yann-gibert-atraducao.blogspot.com
a tradução
Back to pieces menu. I had decided to transmit an object that had been transmitted to me, an intimate object, to each of the participants with who I have a personal link since days, weeks, months, years. A Tradução (the translation) is a single date piece, specifically conceived for the hospital context of Pavilhão 28. In this work my intimate past interferes with the daily domestic surrounding of the audience/participants. Here are some news from the performance that happened yesterday. I was in a very ...
yann-gibert-daquieuposso.blogspot.com
daqui eu posso _ agora eu penso
Daqui eu posso agora eu penso. Conception / Interpretation : Yann Gibert. Critical support: Isabel Simões, Miguel Pereira, Rui Catalão. Production: Forum Dança 8a MIMAP Instituto Franco-Portugues. Inscription à : Articles (Atom).
yann-gibert-farewell.blogspot.com
farewell
I've arrived from France on the 23rd of September 2005. I was carrying a bag, only. In it there were clothes, a flash disk, some official papers. I've arrived in Lisbon with few things and the will to stay for a year. All the rest of my belongings had been spread among my friends. During a big farewell party. During this farewell night we shared what I had accumulated during years in this house in Lyon to enable me to travel with a lighter bag and a lighter heart.". Inscription à : Articles (Atom).
yann-gibert-freeingthebody.blogspot.com
freeing the body (reenactment)
Freeing the body (reenactment). A reenactment of Marina Abramovic's performance "Freeing the body" (1976, Berlin) by Yann Gibert (2010, Lisbon). 8220;I wrap my head in a black scarf. I move following the beating of an african drum. I move until I loose all my energy. The performance lasts 8 hours.”. Marina Abramovitch, Künstlerhaus Bethanien, Berlin 1975). What exactly is the intention of this performance? Inscription à : Articles (Atom).
yann-gibert-onetwothree.blogspot.com
one two three for one boy
One two three for one boy. This piece is a trilogy composed of 3 different solos coming from a 4 months research period on the subject of exhaustion. It‘s performed by Yann Gibert with the help of Isabel Simoes in the second part. The 1st part, Impulsivity. This part is questioning this French formula “faire 1000 choses pour ne rien faire”. It’s this way of exhaustion that Yann Gibert explores. Here there’s no need of color, or volume, or music, the energy only is enough. The 2nd part, Community. Yann Gi...
yann-gibert-semtitulo.blogspot.com
sem título
Sem título, 2011. Paulo Lisboa / Yann Gibert. Straight ahead and then turn. André Catalão, Anni Katajamaki, Luís Alves, Mia, Micael Nussbaumer, Natália Rato, Paulo Lisboa, Rui Martins, Sandro Ferreira. Avenida da Liberdade, 211, 1º Dto, LISBOA, Portugal. 08 OUT - 06 NOV 2011 Inauguração: Sábado, 08 de Outubro. Inscription à : Articles (Atom). Back to pieces menu.
yann-gibert-sixjuin.blogspot.com
six juin deux mille trois
Six juin deux mille trois. Back to pieces menu. Starting from now, a reenactment of my pieces, the telling of their context, to reach the orignal moment : the premiere of my 1st work as choreographer, the 6th of june 2003. . Concept and performance: Yann Gibert. Production: festa da dança 2008 / ZDB negócio. Acknowledgements: Gil Mendo, Miguel Pereira, Isabel Simões. Inscription à : Articles (Atom).
yann-gibert-soonthirty.blogspot.com
soon thirty
Back to pieces menu. 8220;E ninguém saiu nu do bolo”. And nobody jumped out of the cake naked". During the night of the 19th to the 20th of June 2010 occurred the performance SOON THIRTY. This intervention had interrupted during 15 minutes the party organised in Lisbon bar "Liverpool", witch had for thematic "the future is already past, good bye", in order to celebrate performer Yann Gibert's birthday. Present people found themselves divided in between choosing to listen to the story, chatting with other...
yann-gibert-thebodyartist.blogspot.com
the body artist
8220;What would you do if you were a body artist? This was the question we asked one each other to start that project. We face body-art as field of expression linking dance to visual arts. We work in a posterior context to the one that led artists, in the 60’s, to do Body-Art. We talk about death and its representation through a collective identity: The Body Artist. Isabel Simões and Yann Gibert. Inscription à : Articles (Atom).
yann-gibert-theslows.blogspot.com
the slows
The Slows has been imagined by Ana Luísa Antunes and Yann Gibert as an answer to an invitation from AtelierOTIA TVTA, Lisbon. A performance for a party. How to perform in a private context avoiding the social event field? How to “fit in” and avoid to “show off”? This soft intervention on the collective hedonistic project contaminates the temporary community that has naturally been the audience of it first, then (while time passes and glasses are emptied) anaccomplice, to finally become an actor of it too.
yann-gibert-threetimes.blogspot.com
three times
8220;Most of the process of this collaboration was about finding the piece. How come, from the idea-based work, can surge a shape and what meaning can this shape bring? At the end, we don't know much more about the piece. We stand, and we will keep standing, in this permanent encounter state with this work. This is our story. We are on stage to publicly witness our story that could become the audience's as well: an endless story in a precise moment.". Inscription à : Articles (Atom).