BETSYDAMOS.COM

Betsy Damos

The common thread throughout my sculpture. And two-dimensional work is choice-making. And risk-taking. Initially, I investigated. Choices made by individuals. This led to. Collective choice-making, exploring questions. Of development, environmental protection. And maintaining a balance between the two. Conte crayon, charcoal, on mylar. When I Grow Up, I Want. Wood, paint, glass, soil. Paintstick, graphite on paper. Aluminum, bent wood, fiber, wire, mirror. Paintstick, acrylic; paper on canvas.

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Betsy Damos | betsydamos.com Reviews

<META> DESCRIPTION

The common thread throughout my sculpture. And two-dimensional work is choice-making. And risk-taking. Initially, I investigated. Choices made by individuals. This led to. Collective choice-making, exploring questions. Of development, environmental protection. And maintaining a balance between the two. Conte crayon, charcoal, on mylar. When I Grow Up, I Want. Wood, paint, glass, soil. Paintstick, graphite on paper. Aluminum, bent wood, fiber, wire, mirror. Paintstick, acrylic; paper on canvas.

<META> KEYWORDS

1 betsy damos

2 individual choices

3 collective choices

4 habitat and animals

5 sprawl

6 environment

7 isight series

8 resume

9 huddle

10 equlibrium i

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betsy damos,individual choices,collective choices,habitat and animals,sprawl,environment,isight series,resume,huddle,equlibrium i,pastel on paper,looking up,fate is fanshaped,colored rose,all sides now,dewey pines,kenya's gamble

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Betsy Damos | betsydamos.com Reviews

https://betsydamos.com

The common thread throughout my sculpture. And two-dimensional work is choice-making. And risk-taking. Initially, I investigated. Choices made by individuals. This led to. Collective choice-making, exploring questions. Of development, environmental protection. And maintaining a balance between the two. Conte crayon, charcoal, on mylar. When I Grow Up, I Want. Wood, paint, glass, soil. Paintstick, graphite on paper. Aluminum, bent wood, fiber, wire, mirror. Paintstick, acrylic; paper on canvas.

INTERNAL PAGES

betsydamos.com

1

Betsy Damos

http://www.betsydamos.com/resume.php

MFA-Syracuse University, BS-University of Massachusetts. One-person and Two-person Exhibitions:. Arts Club of Washington, Washington, DC, 2014. Gallery 50, Rehoboth Beach, DE, 2009. Gallery plan b, Washington, DC, 2007. Outdoor sculpture @ Robert Brown Gallery, Washington, DC, 2002. Outdoor sculpture @ Robert Brown Gallery, Washington, DC, 2000. Betsy Damos: New Work. Works on paper, Robert Brown Gallery, DC, 1999. Drawing on a Decade. One-person show, Montpelier Cultural Arts Center, 1998. UMBC Fine Art...

2

Betsy Damos

http://www.betsydamos.com/collective.php

Steel, plaster, handwoven fiber and wire, acrylic. Wood, steel, handwoven fiber and wire, copper, sand. Galvanized and patinated steel, fabric, acrylic. Wood, patinated steel, handwoven fiber and wire, acrylic. Poured concrete, wood, steel, charcoal, paper. Poured concrete, wood, re-bar, handwoven fiber and wire, copper. Wants, Needs, Alibis. Wood, handprinted fabric, spikes. Wants, Needs, Alibis. Wood, screenprinted glass, steel, concrete. Handwoven fiber and wire, steel, copper.

3

Betsy Damos

http://www.betsydamos.com/individual.php

3 of 4 units. Handwoven fiber and wire, aluminum and solder. Handwoven fiber and wire, aluminum. Eighth Year Fringe Piece. Handwoven fiber and wire, aluminum. Eighth Year Fringe Piece. Handwoven fiber and wire, aluminum, copper, bent wood. To An Unknown Place. Handwoven fiber and copper wire, wood. To An Unknown Place. Patinated steel, wood, handwoven fiber with brass and aluminum wire. Aluminum, bent wood, handwoven fiber and wire, mirror. 2nd view - with reflection in mirror". Drawing from study piece.

4

Betsy Damos

http://www.betsydamos.com/index.php

The common thread throughout my sculpture. And two-dimensional work is choice-making. And risk-taking. Initially, I investigated. Choices made by individuals. This led to. Collective choice-making, exploring questions. Of development, environmental protection. And maintaining a balance between the two. Conte crayon, charcoal, on mylar. When I Grow Up, I Want. Wood, paint, glass, soil. Paintstick, graphite on paper. Aluminum, bent wood, fiber, wire, mirror. Paintstick, acrylic; paper on canvas.

5

Betsy Damos

http://www.betsydamos.com/collectivesprawl.php

Wood, handwoven wire and fiber, paintstick on paper. Wood, handwoven wire and fiber, brush and mirror. When I Grow Up, I Want. Wood, paint, glass, soil. When I Grow Up, I Want. Poured concrete, wood, acrylic, paint. Any Way You Slice It. Wood, poured concrete, paintstick drawing. Any Way You Slice It. Wood, concrete, wire, pastel on paper. Holding, Folding/Knowing When To. Wood, steel, pastel on paper. Wood, handwoven fiber and wire, steel, copper powder and acrylic. Wood, graphite, ficus, mulch.

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The common thread throughout my sculpture. And two-dimensional work is choice-making. And risk-taking. Initially, I investigated. Choices made by individuals. This led to. Collective choice-making, exploring questions. Of development, environmental protection. And maintaining a balance between the two. Conte crayon, charcoal, on mylar. When I Grow Up, I Want. Wood, paint, glass, soil. Paintstick, graphite on paper. Aluminum, bent wood, fiber, wire, mirror. Paintstick, acrylic; paper on canvas.

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