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Your Piano | Jazz comping, pop and rock free piano lessons

So What Chords and Fourth Chords. Examples of Comping Progressions. Welcome to Your Piano. In these pages you will find notes, observations, tips and exercises that I have developed over my musical journey as a piano student. This information will be updated and improved as new knowledge emerges. 8220;If there is so much good stuff out there, why creating yet another piano website? 8221;, you may ask. The chief reason is that I have struggled to find any free. Which is used in my comping voicing tables.

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Your Piano | Jazz comping, pop and rock free piano lessons | yourpiano.org Reviews

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So What Chords and Fourth Chords. Examples of Comping Progressions. Welcome to Your Piano. In these pages you will find notes, observations, tips and exercises that I have developed over my musical journey as a piano student. This information will be updated and improved as new knowledge emerges. 8220;If there is so much good stuff out there, why creating yet another piano website? 8221;, you may ask. The chief reason is that I have struggled to find any free. Which is used in my comping voicing tables.

<META> KEYWORDS

1 nomenclature

2 jazz theory

3 left hand voicings

4 tritone substitutions

5 upper structures

6 scale theory

7 jazz comping

8 introduction

9 comping voicings tables

10 root voicings tables

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nomenclature,jazz theory,left hand voicings,tritone substitutions,upper structures,scale theory,jazz comping,introduction,comping voicings tables,root voicings tables,altering dominant chords,pop/rock piano,coming soon,select page,caveat lector

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Your Piano | Jazz comping, pop and rock free piano lessons | yourpiano.org Reviews

https://yourpiano.org

So What Chords and Fourth Chords. Examples of Comping Progressions. Welcome to Your Piano. In these pages you will find notes, observations, tips and exercises that I have developed over my musical journey as a piano student. This information will be updated and improved as new knowledge emerges. 8220;If there is so much good stuff out there, why creating yet another piano website? 8221;, you may ask. The chief reason is that I have struggled to find any free. Which is used in my comping voicing tables.

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1

Left-Hand Voicings | Your Piano

http://www.yourpiano.org/jazz-piano-left-hand-voicings

So What Chords and Fourth Chords. Examples of Comping Progressions. Is usually voiced as [b3,5,b7,9] or [b7,9,b3,5], but it also welcomes the eleventh. The thirteenth instead should be used with caution, since it creates a dissonant half-step interval with b7. Even if we eliminate b7 and we play a three-note voicing like [b3,13,9], the thirteenth generates tension by forming a tritone with b3. Is often voiced as [3,13,b7,9] or [b7,9,3,13]. The two voicings for III7alt used in the vii. Is a tonic minor ch...

2

Comping Voicings Tables | Your Piano

http://www.yourpiano.org/jazz-piano-comping-voicings-table

So What Chords and Fourth Chords. Examples of Comping Progressions. Each cell in these tables lists comping structures for a given chord, ordered from the most compact to the widest (from top to bottom). Please refer to the nomenclature. When comping, it is up to the pianist to distribute the voicing notes across the two hands. Hence, when in the tables below I refer to a left-hand voicing, I am referring to the chord itself, not to the hand it should be played by. D2 LH3 (no 9). Inv SWC 11 (. FC 9,13,3.

3

Altering Dominant Chords | Your Piano

http://www.yourpiano.org/jazz-piano-comping-altering-dominant-chords

So What Chords and Fourth Chords. Examples of Comping Progressions. Let us explore some elegant options to alter the V7 chord in a ii-V7-I progression. For the sake of simplicity, let us consider a four-note D2 LH3 or D2 LH7 Dorian chord and let us explore the choices we have to alter the Mixolydian one. With the third and seventh in the left hand, we have three options of chromatic. In the right hand (besides the usual chromatic down-step of b7 of ii that becomes the third of V7):. Instead, but they add...

4

Tritone Substitutions | Your Piano

http://www.yourpiano.org/jazz-piano-seventh-dominant-chords-tritone-substitutions

So What Chords and Fourth Chords. Examples of Comping Progressions. Altering Seventh Dominant Chords. Such dualism is also reflected in upper structures: US bVI (X7alt) becomes US II (Y7 11) of the tritone substitution and vice versa. If the comper replaces V7 with V7b9 (US VI) the dualism still works, in that the tritone substitution will still be a V7b9 scale with 5 and 9 in lieu of b9 and 13 respectively (US bIII, less elegant but still unambiguously a V7b9 scale). Another example: in B. In order for ...

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Upper Structures | Your Piano

http://www.yourpiano.org/jazz-piano-comping-upper-structures

So What Chords and Fourth Chords. Examples of Comping Progressions. An Upper Structure (US) is defined as a triad over a tritone. These are employed when harmonizing dominant seventh chords with different tensions. The following three are the most common:. Can be voiced as US II. Can be voiced as US bVI. Can be voiced as US VI, but with only b7 in the bass to avoid doubling the third. The only exception is when the third is at the top of the chord (triad in root position). Can be voiced as US #iv or US bV.

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