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FAR100(2280) - Introduction to Fine Art: Module 6 - Painting and Printing

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FAR100(2280) - Introduction to Fine Art. Monday, July 9, 2012. Module 6 - Painting and Printing. Etching - Rembrandt van Rijn. Shell (Conus Marmoreus); state II. Etching, drypoint and burin, 9.7 x 13.2 cm. Erich Lessing Culture and Fine Arts Archives. Wallpaper Design - Charles Burchfield. Burchfield Penny Art Center. Watercolor - Charles Burchfield. The multi- talented Burchfield has a number of paintings that are displayed at the Burchfield Penny Art Center located on the Buffalo State College campus&#...

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FAR100(2280) - Introduction to Fine Art: July 2012

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FAR100(2280) - Introduction to Fine Art. Friday, July 13, 2012. Module 7 - Photography and Sculpting. The picture below is an example of the decisive moment where a string art sculptor is engrossed in his work and oblivious to the camera. This creates a natural scene that captures an instant in the life of the sculptor. US Sculptor, Naum GABO. Gelatin silver contact print, 24.2 x 19.1 cm. Photographs, 34.3 x 26.7 cm. Italian and other European Art. Ceramic, metal, 46 cm high. 8221; for his Earth Artwork&...

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FAR100(2280) - Introduction to Fine Art: Module 7 - Photography and Sculpting

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FAR100(2280) - Introduction to Fine Art. Friday, July 13, 2012. Module 7 - Photography and Sculpting. The picture below is an example of the decisive moment where a string art sculptor is engrossed in his work and oblivious to the camera. This creates a natural scene that captures an instant in the life of the sculptor. US Sculptor, Naum GABO. Gelatin silver contact print, 24.2 x 19.1 cm. Photographs, 34.3 x 26.7 cm. Italian and other European Art. Ceramic, metal, 46 cm high. 8221; for his Earth Artwork&...

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FAR100(2280) - Introduction to Fine Art: June 2012

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FAR100(2280) - Introduction to Fine Art. Friday, June 29, 2012. Module 5 - Principals of Design. By Childe Hassam (1859-1935). Oil on canvas, 94.3 x 64.2 cm. Smithsonian American Art Museum. Rubens, His Wife Helena Fourment, and Their Son Peter Paul. By Peter Paul Rubens (1577-1640). Oil on wood, 203.8 x 158.1 cm. The Metropolitan Museum of Art. In the North the Negro had better educational facilities. By Jacob Lawrence (1917-2000). Tempera on gesso on composition board. The Museum of Modern Art. For thi...

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FAR100(2280) - Introduction to Fine Art: Module 3 – Art Elements, Line and Space

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FAR100(2280) - Introduction to Fine Art. Monday, June 18, 2012. Module 3 – Art Elements, Line and Space. This drawing by Henri Gaudier-Brzeska (1891-1915) is an example of the use of line to outline the two figures here, which are representations of the female form. The outline is of an abstract nature, but it is definitive enough to distinguish the subject matter. By Henri Gaudier-Brzeska (1891-1915). Black wash drawings and watercolors, 8.375” x 5.5”. Boston Museum of Fine Arts. Madonna of the Rocks.

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FAR100(2280) - Introduction to Fine Art: Module 4 - Light, Color and other Formal Elements

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FAR100(2280) - Introduction to Fine Art. Sunday, June 24, 2012. Module 4 - Light, Color and other Formal Elements. Chiaroscuro is the use of gradient shading and chromatic colors to depict 2 dimensional objects as if they are 3 dimensional. The shading generates contour in the surface of the object by using the perception of a light source and the resulting shadows casted by that light. By Albrecht Durer (1471-1528). Woodcut in black line, with blue-green tone block, 8.325” x 11.75”. The idea that trees ...

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FAR100(2280) - Introduction to Fine Art: Module 2 – Visual Literacy and Value in Art

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FAR100(2280) - Introduction to Fine Art. Monday, June 11, 2012. Module 2 – Visual Literacy and Value in Art. These two chapters in the textbook A World of Fine ART. Discuss the basic terms which would be art critics use to communicate intelligently, among one another, about the works of art they encounter. The ability to concisely describe what one sees in a work of art is crucial to conveying the feeling and underlying meaning the viewer perceives, when in the presence of fine art. Form vs. Content.