art-licensing.biz
Understanding Copyrights and Licenses | The Business Of Art Licensing
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The Business Of Art Licensing. This is the title of an intelligent and helpful article by David Bushell in Smashing Magazine online. David is a senior website designer and front-end developer who blogs regularly at http:/ dbushell.com/. 8211; – – –. For information about copying all or part of this article, contact the author at art@porterfieldsfineart.com. Be sure to check out our main site at www.porterfieldsfineart.com. Follow and “Like” us on Facebook. Leave this field empty. Lance J. Klass. Free Acc...
art-licensing.biz
Why Exhibiting at Surtex is a Must for Serious Art Licensors Who Want to Succeed | The Business Of Art Licensing
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The Business Of Art Licensing. Why Exhibiting at Surtex is a Must for Serious Art Licensors Who Want to Succeed. Surtex 2011 is over. 277 companies and individual artists participated in the show and in the process exhibited the works of over a thousand artists for viewing by almost 6,000 visitors representing manufacturers, retailers and developers of products destined for retail sale in every level of retail outlet from high end to low. A Unique Venue for Artists. The show occupies the same main floor ...
art-licensing.biz
Illustrators May Now Be Able to Capture Back Royalties on their Orphan Works | The Business Of Art Licensing
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The Business Of Art Licensing. Illustrators May Now Be Able to Capture Back Royalties on their Orphan Works. According to the Illustrators’ Partnership Orphan Works Blog, “a list of illustrators, designers and photographers has been made public who may now claim their reprographic fees.”. 8220;Now we urge any artist who has ever done published work to follow the instructions below to see if your name is on the list and if so, to learn what you’ll have to do to claim your royalties. 8220;The sums owed to ...
art-licensing.biz
A Licensing Agent’s Point of View on Surtex 2012 and the State of the Market | The Business Of Art Licensing
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The Business Of Art Licensing. A Licensing Agent’s Point of View on Surtex 2012 and the State of the Market. I’ve been publishing interviews and articles about Surtex since the end of May after returning from the show. It has been great learning and fun to get multiple views of the show. I was pleased to host an informative interview with. Porterfield’s Fine Art Licensing. Who has shared with us his views as an art licensing agent on the Surtex 2012 show, as well as other licensing topics. Read the artic...
art-licensing.biz
What Agents Look For in A New Artist | The Business Of Art Licensing
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The Business Of Art Licensing. What Agents Look For in A New Artist. At our company, Porterfield’s Fine Art Licensing, we receive anywhere from 500 to 1,000 inquiries each and every year from artists who are looking for expert licensing representation for their artwork. Make your work suitable and compelling for retail products. We’re very picky, but so is every successful art licensing agency. Survey the market on a regular basis. Is your art compelling enough to drive a sale at retail? Regular market s...
art-licensing.biz
Q & A on Art Licensing – How to Present Artwork | The Business Of Art Licensing
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The Business Of Art Licensing. Q & A on Art Licensing – How to Present Artwork. We receive lots and lots of questions from artists, and some questions and responses touch on important subjects for any and all artists who wish to promote and license their artwork. Here’s one recent query, and my response:. Q – My question deals with targeting certain business for licensing. What is the best way to grab a potential client’s attention? Postcards, a packet mailed that focuses on that client’s needs? While yo...
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How and Where Do You License Art? An Interview | The Business Of Art Licensing
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The Business Of Art Licensing. How and Where Do You License Art? This Interview with Lance Klass, President of Porterfield’s Fine Art Licensing, was conducted by Alex Colombo and published in his. The Moon From My Attic. The Moon from My Attic: How long have you been doing art licensing? TMFMA: What would you say is/are the exciting factor/s in art licensing? TMFMA: What’s your view of art licensing exhibits such as Surtex? And how many shows should they be part of to begin with? I wouldn’t waste a nicke...
art-licensing.biz
The Runaway License | The Business Of Art Licensing
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The Business Of Art Licensing. I know this title sounds like a John Grisham mystery, and while runaway licenses do have elements of mystery in them they’re anything but fiction. Unfortunately, they do exist, and they can be difficult to deal with, very difficult to control, but not always that difficult to extricate oneself from with some persistence. Here’s What It Is. A “runaway license”, very simply, is a license that has somehow spun out of control. The license should allow one party to terminate it ...
art-licensing.biz
Surtex 2013 Dates and Details Announced | The Business Of Art Licensing
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The Business Of Art Licensing. Surtex 2013 Dates and Details Announced. Artists, designers, and licensing agencies have already begun to make plans for their involvement in Surtex 2013, the premier art licensing show of the year. According to show management, Surtex will return to the Jacob K. Javits Convention Center in New York City from May 19-21, 2013. More Exhibitors and More Traffic. 8220;Top-Notch Talent”. 8220;It is the one trade show where more than 6,000 representatives of manufacturers and ret...
art-licensing.biz
How to Send a DMCA Takedown Notice When You Find Unauthorized Use of your Art on the Internet | The Business Of Art Licensing
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The Business Of Art Licensing. How to Send a DMCA Takedown Notice When You Find Unauthorized Use of your Art on the Internet. If you come upon unauthorized use of your artwork on the internet, there’s a straightforward way under the law to seek the removal of the artwork. Attorney Carolyn E. Wright has written an excellent article on this subject, that has been published online in Black Star Rising. 8211; – – –. Be sure to check out our main site at www.porterfieldsfineart.com. Leave this field empty.