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musicianship musings

Friday, 5 September 2008. How Can I not Love You. This transcription is homophonic in nature, with the right hand playing the melody and left hand accompanying with regular quaver beats. There is a rather generous use of tied notes- where the last quaver of the beat is tied to the first quaver of the next beat. Interestingly enough there are no tied-over notes across the barline. Verse is made up of S-S-L phrase structure with each phrase beginning on the first beat. Must be strong and we must let go.

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musicianship musings | zeeeq.blogspot.com Reviews

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Friday, 5 September 2008. How Can I not Love You. This transcription is homophonic in nature, with the right hand playing the melody and left hand accompanying with regular quaver beats. There is a rather generous use of tied notes- where the last quaver of the beat is tied to the first quaver of the next beat. Interestingly enough there are no tied-over notes across the barline. Verse is made up of S-S-L phrase structure with each phrase beginning on the first beat. Must be strong and we must let go.

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musicianship musings | zeeeq.blogspot.com Reviews

https://zeeeq.blogspot.com

Friday, 5 September 2008. How Can I not Love You. This transcription is homophonic in nature, with the right hand playing the melody and left hand accompanying with regular quaver beats. There is a rather generous use of tied notes- where the last quaver of the beat is tied to the first quaver of the next beat. Interestingly enough there are no tied-over notes across the barline. Verse is made up of S-S-L phrase structure with each phrase beginning on the first beat. Must be strong and we must let go.

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zeeeq.blogspot.com

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musicianship musings: September 2008

http://www.zeeeq.blogspot.com/2008_09_01_archive.html

Friday, 5 September 2008. How Can I not Love You. This transcription is homophonic in nature, with the right hand playing the melody and left hand accompanying with regular quaver beats. There is a rather generous use of tied notes- where the last quaver of the beat is tied to the first quaver of the next beat. Interestingly enough there are no tied-over notes across the barline. Verse is made up of S-S-L phrase structure with each phrase beginning on the first beat. Must be strong and we must let go.

2

musicianship musings: Joy Enriquez- How can I Not Love You

http://www.zeeeq.blogspot.com/2008/09/joy-enriquez-how-can-i-not-love-you.html

Thursday, 4 September 2008. Joy Enriquez- How can I Not Love You. This song is actually the theme song from Anna and the King (starring Jodie Foster and Chow Yun Fat). Context: Both Anna and the king have fallen hopelessly in love with each other but. Cue opening lines of song). Cannot be together because:. How can a yellow-skinned king (who has tons of wives and children already) marry an angmoh governess, whose beliefs are too radical for the urban society of Siam? They are not together eventually?

3

musicianship musings: Geeking out

http://www.zeeeq.blogspot.com/2008/09/geeking-out.html

Tuesday, 2 September 2008. Finally, a blog for me to geek out on music and my thoughts on music! And of course, to submit my music analysis homework (cough-cough). Is it true that "daogeys" when eaten in a clump, add to the taste of the overall dish, but on their own, they are potentially health threatening? Perhaps we won't see a clumpful of "daogeys" but clumpfuls of hair at the end of it all. Subscribe to: Post Comments (Atom).

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musicianship musings: Analysis I

http://www.zeeeq.blogspot.com/2008/09/analysis-i.html

Friday, 5 September 2008. How Can I not Love You. This transcription is homophonic in nature, with the right hand playing the melody and left hand accompanying with regular quaver beats. There is a rather generous use of tied notes- where the last quaver of the beat is tied to the first quaver of the next beat. Interestingly enough there are no tied-over notes across the barline. Verse is made up of S-S-L phrase structure with each phrase beginning on the first beat. Must be strong and we must let go.

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homeworkhere.blogspot.com

Homeworkhere: September 2008

http://homeworkhere.blogspot.com/2008_09_01_archive.html

A Blog for me to learn. Sunday, September 7, 2008. Blog Assignment 1 - Due Sep 5 2008 (Revised). Fig 1 Fig 2. Don't Cry for Me Argentina. The typical harmonic phrase model of T - PD - D - T can be observed in this short excerpt. This can be seen from bars 1-7, as shown above in the score. The harmony from bars 1-7 is analyzed as follows:. I - Ib - I - Ib - IVc - IV - IVc - IV - Vb - Vc - V7 - I. I - V - vi - vic - Ib - I - IV. Okay, that's it&...

xl-musictalk.blogspot.com

music analysing: September 2008

http://xl-musictalk.blogspot.com/2008_09_01_archive.html

Monday, September 22, 2008. Hello, xl here. First task done on setting up blog. Hopefully good analysis follows. Subscribe to: Posts (Atom). Hello, xl here. first task done on setting up blog.

xl-musictalk.blogspot.com

music analysing: May 2009

http://xl-musictalk.blogspot.com/2009_05_01_archive.html

Friday, May 22, 2009. The Eagles - Desperado (Pop Music Analysis - AAI104). Subscribe to: Posts (Atom). The Eagles - Desperado (Pop Music Analysis - AAI10.

xl-musictalk.blogspot.com

music analysing: November 2010

http://xl-musictalk.blogspot.com/2010_11_01_archive.html

Wednesday, November 17, 2010. AAI333 - Blogging Assignment 2. For my second listening journal, I've decided to do something a little off from what we are doing, the use of quarter tones. In music. Firstly, what are quarter tones? Using logical deduction, semi tones = half of a tone, and hence, a quarter tone will be half of a semitone, which is not on our conventional pitch that we know off using the piano as our reference to pitches. I Largo, II. Allegro. Three Quarter tone Pieces - I. Largo. Besides th...

xl-musictalk.blogspot.com

music analysing: September 2010

http://xl-musictalk.blogspot.com/2010_09_01_archive.html

Tuesday, September 21, 2010. Okay, this shall be my journal for this term's project as well. After much thoughts, i guess i will settle on analysing a band piece since i'm such a 'band-person' and analysing one work would probably be more relevant. Will definitely look into other 20th Century Music, and i will leave that for this little avenue in the later posts for BLOGGING ASSIGNMENT! Was making a choice between David Maslanka's "Give us this day (short symphony) but decided that i would settle on.

xl-musictalk.blogspot.com

music analysing: The Eagles - Desperado (Pop Music Analysis - AAI104)

http://xl-musictalk.blogspot.com/2009/05/blog-post.html

Friday, May 22, 2009. The Eagles - Desperado (Pop Music Analysis - AAI104). Subscribe to: Post Comments (Atom). The Eagles - Desperado (Pop Music Analysis - AAI10.

xl-musictalk.blogspot.com

music analysing: AAI333 - Blogging Assignment 1

http://xl-musictalk.blogspot.com/2010/11/hello-everyone-finally-here-to-share-my.html

Tuesday, November 2, 2010. AAI333 - Blogging Assignment 1. Finally here to share my FIRST listening experience. So yes, this semester brings us to opening our ears to be more receptive and accepting of what we seemed 'foreign' from our tonal world and that is, music from the twentieth-century! With that, I've decided to have a closer listen to one of the works by Bela Bartok, one of the prominent composers of that era. To my surprise, this work consists of FOUR movements. So here it goes:. Rhythm: the pr...

xl-musictalk.blogspot.com

music analysing: Term Project updates...

http://xl-musictalk.blogspot.com/2010/09/term-project-updates.html

Tuesday, September 21, 2010. Okay, this shall be my journal for this term's project as well. After much thoughts, i guess i will settle on analysing a band piece since i'm such a 'band-person' and analysing one work would probably be more relevant. Will definitely look into other 20th Century Music, and i will leave that for this little avenue in the later posts for BLOGGING ASSIGNMENT! Was making a choice between David Maslanka's "Give us this day (short symphony) but decided that i would settle on.

homeworkhere.blogspot.com

Homeworkhere: Blog Assignment 1 - Due Sep 5 2008 (Revised)

http://homeworkhere.blogspot.com/2008/09/blog-assignment-1-due-sep-5-2008_07.html

A Blog for me to learn. Sunday, September 7, 2008. Blog Assignment 1 - Due Sep 5 2008 (Revised). Fig 1 Fig 2. Don't Cry for Me Argentina. The typical harmonic phrase model of T - PD - D - T can be observed in this short excerpt. This can be seen from bars 1-7, as shown above in the score. The harmony from bars 1-7 is analyzed as follows:. I - Ib - I - Ib - IVc - IV - IVc - IV - Vb - Vc - V7 - I. I - V - vi - vic - Ib - I - IV. Okay, that's it&...

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musicianship musings

Friday, 5 September 2008. How Can I not Love You. This transcription is homophonic in nature, with the right hand playing the melody and left hand accompanying with regular quaver beats. There is a rather generous use of tied notes- where the last quaver of the beat is tied to the first quaver of the next beat. Interestingly enough there are no tied-over notes across the barline. Verse is made up of S-S-L phrase structure with each phrase beginning on the first beat. Must be strong and we must let go.

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