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Sarah Clayton's 352WI Blog

Sarah Clayton's 352WI Blog. Friday, April 30, 2010. John Zorn - Cat O' Nine Tails. Zorn's 1988 string quartet. Cat O' Nine Tails. The piece as a whole alternates between passages of tonality and atonality, and each new section seems to have almost no relation to the one preceding it. There are sudden shifts of tonality, rhythm, dynamics, tempo, and register with no warning. These elements immediately reminded me of Godard's jump-cuts in. À bout de souffle. Influenced by Godard's unusual film technique [1].

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Sarah Clayton's 352WI Blog. Friday, April 30, 2010. John Zorn - Cat O' Nine Tails. Zorn's 1988 string quartet. Cat O' Nine Tails. The piece as a whole alternates between passages of tonality and atonality, and each new section seems to have almost no relation to the one preceding it. There are sudden shifts of tonality, rhythm, dynamics, tempo, and register with no warning. These elements immediately reminded me of Godard's jump-cuts in. À bout de souffle. Influenced by Godard's unusual film technique [1].
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Sarah Clayton's 352WI Blog | 352wijournal.blogspot.com Reviews

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Sarah Clayton's 352WI Blog. Friday, April 30, 2010. John Zorn - Cat O' Nine Tails. Zorn's 1988 string quartet. Cat O' Nine Tails. The piece as a whole alternates between passages of tonality and atonality, and each new section seems to have almost no relation to the one preceding it. There are sudden shifts of tonality, rhythm, dynamics, tempo, and register with no warning. These elements immediately reminded me of Godard's jump-cuts in. À bout de souffle. Influenced by Godard's unusual film technique [1].

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Sarah Clayton's 352WI Blog: Heitor Villa-Lobos: Bachianas Brasileiras No. 1 and No. 5

http://www.352wijournal.blogspot.com/2010/03/heitor-villa-lobos-bachianas.html

Sarah Clayton's 352WI Blog. Monday, March 29, 2010. Heitor Villa-Lobos: Bachianas Brasileiras No. 1 and No. 5. Like the ethnomusicology travels of Béla Bartók and Zoltán Kodály, Villa-Lobos traveled the remote landscapes of Brazil, collecting native Brazilian songs. These inspired him to abandon the idea of conventional music training and he instead became a self-taught composer. Many of Villa-Lobos's compositions are directly influenced by the music he heard in these areas, including the. Is slow and th...

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Sarah Clayton's 352WI Blog: March 2010

http://www.352wijournal.blogspot.com/2010_03_01_archive.html

Sarah Clayton's 352WI Blog. Monday, March 29, 2010. Heitor Villa-Lobos: Bachianas Brasileiras No. 1 and No. 5. Like the ethnomusicology travels of Béla Bartók and Zoltán Kodály, Villa-Lobos traveled the remote landscapes of Brazil, collecting native Brazilian songs. These inspired him to abandon the idea of conventional music training and he instead became a self-taught composer. Many of Villa-Lobos's compositions are directly influenced by the music he heard in these areas, including the. Is slow and th...

3

Sarah Clayton's 352WI Blog: Maria Szymanowska: Nocturne and Études

http://www.352wijournal.blogspot.com/2010/02/maria-szymanowska-nocturne-and-etudes.html

Sarah Clayton's 352WI Blog. Thursday, February 25, 2010. Maria Szymanowska: Nocturne and Études. Why then, is she not included in the canon? Think she should be included in the canon, but I find her music beautiful and well worth listening to multiple times. Subscribe to: Post Comments (Atom). Maria Szymanowska: Nocturne and Études. Anna Amalia: Four Regimental Marches. View my complete profile.

4

Sarah Clayton's 352WI Blog: April 2010

http://www.352wijournal.blogspot.com/2010_04_01_archive.html

Sarah Clayton's 352WI Blog. Friday, April 30, 2010. John Zorn - Cat O' Nine Tails. Zorn's 1988 string quartet. Cat O' Nine Tails. The piece as a whole alternates between passages of tonality and atonality, and each new section seems to have almost no relation to the one preceding it. There are sudden shifts of tonality, rhythm, dynamics, tempo, and register with no warning. These elements immediately reminded me of Godard's jump-cuts in. À bout de souffle. Influenced by Godard's unusual film technique [1].

5

Sarah Clayton's 352WI Blog: John Zorn - Cat O' Nine Tails

http://www.352wijournal.blogspot.com/2010/04/john-zorn-cat-o-nine-tails_30.html

Sarah Clayton's 352WI Blog. Friday, April 30, 2010. John Zorn - Cat O' Nine Tails. Zorn's 1988 string quartet. Cat O' Nine Tails. The piece as a whole alternates between passages of tonality and atonality, and each new section seems to have almost no relation to the one preceding it. There are sudden shifts of tonality, rhythm, dynamics, tempo, and register with no warning. These elements immediately reminded me of Godard's jump-cuts in. À bout de souffle. Influenced by Godard's unusual film technique [1].

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Listening to our World: Listening Journals Up for Music Since 1945

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Wednesday, May 5, 2010. Listening Journals Up for Music Since 1945. Labels: Music since 1945. Subscribe to: Post Comments (Atom). About the 352 Blog. This blog is designed for students enrolled in Writing Intensive courses through the UMKC Conservatory of Music and Dance to share their thoughts and reactions to the rich tradition of Western Music. Follow the blog links below to read on. View my complete profile. Einstein on the Beach. Teri is buried under Scores and Books :). Sam Listens to Music History.

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Listening to our World: 1900-1945 Listening Journals Available

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Sunday, March 28, 2010. 1900-1945 Listening Journals Available. Just in time for Spring Break, the listening journals for music from 1900-1945 have been posted. With this unit, we've entered into music that many are either unfamiliar with or perhaps a bit nervous about. In fact, this video sums up many people's reactions to this music. Labels: Music from 1900-1945. Subscribe to: Post Comments (Atom). About the 352 Blog. View my complete profile. Einstein on the Beach. Sam Listens to Music History. Cons 3...

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Listening to our World: March 2009

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Thursday, March 12, 2009. I'm a bit behind this week, but do not want to forget to point you to the Romantic listening journals which are now posted and commented on for your enjoyment. You'll read several takes on Albéniz’s Suites españolas. A give and take on historicity in music through Louis Spohr's Historical Symphony. And be exposed to the fascinating (and undervalued) music of Anthony Philip Heinrich. Go on and read a few. Where else will you learn about The Ornithological Combat of Kings. CONS 35...

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Listening to our World: January 2009

http://352s.blogspot.com/2009_01_01_archive.html

Tuesday, January 27, 2009. Welcome to a New Year. So until that time, take a few minutes and visit their blogs, get to know them. And we'll be back in a few days with a brand new set of musical blogs on the Classical Era. Labels: Spring 2009 Listeners. Subscribe to: Posts (Atom). About the 352 Blog. View my complete profile. Einstein on the Beach. Teri is buried under Scores and Books :). Sam Listens to Music History. Harry Patch: The Bewitched. John Zorn - Cat O' Nine Tails. Nick Baker's Musical Thoughts.

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Sam Listens to Music History

Sam Listens to Music History. Saturday, May 1, 2010. Harry Patch: The Bewitched. There is only one composer who would write about ”Visions of a Defeated basketball Team in the Shower Room” and score the work with instruments called the Surrogate kithara or the Boo. His name is Harry Partch (1901 - 1974) and is a pivotal figure in the development of twentieth century music due to the steadfast pursuit of his original ideas. The Bewitched: a Dance Satire. Minute work for Solo Soprano,. A Political Soul Los...

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Friday, April 30, 2010. Meredith Monk (1942- ). The possibilities for sounds, textures, and timbres expanded enormously during the twentieth century, and many composers began using non-traditional techniques to create new and unique sounds in their music. Meredith Monk was one of these composers, experimenting with the sounds of the human voice in her compositions. The piece is split into six sections:. A Overture and Men's Conclave. D Pine Tree Lullaby. Jowitt, Deborah, ed. Meredith Monk. Bloomington: I...

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Sarah Clayton's 352WI Blog

Sarah Clayton's 352WI Blog. Friday, April 30, 2010. John Zorn - Cat O' Nine Tails. Zorn's 1988 string quartet. Cat O' Nine Tails. The piece as a whole alternates between passages of tonality and atonality, and each new section seems to have almost no relation to the one preceding it. There are sudden shifts of tonality, rhythm, dynamics, tempo, and register with no warning. These elements immediately reminded me of Godard's jump-cuts in. À bout de souffle. Influenced by Godard's unusual film technique [1].

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