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Thursday, February 14, 2013. Parades and Changes Over the Past 43 Years:. An interview with Anna Halrpin. This article was originally published in the January/February 2013 issue of. A monthly magazine published by Dancers' Group, serving the San Francisco Bay Area and beyond. dancersgroup.org. Now, at 92, Anna is remaking for the last time what may be the most seminal dance “score” of her career. In mid-February dancers from as far away as Paris will stage a final iteration of. Parades and Changes,.

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Thursday, February 14, 2013. Parades and Changes Over the Past 43 Years:. An interview with Anna Halrpin. This article was originally published in the January/February 2013 issue of. A monthly magazine published by Dancers' Group, serving the San Francisco Bay Area and beyond. dancersgroup.org. Now, at 92, Anna is remaking for the last time what may be the most seminal dance “score” of her career. In mid-February dancers from as far away as Paris will stage a final iteration of. Parades and Changes,.

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writingdance | writingdance.blogspot.com Reviews

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Thursday, February 14, 2013. Parades and Changes Over the Past 43 Years:. An interview with Anna Halrpin. This article was originally published in the January/February 2013 issue of. A monthly magazine published by Dancers' Group, serving the San Francisco Bay Area and beyond. dancersgroup.org. Now, at 92, Anna is remaking for the last time what may be the most seminal dance “score” of her career. In mid-February dancers from as far away as Paris will stage a final iteration of. Parades and Changes,.

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writingdance.blogspot.com

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writingdance: July 2012

http://writingdance.blogspot.com/2012_07_01_archive.html

Thursday, July 19, 2012. The DNA of Dance. Subscribe to: Posts (Atom). The DNA of Dance. Header art: Poussin's "A Dance to the Music of Time," 1638. Please read "PAS du tout" in the March 2007 archive for bio. View my complete profile.

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writingdance: Smuin Feb 4 2010

http://writingdance.blogspot.com/2012/02/smuin-feb-4-2010.html

Wednesday, February 8, 2012. Smuin Feb 4 2010. Review: Bouncy 'Miss Cline' buoys a mixed program from Smuin Ballet. With spring in the air, Smuin Ballet opened its winter run last weekend at Walnut Creek's Lesher Theatre in a program of light, well-executed work that ranged from the sultry to the insouciant. The newest and most cheerful dance came at the end of the program - resident choreographer Amy Seiwert's cheeky medley, "Dear Miss Cline," set to songs by the pioneering country singer Patsy Cline.

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writingdance: Oh Onegin at SFB

http://writingdance.blogspot.com/2012/02/oh-onegin-at-sfb.html

Wednesday, February 8, 2012. Oh Onegin at SFB. While not everything about this ambitious, nearly 50-year-old work is a success, Friday's production of "Onegin" gripped the audience tightly, because it is a modernist dance arrayed like 19th-century fairy tale ballet, rife with social context yet rich with the competing forces of individual desire. It is one of those iconic stories about passion and morality that has legs, because its themes never grow stale. Onegin, stuck among what he regards as the unso...

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writingdance: January 2010

http://writingdance.blogspot.com/2010_01_01_archive.html

Thursday, January 14, 2010. An old review that's still news. The lives they lived: new biographies of Halprin, Farber, and Kirstein. Anna Halprin: Experience as Dance. By Janice Ross. Berkeley and Los Angeles: University of California Press. 2007. 462 pp., illustrated. $34.95. Dance Magazine, Oct, 2007. Slowly, Maqoma appeared in a narrow spotlight and began to talk as he moved toward the audience, flicking his fingers, flexing his hands and unleashing an array of Ping-Pong ball sounds from one of the cl...

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writingdance: February 2013

http://writingdance.blogspot.com/2013_02_01_archive.html

Thursday, February 14, 2013. Parades and Changes Over the Past 43 Years:. An interview with Anna Halrpin. This article was originally published in the January/February 2013 issue of. A monthly magazine published by Dancers' Group, serving the San Francisco Bay Area and beyond. dancersgroup.org. Now, at 92, Anna is remaking for the last time what may be the most seminal dance “score” of her career. In mid-February dancers from as far away as Paris will stage a final iteration of. Parades and Changes,.

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