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Michael Auld

Wednesday, November 5, 2014. Cultural Revival: The Taíno. Still hear the lesson taught to me by a late sculpture professor, mentor and friend, Ed Love. Upon a visit to my home in Washington, DC, he commented on my sculptures. At that time, I worked mainly in welded steel inlaid with etched and color embellished Plexiglas panels. He said, “Always describe your own work. Don’t leave its interpretation up to anyone else. No one else can accurately explain its meanings.”. Research in a number of scholarly fi...

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Michael Auld | yamaye1.blogspot.com Reviews
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Wednesday, November 5, 2014. Cultural Revival: The Taíno. Still hear the lesson taught to me by a late sculpture professor, mentor and friend, Ed Love. Upon a visit to my home in Washington, DC, he commented on my sculptures. At that time, I worked mainly in welded steel inlaid with etched and color embellished Plexiglas panels. He said, “Always describe your own work. Don’t leave its interpretation up to anyone else. No one else can accurately explain its meanings.”. Research in a number of scholarly fi...
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Michael Auld | yamaye1.blogspot.com Reviews

https://yamaye1.blogspot.com

Wednesday, November 5, 2014. Cultural Revival: The Taíno. Still hear the lesson taught to me by a late sculpture professor, mentor and friend, Ed Love. Upon a visit to my home in Washington, DC, he commented on my sculptures. At that time, I worked mainly in welded steel inlaid with etched and color embellished Plexiglas panels. He said, “Always describe your own work. Don’t leave its interpretation up to anyone else. No one else can accurately explain its meanings.”. Research in a number of scholarly fi...

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yamaye1.blogspot.com yamaye1.blogspot.com
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Michael Auld: Cultural Revival: The Taíno

http://www.yamaye1.blogspot.com/2014/11/cultural-revival-taino.html

Wednesday, November 5, 2014. Cultural Revival: The Taíno. Still hear the lesson taught to me by a late sculpture professor, mentor and friend, Ed Love. Upon a visit to my home in Washington, DC, he commented on my sculptures. At that time, I worked mainly in welded steel inlaid with etched and color embellished Plexiglas panels. He said, “Always describe your own work. Don’t leave its interpretation up to anyone else. No one else can accurately explain its meanings.”. Research in a number of scholarly fi...

2

Michael Auld: March 2013

http://www.yamaye1.blogspot.com/2013_03_01_archive.html

Monday, March 18, 2013. Opechancanough : The first American hero. 169; by Michael Auld,. Http:/ yamaye-mike.blogspot.com/. An Overlooked American Hero: For March 22nd. This is a computer enhanced watercolor of how Opechancanough. Like his older brother, he may have also visited Capitol Hill. He began in 1610 what the American Revolutionaries achieved. Opechancanough was the architect of the First Anglo-Powhatan War. That took place from 1610-13 in Virginia. Edited by Helen C. Rountree, Pp. 190 . 1644-46)...

3

Michael Auld: Football: Is it American? What role did the Olmec play in this international game?

http://www.yamaye1.blogspot.com/2014/06/football-is-it-american-what-role-did.html

Sunday, June 22, 2014. Football: Is it American? What role did the Olmec play in this international game? 8220;the mother civilization of Mesoamerica, flourished in the present-day states of Veracruz and Tabasco, Mexico from around 1500 BCE. The name "Olmec" comes from the Nahuatl word for the Olmecs: Ōlmēcatl [o. Singular) or Ōlmēcah [o. Plural). This word is composed of the two words ōlli [. I], meaning "rubber", and mēcatl [. Meaning "rope", so the word means "rubber line or lineage"-Wikipedia. The un...

4

Michael Auld: Who owns slavery?

http://www.yamaye1.blogspot.com/2013/05/who-owns-slavery.html

Wednesday, May 15, 2013. Slavery: Who owns up to it? 169; by Michael Auld,Jamaican-born writer/artist. Http:/ yamaye-mike.blogspot.com/. Give the horse away? The Native woman replied, "This is my. One of a group of eastern, southeastern and central Europe, including Russia - 1. A person who is the property of and wholly subject to another, also a bond servant. Webster's Encyclopedic Unabridged Dictionary of the English Language. Historically, slavery was institutionally recognized by many societies; in m...

5

Michael Auld: July 2014

http://www.yamaye1.blogspot.com/2014_07_01_archive.html

Thursday, July 24, 2014. The Algonquian word for destiny/karma. Destiny, fate, fortune, kismat, kismet. In Hinduism and Buddhism) the sum of a person's actions in this and previous states of existence, viewed as deciding their fate in future existences. Destiny or fate, following as effect from cause. Century “European Invasion” started the takeover of North America by outsiders. 2) Who belongs in the USA? What would Native American forefathers think about the current "border crisis"? They took it away f...

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anansistories.com anansistories.com

About the Anansi Stories artist

http://www.anansistories.com/About_the_artist.html

The indigenous Taino name for Jamaica. Sculptures, installations and prints by the artist who is an enrolled member of the. United Confederation of Taino People (UCTP) an organization of indigenous. Caribbean people dedicated to their continued cultural survival. Was born in multi-ethnic Kingston, Jamaica of tri-racial ancestry that includes an Akan (Asanti). Forbearer. In that island, whose motto is Out Of Many, One People, Anansi was an invaluable moral tool.There, the. You just telling a Anansi story.

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Friday, June 20, 2014. Football: Where would it be without the Olmec? 8220;the mother civilization of Mesoamerica, flourished in the present-day states of Veracruz and Tabasco, Mexico from around 1500 BCE. The name "Olmec" comes from the Nahuatl word for the Olmecs: Ōlmēcatl [o. Singular) or Ōlmēcah [o. Plural). This word is composed of the two words ōlli [. I], meaning "rubber", and mēcatl [. Meaning "rope", so the word means "rubber line or lineage"-Wikipedia. A Maya ball player striking the. Maybe lat...

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Michael Auld

Wednesday, November 5, 2014. Cultural Revival: The Taíno. Still hear the lesson taught to me by a late sculpture professor, mentor and friend, Ed Love. Upon a visit to my home in Washington, DC, he commented on my sculptures. At that time, I worked mainly in welded steel inlaid with etched and color embellished Plexiglas panels. He said, “Always describe your own work. Don’t leave its interpretation up to anyone else. No one else can accurately explain its meanings.”. Research in a number of scholarly fi...

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