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Currentartpics: (89)
http://currentartpics.blogspot.com/2008/05/89.html
100 profiles and comparisons of individual styles. Tuesday, 27 May 2008. A selection of works from the early 60s by Roy Lichtenstein (1923 – 97) at Gagosian. NY inspires a post on a pivotal moment in twentieth century painting. Typically, the gallery’s website offers little in the way of reproductions, happily resources at the Lichtenstein Foundation. Lichtenstein’s development throughout the 50s essentially matches standard and familiar subjects against strict and abstract treatments. Coincidentally, An...
Currentartpics: (25)
http://currentartpics.blogspot.com/2007/09/25.html
100 profiles and comparisons of individual styles. Thursday, 20 September 2007. First published 7th March 2007). Concurrent shows by Hirst at Gagosian, London. Offer attractive, large-scale collages of butterflies on black grounds in intricate symmetry. They take up religious and presentational themes established in previous work; continue the artist’s penchant for killing animals in elaborate commission. Emerges in the work of Jeff Koons from the mid 80s with his stainless steel castings of toys. Tellin...
Currentartpics: (99)
http://currentartpics.blogspot.com/2008/08/99.html
100 profiles and comparisons of individual styles. Tuesday, 5 August 2008. Polke’s stylistic lineage is obvious and yet puzzling. Like colleague Gerhard Richter. Polke’s career benefits from the success of a younger generation of German painters in the late 70s and early 80s, the Neue Wilden. But in as much as he exerts an influence, it is only on artists like Albert Oehlen. From common sources, usually, but not always photographic. To gradually include stencils. And tracing identified as such. Print sub...
How artists want to be seen | Die Beruehrung
https://dieberuehrung.wordpress.com/2015/05/30/how-artists-want-to-be-seen
On Doors into other worlds →. May 30, 2015 · 21:51. How artists want to be seen. Some Artist are interested in their self image. They make specific choices how they want to appear. Here are two different sets of collections: Artists referring to the motive of the hand or the mouth or both and Artists with different animals. I find both revealing and engaging. Tagged as Andy Warhol. On Doors into other worlds →. Leave a Reply Cancel reply. Enter your comment here. Address never made public).
two thirty in the afternoon | Die Beruehrung
https://dieberuehrung.wordpress.com/2014/09/10/two-thirty-in-the-afternoon
September 10, 2014 · 08:29. Two thirty in the afternoon. State of mind…at 2.30…. Written for the Royal College of Art catalogue 2014 ). Filed under about art. Tapping on the bark. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out.
Everybody I met | Die Beruehrung
https://dieberuehrung.wordpress.com/2014/12/08/everybody-i-met
How artists want to be seen →. December 8, 2014 · 17:58. An ongoing project where I draw Everybody I met from memory. How artists want to be seen →. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. Notify me of new comments via email.
Currentartpics: (61)
http://currentartpics.blogspot.com/2007/11/61.html
100 profiles and comparisons of individual styles. Tuesday, 13 November 2007. R B KITAJ (1932-2007). Kitaj’s sources are not contemporary advertising or graphics, but an array of historical and literary publications, often obscure. His project is initially a history painting constructed from layers of such reference. In early works such as The Murder of Rosa Luxemburg. And Reflections on Violence - Gedanken über Gewalttätigkeit. For photo-silkscreen prints only emphasise how easily print absorbs collage.
Currentartpics: (93)
http://currentartpics.blogspot.com/2008/06/93.html
100 profiles and comparisons of individual styles. Tuesday, 24 June 2008. The present show at Regen Projects. LA - Energetic Accumulators and Token Exchanges. Zittel’s work is often comic, exaggerating the reductive functions supposed by domestic design. There is also a strangely alienated, behaviouristic view of life, a need to define activities so concretely, in terms of objects to hand, for lack of any larger – especially interactive or interpersonal – ambit. It is design that fusses o...Alternatively...
Currentartpics: (76)
http://currentartpics.blogspot.com/2008/02/76.html
100 profiles and comparisons of individual styles. Tuesday, 26 February 2008. The installations of Cosima von Bonin deal in familiar, even orthodox concerns. There are surprising combinations of furniture, fittings and architectural features. Gathered in impressive variety, partitions. Improvised and mobile fixtures. Barricades, hangings and upholstery. Luxury and sporting goods. Sometimes mounted and framed as pictures. 8211; even paintings. The installations display a curious range of standard goods.
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