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Zone Books

Zone Books is an independent nonprofit publishing house founded in 1985. The publisher of a select list of titles in the arts, humanities, and social sciences, Zone Books is committed to original English-language texts as well as to the translation of significant works by contemporary authors. Zone books are edited by Jonathan Crary, Michel Feher, Hal Foster, and Ramona Naddaff, and designed by Bruce Mau and Julie Fry. Zone books are distributed by The MIT Press.

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Zone Books is an independent nonprofit publishing house founded in 1985. The publisher of a select list of titles in the arts, humanities, and social sciences, Zone Books is committed to original English-language texts as well as to the translation of significant works by contemporary authors. Zone books are edited by Jonathan Crary, Michel Feher, Hal Foster, and Ramona Naddaff, and designed by Bruce Mau and Julie Fry. Zone books are distributed by The MIT Press.
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Zone Books | zonebooks.org Reviews

https://zonebooks.org

Zone Books is an independent nonprofit publishing house founded in 1985. The publisher of a select list of titles in the arts, humanities, and social sciences, Zone Books is committed to original English-language texts as well as to the translation of significant works by contemporary authors. Zone books are edited by Jonathan Crary, Michel Feher, Hal Foster, and Ramona Naddaff, and designed by Bruce Mau and Julie Fry. Zone books are distributed by The MIT Press.

INTERNAL PAGES

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1

Zone Books | authors

http://www.zonebooks.org/authors.html

Remnants of Auschwitz: The Witness and the Archive. The Signature of All Things: On Method. Ghostly Apparitions: German Idealism, the Gothic Novel, and Optical Media. Portfolio Society: On the Capitalist Mode of Prediction. The Civil Contract of Photography. Rituals of War: The Body and Violence in Mesopotamia. The Accursed Share, Volume I. The Accursed Share, Volumes II and III. The Cradle of Humanity: Prehistoric Art and Culture. Undoing the Demos: Neoliberalism’s Stealth Revolution. Contemporary State...

2

Zone Books | titles

http://www.zonebooks.org/titles.html

Aby Warburg and the Image in Motion. Academic Freedom after September 11. Edited by Beshara Doumani. Access to Knowledge in the Age of Intellectual Property. Edited by Gaëlle Krikorian and Amy Kapczynski. The Accursed Share, Volume I. The Accursed Share, Volumes II and III. The Act of Being: The Philosophy of Revelation in Mullā Sadrā. Action and Reaction: The Life and Adventures of a Couple. By Alexander Nagel and Christopher S. Wood. Art and Technology in the Nineteenth and Twentieth Centuries. The Dem...

3

Zone Books | new

http://www.zonebooks.org/new.html

ZONE BOOKS NEAR FUTURES ONLINE. Issue No. 1 : Europe at a Crossroads. Ivan Ascher: Portfolio Society. In conversation with Jonathan Levy. Seminary Co-op Bookstore, Chicago. Tuesday, October 25, 6pm. Ivan Ascher: Portfolio Society. Institute for Public Knowledge, New York. Monday, October 31, 6pm. Portfolio Society: On the Capitalist Mode of Prediction. Outlaw Territories: Environments of Insecurity/Architectures of Counterinsurgency. By Felicity D. Scott. Jacques Offenbach and the Paris of His Time.

4

Objectivity

http://www.zonebooks.org/titles/DAST_OBJ.html

By Lorraine Daston and Peter Galison. Is deeply thoughtful, thoroughly researched and beautifully illustrated. . . . [It] will take its place among the most distinguished histories of the making of scientific knowledge.”. 2995 £20.95 paper (2010) 978-1-890951-79-5. 542 pp. 32 color, 108 b&w illus. 6 x 9. Objectivity has a history, and it is full of surprises. In. Ldquo;Lorraine Daston and Peter Galison pursue the idea that we can best explore the many meanings of objectivity through an examination of ima...

5

Formless: A User’s Guide

http://www.zonebooks.org/titles/BOIS_FOR.html

By Yve-Alain Bois and Rosalind E. Krauss. Art Art History Aesthetics. 304 pp. 16 color, 77 b&w illus. 7.25 x 10.875. In a work that will become indispensable to anyone seriously interested in modern art, Yve-Alain Bois and Rosalind Krauss convincingly introduce a new constellation of concepts to our understanding of avant-garde and modernist art practices. Formless: A User’s Guide. Formless: A User’s Guide,. Formless: A User’s Guide. Is to explore the power of the. A stunning new map of twentieth-century...

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Review of Helen Mayer Harrison and Newton Harrison’s “Sierra Nevada: An Adaptation,” Artforum (April 2011) | Yates Mckee

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Essays on art, politics, and ecology. Art History, Ecocriticism, and the Ends of Man, Oxford Art Journal (Winter 2011). 8220;On ‘Climate Refugees'”: Biopolitics, Aesthetics, and Critical Climate Change,” in Qui Parle (Spring 2011), special issue on Eco-Criticism edited by Katrina Dodson →. Review of Helen Mayer Harrison and Newton Harrison’s “Sierra Nevada: An Adaptation,” Artforum (April 2011). March 30, 2011. This entry was posted in Uncategorized. Leave a Reply Cancel reply. Enter your comment here.

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Nicholas Mirzoeff, “Visualizing the Anthropocene” (2014) | Yates Mckee

https://yatesmckee.wordpress.com/2014/08/01/nicholas-mirzoeff-visualizing-the-anthropocene-2014

Essays on art, politics, and ecology. Rev Michael Ellick, “Resurrecting Jubilee” (Tidal #4, 2013). Next Post →. Nicholas Mirzoeff, “Visualizing the Anthropocene” (2014). August 1, 2014. This entry was posted in Uncategorized. Rev Michael Ellick, “Resurrecting Jubilee” (Tidal #4, 2013). Next Post →. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. 8220;On ...

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SD | Yates Mckee

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Essays on art, politics, and ecology. 8220;The Weird Red Thing: #OccupyWallStreet, Site-Specificity, and di Suvero’s Joie de Vivre” in Julieta Aranda and Carlos Motta, eds. Broken English (Performa, 2011). Occupy, Postcontemporary Art, and the Aesthetics of Debt Resistance (South Atlantic Quarterly , 2014) →. June 13, 2013. This entry was posted in Uncategorized. Occupy, Postcontemporary Art, and the Aesthetics of Debt Resistance (South Atlantic Quarterly , 2014) →. Leave a Reply Cancel reply. 8220;The W...

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“VeniceVieques: Marked SitesDivided Horizons,” in Lisa Frieman, ed. Allora/Calzadilla: Gloria (United States Pavillion, 54th Venice Bienale) (Prestel, 2011) | Yates Mckee

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Essays on art, politics, and ecology. 8220;On ‘Climate Refugees'”: Biopolitics, Aesthetics, and Critical Climate Change,” in Qui Parle (Spring 2011), special issue on Eco-Criticism edited by Katrina Dodson. 8220;The Weird Red Thing: #OccupyWallStreet, Site-Specificity, and di Suvero’s Joie de Vivre” in Julieta Aranda and Carlos Motta, eds. Broken English (Performa, 2011) →. May 19, 2011. This entry was posted in Uncategorized. Leave a Reply Cancel reply. Enter your comment here. Address never made public).

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Response to questionnaire on “The Contemporary” OCTOBER 130 (Winter 2009) | Yates Mckee

https://yatesmckee.wordpress.com/2011/02/11/response-to-questionnaire-on-the-contemporary-october-130-winter-2009

Essays on art, politics, and ecology. 8220;Neoliberal Gothic: On Stephen Dillemuth and Nils Norman at Reena Spaulings” Texte Zur Kunst (Fall 2008). 8220;Perversion, Abstraction, and the Limits of the Human: On Paul Chan at Greene Naftali” Texte Zur Kunst (Spring 2010) →. Response to questionnaire on “The Contemporary” OCTOBER 130 (Winter 2009). February 11, 2011. This entry was posted in Uncategorized. Leave a Reply Cancel reply. Enter your comment here. Address never made public). 8220;The Weird Red Thi...

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Yates Mckee | essays on art, politics, and ecology | Page 2

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Essays on art, politics, and ecology. Newer posts →. 8220;On ‘Climate Refugees'”: Biopolitics, Aesthetics, and Critical Climate Change,” in Qui Parle (Spring 2011), special issue on Eco-Criticism edited by Katrina Dodson. May 8, 2011. Review of Helen Mayer Harrison and Newton Harrison’s “Sierra Nevada: An Adaptation,” Artforum (April 2011). March 30, 2011. Art History, Ecocriticism, and the Ends of Man, Oxford Art Journal (Winter 2011). March 23, 2011. February 15, 2011. February 11, 2011. Nicholas Mirzo...

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Danae Stratou: Vital Space, Humanity - Athens | Near Futures

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EUROPE at a CROSSROADS : Perennial Austerity. Vital Space: Humanity Athens. January 31, 2016. Vital Space: Humanity Athens. Is part of the Vital Space: Nature Humanity project by Danae Stratou and the Vital Space creative platform. Vital Space: Nature Humanity. Leave a Reply Cancel reply. Your email address will not be published. Required fields are marked *. Follow us on Facebook.

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“Perversion, Abstraction, and the Limits of the Human: On Paul Chan at Greene Naftali” Texte Zur Kunst (Spring 2010) | Yates Mckee

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Essays on art, politics, and ecology. Response to questionnaire on “The Contemporary” OCTOBER 130 (Winter 2009). 8220;Land Art in Parallax: Media, Violence, and Political Ecology,” in Kelly Baum, ed. Nobody’s Property: Art, Land, Space, 2000-2010 (Yale, 2010) →. 8220;Perversion, Abstraction, and the Limits of the Human: On Paul Chan at Greene Naftali” Texte Zur Kunst (Spring 2010). February 11, 2011. Perversion, Abstraction, and the Limits of the Human. This entry was posted in Uncategorized. 8220;The We...

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“Artistic Responses to Sustainability and Climate Change,” panel: Marjetica Potrc, Andrea Polli, Hans Haacke, Amy Balkin, Yates McKee, Doug Ashford, in Saskia Bos and Steven Lam, eds. Free as Air and Water (Cooper Union, 2010) | Yates Mckee

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Essays on art, politics, and ecology. 8220;Wake, Vestige, Survival: Sustainability and the Politics of the Trace in Allora/Calzadilla’s Landmark,” OCTOBER 133 (Summer 2010). Art History, Ecocriticism, and the Ends of Man, Oxford Art Journal (Winter 2011) →. 8220;Artistic Responses to Sustainability and Climate Change,” panel: Marjetica Potrc, Andrea Polli, Hans Haacke, Amy Balkin, Yates McKee, Doug Ashford, in Saskia Bos and Steven Lam, eds. Free as Air and Water (Cooper Union, 2010). February 15, 2011.

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