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電脳Place Blog

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電脳Place Blog | wrongplace.org Reviews
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まずは、サイトで詳しくチェック http:/ www.sanikleen.co.jp/biz/. 先日は、 あとでやろう と考えて いつまでも しない人へ という本を読みましたのでご紹介しますね。 Proudly powered by WordPress. Middot; Theme: Pilcrow by Automattic.
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1 電脳place blog
2 skip to content
3 サイト利用規約
4 個人情報保護の規約に関して
5 運営者案内
6 治験バイトってどんなバイト
7 世の中には、探せばたくさんのアルバイトがあります
8 どんなアルバイトが自分に向いているかを考え、アルバイトを選ぶと思います
9 よくあるアルバイトではなく、少し変わったアルバイトというのもあるでしょう
10 治験バイトというものは知っているでしょうか
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電脳place blog,skip to content,サイト利用規約,個人情報保護の規約に関して,運営者案内,治験バイトってどんなバイト,世の中には、探せばたくさんのアルバイトがあります,どんなアルバイトが自分に向いているかを考え、アルバイトを選ぶと思います,よくあるアルバイトではなく、少し変わったアルバイトというのもあるでしょう,治験バイトというものは知っているでしょうか,実際に人に使ってもらい、その結果を見るのです,でも、アルバイトかというと呼び方が少し異なります,治験バイトじゃないの,links
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電脳Place Blog | wrongplace.org Reviews

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まずは、サイトで詳しくチェック http:/ www.sanikleen.co.jp/biz/. 先日は、 あとでやろう と考えて いつまでも しない人へ という本を読みましたのでご紹介しますね。 Proudly powered by WordPress. Middot; Theme: Pilcrow by Automattic.

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香港建築傷憐展 | cabinet

https://mycabinet.wordpress.com/2008/03/29/192

March 29, 2008. 8212; hoselina @ 1:24 am. 近日Michael Lee& Fung兩個策展人和一群藝術家搞了個香港建築傷憐展,剛睹了個兩位策展人的對話文章,都很有意思去談上personal在public中的反省,而畢竟是對前陣子在中環舊警署的建築雙年展來一次嘲諷/回應。 但對話中,又談上curating這東西,將academic,intelligent 和emotionally detached 的字眼一概而論,低眼看theoretical framework/academic之餘,其實是又不外乎在推銷學究主義,Dionysian, apollonian forces 的Nietzschean mix,我有點大為不解,其實curator可能都過於前設curating 之間的tension, 但筆者反而覺得theoretical frame/research based 的策展在港都少有,好像藝評少都可憐一樣,curator不防透過策展過程去整理一下藝術品的註譯、思考和研究,對香港貧瘠論述作點補充。 Leave a Comment ».

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心旅札記: 2011.10

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這十天,繼續疏苗,期間也施了肥,菜苗長得很快也很壯,雖然不免有小鳥啄食和蟲蛀,但大致來說不太嚴重,只是稍稍加強了膠袋彩帶陣,嚇一嚇雀鳥,叫牠們不要太猖狂。 膠袋彩帶也真管用,所覆蓋的地方,雀鳥都不敢落地,但邊緣位置,牠們就毫不客氣,飽吃一頓。人家說,做有機耕種,就不要太吝嗇,要有心理準備,分出一部分的收成給雀鳥。我聽後,只得苦笑回應。幸好,小鳥的啄食情況尚算受控。 白菜長得較快,幾天下來,已密密麻麻鋪滿了耕地,這時候當然不用再疏苗移植,我把較早長出來的菜葉一塊一塊剪下來,騰出空間給餘下的白菜繼續成長,而剪下來的菜葉當然成了我的果腹之物。 曾在這裏提及,我參加過粉嶺馬屎埔村 「馬寶寶社區農場」. 的耕種班,課程改變了我對務農的一貫看法,反思了城市人的生活。最近,他們成立了一個生活故事館,展覽一系列 「守護村情記憶」. 蘇軾《八聲甘州.寄參寥子》. 65292;詞作表現得開闊博大,富有盛唐的氣象,所以蘇軾說這首詞「不減唐人高處」。 蘇軾無事不可入詞的做法,打破了詩詞的分野,他的《八聲甘州》,是寫給他的一位僧人好友參寥子,當時...這裏扣住了東晉謝安的兩個典故:謝安雖為大臣,但有歸...這首詞寫得悲愴真切&#...

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走不完的台灣 | cabinet

https://mycabinet.wordpress.com/2009/05/11/走不完的台灣

May 11, 2009. 8212; hoselina @ 2:43 pm. 其後又到了20倉庫,規模不大,1a 公社 前進進的面積,展場外內都很raw,有一個公社Size的展場,有小商店Corner和Café室,設計簡單,但場地有個性,自發且政府少管的自由場地。 走前買了多本蔣薰的書,作為一個局內人, 他曾說,雖然台灣有好的美術館,演藝事業蓬勃,但人民的生活仍然是粗糙甚至野蠻,這是藝術與生活未能結合。 香港不是粗糙,但暫時也不見得很好的美術館和藝術發展,藝術與生活未扯上關聯,只是消費和生活一直結合嗎? Leave a Comment ». Feed for comments on this post. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your Twitter account. ( Log Out.

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擺渡 Re-orientation | cabinet

https://mycabinet.wordpress.com/2010/01/20/擺渡-re-orientation

January 20, 2010. 8212; hoselina @ 3:24 pm. 參展藝術家:王浩然、Anya Ventura、 方琛宇、李民偉、林欣傑海、潮及美姬 藍、許方華、陳錦成、黃頌恩、魂遊、劉學成、鄭志明. Re-orientation is a journey through different spaces and time. On this journey one may witness things changing, and the people around us transforming; one may desire to keep some of these things by collecting memories. One then might ponder whether to linger in the same place, or depart for another. Selina Ho,Vivian Ting,Jonathan Wong. Opening Hours: Fri, Sat and Sun. Leave a Comment ». You are...

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關晃紀念展 | cabinet

https://mycabinet.wordpress.com/2008/07/06/201

July 6, 2008. 8212; hoselina @ 5:54 am. 六月三十日是關晃紀念展的開幕,展場有點水洩不通,在場館中欣然遇上了久違的Wenyau,大家都很開心的是相方看來身體比去年健康得多,記得上年這個日子我們一起策劃的九七十年回歸展,同樣是開幕日,參與的人也及不上這回對關晃一生的致敬。 是似展覽很簡單,隨了展示關晃少許的作品,以及一些生前的訪問錄像,但收音很差,雖然我無法聽清楚,但還是吸引看著關晃的身影,我無法感到他是已離我們而去。 再次看到它理髮店的畫,還有三張在NY時晝的暗光作品,那股沉重的情感,無法與現實脫離,但又是精神性昇華,它的形式意志,是關晃作的人格特徵,也是這位藝術家的魅力所在。 Leave a Comment ». Feed for comments on this post. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public).

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cabinet | Just another WordPress.com weblog | Page 2

https://mycabinet.wordpress.com/page/2

March 29, 2008. 8212; hoselina @ 1:24 am. 近日Michael Lee& Fung兩個策展人和一群藝術家搞了個香港建築傷憐展,剛睹了個兩位策展人的對話文章,都很有意思去談上personal在public中的反省,而畢竟是對前陣子在中環舊警署的建築雙年展來一次嘲諷/回應。 但對話中,又談上curating這東西,將academic,intelligent 和emotionally detached 的字眼一概而論,低眼看theoretical framework/academic之餘,其實是又不外乎在推銷學究主義,Dionysian, apollonian forces 的Nietzschean mix,我有點大為不解,其實curator可能都過於前設curating 之間的tension, 但筆者反而覺得theoretical frame/research based 的策展在港都少有,好像藝評少都可憐一樣,curator不防透過策展過程去整理一下藝術品的註譯、思考和研究,對香港貧瘠論述作點補充。 February 3, 2008. If you are in L...

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展覽實驗 . 實驗展覽Exhibiting Experiments . Experimenting Exhibitions | cabinet

https://mycabinet.wordpress.com/2010/07/18/展覽實驗-實驗展覽exhibiting-experiments-experimenting-exhibitions

July 18, 2010. 展覽實驗 實驗展覽Exhibiting Experiments . Experimenting Exhibitions. 8212; hoselina @ 3:55 am. 正如英國藝術家及評論家 Liam Gillick 所說 問題在於我們對整個策展模式議題的審視,跟藝術家在過去三十年間對 作者 以至 自我 的反思並不相同。 在 白盒子 white cube 現象逐漸風行的時代,當代藝術史的編寫必須透過展覽,而非單純分析作品。 我們將思考所有展覽相關的元素 從概念到展示方式以至場刊編印 從場地以至展覽的形式及功能 從白色牆壁的運用到看似繁瑣的事務如邀請卡發放、開幕日及開放時間的考慮等。 實驗一 2010年6月5日至7月4日 研究員 梁展峰. 實驗二 2010年7月17日至8月15日 研究員 李俊峰及丁穎茵. 實驗三 2010年8月至9月 研究員 何翠芬. 實驗四 2010年9月至10月 研究員 方詠甄. All experiments start with a doubt, a question. Lee Chun Fung, Jeff Leung. Meanwhile,...

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香港博物館圍牆的倒塌 | cabinet

https://mycabinet.wordpress.com/2009/07/29/文章分享

July 29, 2009. 8212; hoselina @ 1:03 pm. 1954 年 Malraux 在他的著作 沒有圍牆的博物館 museum without walls 中,不只是在談博物館,還以社會學談論藝術之本質,他指出 藝術並非超然存在,而是被社會脈絡所限制 ,脈絡不只是解釋其藝術、同時也論及先前曾經存在的事物,並企及再現與社會秩序打造。 上月發生一群香港藝術家及文化工作者對香港藝術館動用590萬公帑舉辦 路易威登 創意情感 展覽的抗議行動,針對藝術館外牆的LV花紙作為公共藝術的官方解釋,以及就公型博物館運作和策展機制提出指責。 直至近年香港民間出現各種 博物館 計劃,例如 民間博物館計劃 、灣仔藍屋的博物館以及 Museum Dream 計劃等,大都追求博物館的流動性和想像空間、民間參與、另類的意念和展覽實驗等,這不但構成對詮譯權力、自我表述的渴求,而且面對公型博物館的官僚機制和單一、傳統展示方式的一種反向。 上月那群年青藝術家在藝術館門外遞交抗議館方策劃 路易威登 創意情感 的公開信行動,是繼藝術文化界介入西九計劃的討論以來,另一場對現存公型博物館比較鮮明的反思行動。 You a...

mycabinet.wordpress.com mycabinet.wordpress.com

從旗袍展看博物館如何書寫歷史 | cabinet

https://mycabinet.wordpress.com/2010/11/14/從旗袍展看博物館如何書寫歷史

November 14, 2010. 8212; hoselina @ 3:47 am. 另外,二十年代是旗袍顫覆的年代,究竟當時的政治環境誘因及舊社會對革新有何反應 展覽交待了五四運動後,女權高漲,只有前衛的女學生才敢穿旗袍 國民政府頒佈 服制條例 ,規定旗袍作為禮服,以及規定長袍為女生的校服,即概括為被社會認受。 五十至六十年代旗袍在國內被禁,展覽中只用少量文字交代了事,缺乏任何歷史佐證,甚至劉少奇夫人王光美穿旗袍被批鬥的事實都隻字不提,旗袍既於 文化大革命 被消滅,難度這段缺席的歷史也要被消滅 其次是旗袍師傅的聲音非常微弱,除了一小段訪問外,旗袍製造的過程,甚至行業的發展盛衰都沒有著力描寫。 據美國符號學家皮爾士(Charles Sanders Pierce)所指, 象徵 (symbol)是符號的其中一類,它與所指涉的事物的關聯是武斷的由約定俗成而衍生,即如玫瑰象徵愛情。 觀乎 歷久常新 旗袍的變奏 ,一如其採用一個非常中性的題目,摒除旗袍兩字,實可套用在任何舊物件上。 刊於 文化現場 October 2010. Leave a Comment ». Enter your comment here.

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まずは、サイトで詳しくチェック http:/ www.sanikleen.co.jp/biz/. 先日は、 あとでやろう と考えて いつまでも しない人へ という本を読みましたのでご紹介しますね。 Proudly powered by WordPress. Middot; Theme: Pilcrow by Automattic.

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Wrong Place Saloon

THE WRONG PLACE SALOON. 1204 North Rampart Street. New Orleans, Louisiana. Have you been to The Wrong Place. Do you remember Joel? Did you sing the chorus of. With Ronnie and Steve and fifty other souls at midnight? Or listen to song after original song by Tirk, Leather, Eugene, Brett, Jacqui, Lucas, or at least a dozen others? Do you remember Smokey and Helt, Bruce and Gail, Tex, or Tabby? Did you play at The Wrong Place? Did you attend the '96 reunion? Do you remember Charlie Blue? Joel Wray, March 1973.