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Friday, April 30, 2010. Meredith Monk (1942- ). The possibilities for sounds, textures, and timbres expanded enormously during the twentieth century, and many composers began using non-traditional techniques to create new and unique sounds in their music. Meredith Monk was one of these composers, experimenting with the sounds of the human voice in her compositions. The piece is split into six sections:. A Overture and Men's Conclave. D Pine Tree Lullaby. Jowitt, Deborah, ed. Meredith Monk. Bloomington: I...

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Friday, April 30, 2010. Meredith Monk (1942- ). The possibilities for sounds, textures, and timbres expanded enormously during the twentieth century, and many composers began using non-traditional techniques to create new and unique sounds in their music. Meredith Monk was one of these composers, experimenting with the sounds of the human voice in her compositions. The piece is split into six sections:. A Overture and Men's Conclave. D Pine Tree Lullaby. Jowitt, Deborah, ed. Meredith Monk. Bloomington: I...

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352WI | 352wi.blogspot.com Reviews

https://352wi.blogspot.com

Friday, April 30, 2010. Meredith Monk (1942- ). The possibilities for sounds, textures, and timbres expanded enormously during the twentieth century, and many composers began using non-traditional techniques to create new and unique sounds in their music. Meredith Monk was one of these composers, experimenting with the sounds of the human voice in her compositions. The piece is split into six sections:. A Overture and Men's Conclave. D Pine Tree Lullaby. Jowitt, Deborah, ed. Meredith Monk. Bloomington: I...

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352WI: Chelsea's Romantic Listening Journal

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Thursday, February 25, 2010. Chelsea's Romantic Listening Journal. Suite Española Op. 47, Nos. 1 and 2. Clark, Walter Aaron. Isaac Albéniz: Portrait of a Romantic. New York: Oxford University Press, 1999. Subscribe to: Post Comments (Atom). Chelseas Romantic Listening Journal. View my complete profile.

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352WI: March 2010

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Monday, March 29, 2010. Chelsea's 1900-1945 Listening Journal. And other organ works. Subscribe to: Posts (Atom). Chelseas 1900-1945 Listening Journal. View my complete profile.

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352WI: Chelsea's 1900-1945 Listening Journal

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Monday, March 29, 2010. Chelsea's 1900-1945 Listening Journal. And other organ works. Subscribe to: Post Comments (Atom). Chelseas 1900-1945 Listening Journal. View my complete profile.

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352WI: February 2010

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Thursday, February 25, 2010. Chelsea's Romantic Listening Journal. Suite Española Op. 47, Nos. 1 and 2. Clark, Walter Aaron. Isaac Albéniz: Portrait of a Romantic. New York: Oxford University Press, 1999. Wednesday, February 3, 2010. Concerto for Violin and Orchestra, Op. 3, No. 5. Maddalena Laura Lombardini Sirmen (1745-1818). Arnold, Elsie, and Baldauf-Berdes, Jane. Maryland: The Scarecrow Press, Inc., 2002. Pendle, Karin, ed. Bloomington: Indiana University Press, 1991. Subscribe to: Posts (Atom).

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352WI: Chelsea's 1945-Present Journal

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Friday, April 30, 2010. Meredith Monk (1942- ). The possibilities for sounds, textures, and timbres expanded enormously during the twentieth century, and many composers began using non-traditional techniques to create new and unique sounds in their music. Meredith Monk was one of these composers, experimenting with the sounds of the human voice in her compositions. The piece is split into six sections:. A Overture and Men's Conclave. D Pine Tree Lullaby. Jowitt, Deborah, ed. Meredith Monk.

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Sam Listens to Music History

Sam Listens to Music History. Saturday, May 1, 2010. Harry Patch: The Bewitched. There is only one composer who would write about ”Visions of a Defeated basketball Team in the Shower Room” and score the work with instruments called the Surrogate kithara or the Boo. His name is Harry Partch (1901 - 1974) and is a pivotal figure in the development of twentieth century music due to the steadfast pursuit of his original ideas. The Bewitched: a Dance Satire. Minute work for Solo Soprano,. A Political Soul Los...

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352WI

Friday, April 30, 2010. Meredith Monk (1942- ). The possibilities for sounds, textures, and timbres expanded enormously during the twentieth century, and many composers began using non-traditional techniques to create new and unique sounds in their music. Meredith Monk was one of these composers, experimenting with the sounds of the human voice in her compositions. The piece is split into six sections:. A Overture and Men's Conclave. D Pine Tree Lullaby. Jowitt, Deborah, ed. Meredith Monk. Bloomington: I...

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Sarah Clayton's 352WI Blog

Sarah Clayton's 352WI Blog. Friday, April 30, 2010. John Zorn - Cat O' Nine Tails. Zorn's 1988 string quartet. Cat O' Nine Tails. The piece as a whole alternates between passages of tonality and atonality, and each new section seems to have almost no relation to the one preceding it. There are sudden shifts of tonality, rhythm, dynamics, tempo, and register with no warning. These elements immediately reminded me of Godard's jump-cuts in. À bout de souffle. Influenced by Godard's unusual film technique [1].

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