty minutes for the film to hit its stride, shortly after Forrest (Tom Hardy) recites the above quote, to his brother Jack (Shia LaBeouf) and a change in the pace of Nick Cave and Warren Ellis’ score. View all posts by cinemelo →. Leave a Reply Cancel...
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World Aesthetics | A blog of unfinished thoughts on film and theory
A blog of unfinished thoughts on film and theory. Yours, the World. November 7, 2007. Thai filmmaker Apichatpong Weerasethakul says here. Architecture gives more freedom? When Min turns the stereo in the car up so loud that my seat started to reverberate with the sound- reminding me of my corporeality. My mind involved in the film, but my body too- my aesthetic response. And, I have to repeat Eagleton again here (sorry): ‘Aesthetics is born as a discourse of the body’ (1990:13). When the image stops, the...
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