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an open field

Lynne Rees on haiku and haibun - creative and critical. News, reviews and published work. Sunday, April 05, 2015. Language as Vehicle: Theme and Meaning in Haibun. Haiku: A Poet's Guide. Lee Gurga points out the risk of writers attempting haibun 'before they have acquired sufficient skill at writing haiku'. 'Fine prose with poor haiku,' he says, 'makes poor haibun.' But the reverse is also true: fine haiku with poor prose also makes poor haibun. Haibun writing possesses its own specific craft challenge, ...

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an open field | anopenfield.blogspot.com Reviews
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Lynne Rees on haiku and haibun - creative and critical. News, reviews and published work. Sunday, April 05, 2015. Language as Vehicle: Theme and Meaning in Haibun. Haiku: A Poet's Guide. Lee Gurga points out the risk of writers attempting haibun 'before they have acquired sufficient skill at writing haiku'. 'Fine prose with poor haiku,' he says, 'makes poor haibun.' But the reverse is also true: fine haiku with poor prose also makes poor haibun. Haibun writing possesses its own specific craft challenge, ...
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1 an open field
2 orchard notes
3 my books
4 the beginning
5 the hungry writer
6 in his book
7 counting
8 one by one
9 stars appear
10 win loss
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an open field | anopenfield.blogspot.com Reviews

https://anopenfield.blogspot.com

Lynne Rees on haiku and haibun - creative and critical. News, reviews and published work. Sunday, April 05, 2015. Language as Vehicle: Theme and Meaning in Haibun. Haiku: A Poet's Guide. Lee Gurga points out the risk of writers attempting haibun 'before they have acquired sufficient skill at writing haiku'. 'Fine prose with poor haiku,' he says, 'makes poor haibun.' But the reverse is also true: fine haiku with poor prose also makes poor haibun. Haibun writing possesses its own specific craft challenge, ...

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1

an open field: the beginning

http://anopenfield.blogspot.com/p/the-beginning_15.html

Lynne Rees on haiku and haibun - creative and critical. News, reviews and published work. My haiku writing books. In 2006 I started researching and writing contemporary English language haiku writing. I had a vague notion of what haiku was but it was anchored to my understanding of the Japanese tradition and the misconception of syllable counting. The why of loneliness —. Bright sun on ice. Sometimes you can’t be. Wherever We Go, There We Are. Moonlight the shadow of a tree masks the crack in the path.

2

an open field: January 2015

http://anopenfield.blogspot.com/2015_01_01_archive.html

Lynne Rees on haiku and haibun - creative and critical. News, reviews and published work. My haiku writing books. Saturday, January 31, 2015. Big thanks to Clare McQueen, Founding Editor of the dynamic and inspiring KYSO Flash. Online journal for publishing a selection of my haibun in the latest issue. There's also a call for submissions for haibun stories for the next two issues in June and November. Read more here. Once upon a time no one lived happily ever after. When they moved to Georgia they lived ...

3

an open field: tiny words

http://anopenfield.blogspot.com/2015/03/tiny-words.html

Lynne Rees on haiku and haibun - creative and critical. News, reviews and published work. My haiku writing books. Sunday, March 08, 2015. Thanks to tiny words. For featuring my haiku on 4th March 2015. Sunday, March 08, 2015. Subscribe to: Post Comments (Atom). I am the author of a novel,. A collection of poetry,. Learning How to Fall. A volume of short, collaborative prose, a psycho-geography of my hometown in South Wales, UK,. Seren Books), and The Hungry Writer, Stories, Recipes and Writing Prompts.

4

an open field: running haiku

http://anopenfield.blogspot.com/2015/01/running-haiku.html

Lynne Rees on haiku and haibun - creative and critical. News, reviews and published work. My haiku writing books. Sunday, January 11, 2015. Run, expect nothing. After stretching the gate creaks on its hinges. Worn tarmac I have forgotten where the joy lies. Sand drifts across the pavement I pick up the pace. A wave of pebbles washed up along the shore laughter. The road rises at a blind corner expect nothing. Half-way mark the way the sun and the sea dazzle each other. Sunday, January 11, 2015. I started...

5

an open field: Haibun Today

http://anopenfield.blogspot.com/2014/10/haibun-today.html

Lynne Rees on haiku and haibun - creative and critical. News, reviews and published work. My haiku writing books. Wednesday, October 01, 2014. It's not going to work between me and Gerard Butler despite the way he hugs me, rocks me with his enthusiasm, his smile. Even though he turns away his ex-girlfriend who turns up in a gold lamé negligee. Even though he has a male assistant called Mitzi with a bald head. Believing I loved him. And all that fucking jazz. Volume 8, Number 3, September 2014. Another co...

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Dig dig | The Long Road Home

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The Long Road Home. Joanna Preston: haibun and haibun in progress 俳文. You have to dig deep, to bury your daddy. Fathers and daughters. Bounced on his knee. Perched on his shoulders. Best seat in the house. Best dad on the block. Keep the bat straight. Keep your eyes on the ball. Want an ice cream? Want to come with me? Pocket money. Mowing the lawns. Saturday morning, polishing shoes. A halo of grey hair. First Not with that boy! First Not in those clothes! Not on a school night. Not while I’m here.

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March | 2010 | The Long Road Home

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The Long Road Home. Joanna Preston: haibun and haibun in progress 俳文. Archive for March, 2010. Kokako 12 is go! March 27, 2010. Has been sent out, and looks absolutely gorgeous, even if I do say so myself. The cover art is by Jan FitzGerald. This time we had to increase the size from 60 pages to 64 pages, which was good in some ways (that we had enough good work to need it), but bad in others (costs more to print and to post). Oh well, swings and roundabouts. Journey to the Interior. Travel journal), part.

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May Song | The Long Road Home

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The Long Road Home. Joanna Preston: haibun and haibun in progress 俳文. A swirl of leaves stopped. By the traffic lights. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. I tend to writ...

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The Long Road Home | Joanna Preston: haibun and haibun in progress 俳文 | Page 2

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The Long Road Home. Joanna Preston: haibun and haibun in progress 俳文. March 6, 2009. Just about to send. Off to the printers. It’s quite exciting my first issue as co-editor! And there’s some really gorgeous work in there (although I would say that, wouldn’t I? True, none the less). The cover image, incidentally, is by Gina. (Her website. Is well worth checking out.). And of course it was (and still is) one of the pleasures of editing the NZPS anthologies. And now for the obligatory plug …. And whoever t...

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another small stone

http://anothersmallstone.blogspot.com/2013/01/the-stumps-of-sawn-down-silver-birches.html

Sunday, 6 January 2013. The stumps of sawn-down silver birches are unblinking eyes - splodges of orange staring through the grey mist. Subscribe to: Post Comments (Atom). Rome Journal III: Peter. A handful of stones. This is my small stones blog. A small stone is a very short piece of writing that precisely captures a fully-engaged moment.". I also write at the Writing Our Way Home. Blog, where you can learn more about writing small stones, and at Malvern Sangha. The online home of my local Buddhist group.

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another small stone

http://anothersmallstone.blogspot.com/2014/01/a-compass-rests-on-worn-round-table-we.html

Wednesday, 8 January 2014. A compass rests on the worn round table we use as an altar. We are creating a ritual space, aligning the shrine with the cardinal points. I reach out and turn the Golden Buddha until he is sitting in the West. His gold leaf is tarnished on one knee and he is chipped at the base. In the low evening light, I am sure he is smiling. Subscribe to: Post Comments (Atom). Rome Journal III: Peter. A handful of stones. This is my small stones blog. I also write at the Writing Our Way Home.

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Short Story Writing Competitions in Portsmouth / WriteInvite, Short Story Competitions

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WriteInvite.co.uk - Short Story Competitions. WriteInvite is just part of the wider writing community of individuals creating exciting works to entertain us all. Here’s just a few friends of WriteInvite! Literary agent: The Spectrum Agency represents an eclectic group of talented authors. Antshake WRITES film scripts, PRODUCES short and feature-length films, and actively seeks commercially attractive film projects for FUNDING. Petersfield Write Angle Poetry Cabaret. Imagination is intelligence having fun'.

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Grey Squirrel - Haiku & Contemporary Haiga: February 2015

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Thursday, 19 February 2015. And the crows tumble. Wednesday, 11 February 2015. A slinking black cat. Sticks close to the wall. Subscribe to: Posts (Atom). View my complete profile. The sound of splinters-. Area 17 (Alan J. Summers). Distant Lightning - David Serjeant. Haigaonline (Editor: Linda Papanicolaou). Haiku Society of America. Lorraine - Photograph L. Matthew Paul / Poems. Rambles with a camera. The Crow and the Moon. Haiku World (William J. Higginson). Matsuo Basho (Makoto Ueda).

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Grey Squirrel - Haiku & Contemporary Haiga: August 2015

http://fwilliams-haikuhaigaetc.blogspot.com/2015_08_01_archive.html

Saturday, 29 August 2015. A STROLL BY THE RIVER MOLE - 28 AUGUST 2015. Thursday, 27 August 2015. Pictures on the wall. Monday, 24 August 2015. Sunday, 23 August 2015. At twilight the moon glides. Behind a mackerel cloud. Thursday, 13 August 2015. The soprano’s gestures. She hits a high note. The hall a bubble. Saturday, 8 August 2015. A puff of wind suddenly. Moves the paper bag. Monday, 3 August 2015. Green bottle flies spark. On off the dog’s shit. Subscribe to: Posts (Atom). View my complete profile.

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Grey Squirrel - Haiku & Contemporary Haiga: April 2014

http://fwilliams-haikuhaigaetc.blogspot.com/2014_04_01_archive.html

Thursday, 24 April 2014. On opening my window. Just the coo of a pigeon. Saturday, 19 April 2014. One painting turns it. Into a field of dreams. For Martin Lucas 1962 - 2014. Tuesday, 15 April 2014. From nowhere a blossom. Lands on our table. Sunday, 13 April 2014. Slowly a day moon. Wednesday, 2 April 2014. Subscribe to: Posts (Atom). View my complete profile. The sound of splinters-. Area 17 (Alan J. Summers). Distant Lightning - David Serjeant. Haigaonline (Editor: Linda Papanicolaou).

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Lynne Rees on haiku and haibun - creative and critical. News, reviews and published work. Sunday, April 05, 2015. Language as Vehicle: Theme and Meaning in Haibun. Haiku: A Poet's Guide. Lee Gurga points out the risk of writers attempting haibun 'before they have acquired sufficient skill at writing haiku'. 'Fine prose with poor haiku,' he says, 'makes poor haibun.' But the reverse is also true: fine haiku with poor prose also makes poor haibun. Haibun writing possesses its own specific craft challenge, ...

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Can’t be viewed on a phone. Please use a computer or tablet. I don’t know what the better route out of. Let’s go that way,. Where there was that lady,. She was selling lotions, potions and. Snakes and something,. Trying to sell us Viking shoes. A bank holiday in August. The mainland is over there. This is the road of the causeway. The village is on the south. Curves round, a bit like a. Just after winter it’s really vibrant. Orange and purple and pink. It’s the wrong time of year, for swallows. It was qu...

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