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Critical Issues in the Cultural Industries

People waiting in line to enter Damien Hirst's exhibition Beyond Belief, White Cube, Mason's Yard, London (2007) The course Critical Issues in the Cultural Industries is centred upon the appearance, role and influence of present-day popular culture, or what in the mid-twentieth century the philosophers Theodor Adorno and Max Horkheimer referred to as the ‘culture…

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Critical Issues in the Cultural Industries | criticalissuesintheculturalindustries.wordpress.com Reviews

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People waiting in line to enter Damien Hirst's exhibition Beyond Belief, White Cube, Mason's Yard, London (2007) The course Critical Issues in the Cultural Industries is centred upon the appearance, role and influence of present-day popular culture, or what in the mid-twentieth century the philosophers Theodor Adorno and Max Horkheimer referred to as the ‘culture…

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Critical Issues in the Cultural Industries | criticalissuesintheculturalindustries.wordpress.com Reviews

https://criticalissuesintheculturalindustries.wordpress.com

People waiting in line to enter Damien Hirst's exhibition Beyond Belief, White Cube, Mason's Yard, London (2007) The course Critical Issues in the Cultural Industries is centred upon the appearance, role and influence of present-day popular culture, or what in the mid-twentieth century the philosophers Theodor Adorno and Max Horkheimer referred to as the ‘culture…

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criticalissuesintheculturalindustries.wordpress.com

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EXHIBITION | Critical Issues in the Cultural Industries

https://criticalissuesintheculturalindustries.wordpress.com/exhibition

Critical Issues in the Cultural Industries. 1997), Skulptur Projekte Münster. In the format of exhibitions of the last decades the curator became as much the producer as the artist. This happens not only inside the museum, but also outside, as events like the Documenta in Kassel or. 1986) in Ghent illustrate. In these events the walls of the museums are supposedly broken down, but the same mechanisms remain at work. The 2009. Elise Noyez, Dialogue for One. Stefaan Vervoort, Double Fraud. Follow “Cr...

2

STUDIO | Critical Issues in the Cultural Industries

https://criticalissuesintheculturalindustries.wordpress.com/studio

Critical Issues in the Cultural Industries. A party at Andy Warhol’s Silver Factory. Under the auspices of the studio theme, the essays in this issue deal with a variety of artistic self-representational strategies as vital in the reception of the artist’s work. Going back to the nineteenth century, Laura Prins investigates how Manet’s seemingly radical act of opening his studio led to a revaluation of his artistic status. By reconsidering Chagall’s. Laura Prins, An Elegant Radical. This website is the o...

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MARKET | Critical Issues in the Cultural Industries

https://criticalissuesintheculturalindustries.wordpress.com/market

Critical Issues in the Cultural Industries. Art and its Markets. With Damien Hirst,. For the Love of God. Martijn van Beek, Hype Park. Stefaan Vervoort, Conflicts of Interest. Elise Noyez, Double Standard. Laura Prins, Lard for l‘Art. Jane Boddy, Untitled. Responses to “MARKET”. Feed for this Entry. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. Follow ...

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MUSEUM | Critical Issues in the Cultural Industries

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Critical Issues in the Cultural Industries. 1965); Lobby Museum of Modern Art, New York. Art fairs and magazines all become endowed with an equivalent cultural authority once exclusively belonging to the museum. Jane Boddy, “Been There, Seen That”. Elise Noyez, “Going Public”. Stefaan Vervoort, “ Stamping Art. Martijn van Beek, “Wake Up”. Laura Prins, “ Generous Criticism. Responses to “MUSEUM”. Feed for this Entry. Leave a Reply Cancel reply. Enter your comment here. Address never made public). Van Gogh...

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BIBLIO | Critical Issues in the Cultural Industries

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Critical Issues in the Cultural Industries. Theodor W. Adorno and Max Horkheimer, ‘The Culture Industry: Enlightenment as Mass Deception’, in:. New York (Continuum) 1993. (Originally published as Dialektik der Aufklarung, 1944). Theodor W. Adorno,. The Culture Industry: Selected Essays on Mass Culture. London, New York (Routledge) 2001. Benjamin H. D. Buchloh, ‘Critical Reflections’,. XXXV, nr. 5 (January 1997), pp. 68-69 and 102. Benjamin H. D. Buchloh, ‘Introduction’, in:. Scott Lash and Celia Lury,.

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criticalissuesintheculturalindustries2.wordpress.com

A Quasi-Historical Document | Critical Issues in the Cultural Industries II

https://criticalissuesintheculturalindustries2.wordpress.com/studio-2/a-quasi-historical-document

Critical Issues in the Cultural Industries II. The Marvelous Oakland Museum of California. The Museum Goes Outside the Museum. Analog Meets Digital in the Studio-cum-Exhibition Space. Lawrence Weiner, Re-appropriated. Ode to the Amateur. The Artist’s Studio. The World Explained in the Tropenmuseum. A ‘Theatre of Nature’ in Venlo. Amsterdam’s ‘White Cube’ at the Rotterdam Biennial. Cyprien Gaillard’s The Discovery of Recovery. Museums Google the Future. The Havana Biennial in the 1980s. The Rembrandt Hous...

criticalissuesintheculturalindustries2.wordpress.com

Misinterpreting Mies | Critical Issues in the Cultural Industries II

https://criticalissuesintheculturalindustries2.wordpress.com/museum/misinterpreting-mies

Critical Issues in the Cultural Industries II. The Marvelous Oakland Museum of California. The Museum Goes Outside the Museum. Analog Meets Digital in the Studio-cum-Exhibition Space. Lawrence Weiner, Re-appropriated. Ode to the Amateur. The Artist’s Studio. The World Explained in the Tropenmuseum. A ‘Theatre of Nature’ in Venlo. Amsterdam’s ‘White Cube’ at the Rotterdam Biennial. Cyprien Gaillard’s The Discovery of Recovery. Museums Google the Future. The Havana Biennial in the 1980s. Daniël van der Poel.

criticalissuesintheculturalindustries2.wordpress.com

Lawrence Weiner, Re-appropriated | Critical Issues in the Cultural Industries II

https://criticalissuesintheculturalindustries2.wordpress.com/studio-2/lawrence-weiner-re-appropriated

Critical Issues in the Cultural Industries II. The Marvelous Oakland Museum of California. The Museum Goes Outside the Museum. Analog Meets Digital in the Studio-cum-Exhibition Space. Lawrence Weiner, Re-appropriated. Ode to the Amateur. The Artist’s Studio. The World Explained in the Tropenmuseum. A ‘Theatre of Nature’ in Venlo. Amsterdam’s ‘White Cube’ at the Rotterdam Biennial. Cyprien Gaillard’s The Discovery of Recovery. Museums Google the Future. The Havana Biennial in the 1980s. Lawrence Weiner, A...

criticalissuesintheculturalindustries2.wordpress.com

Exhibition | Critical Issues in the Cultural Industries II

https://criticalissuesintheculturalindustries2.wordpress.com/exhibition

Critical Issues in the Cultural Industries II. The Marvelous Oakland Museum of California. The Museum Goes Outside the Museum. Analog Meets Digital in the Studio-cum-Exhibition Space. Lawrence Weiner, Re-appropriated. Ode to the Amateur. The Artist’s Studio. The World Explained in the Tropenmuseum. A ‘Theatre of Nature’ in Venlo. Amsterdam’s ‘White Cube’ at the Rotterdam Biennial. Cyprien Gaillard’s The Discovery of Recovery. Museums Google the Future. The Havana Biennial in the 1980s. This website is th...

criticalissuesintheculturalindustries2.wordpress.com

A ‘Theatre of Nature’ in Venlo | Critical Issues in the Cultural Industries II

https://criticalissuesintheculturalindustries2.wordpress.com/exhibition/a-theatre-of-nature-in-venlo

Critical Issues in the Cultural Industries II. The Marvelous Oakland Museum of California. The Museum Goes Outside the Museum. Analog Meets Digital in the Studio-cum-Exhibition Space. Lawrence Weiner, Re-appropriated. Ode to the Amateur. The Artist’s Studio. The World Explained in the Tropenmuseum. A ‘Theatre of Nature’ in Venlo. Amsterdam’s ‘White Cube’ at the Rotterdam Biennial. Cyprien Gaillard’s The Discovery of Recovery. Museums Google the Future. The Havana Biennial in the 1980s. However, these exp...

criticalissuesintheculturalindustries2.wordpress.com

Studio City | Critical Issues in the Cultural Industries II

https://criticalissuesintheculturalindustries2.wordpress.com/studio-2/studio-city

Critical Issues in the Cultural Industries II. The Marvelous Oakland Museum of California. The Museum Goes Outside the Museum. Analog Meets Digital in the Studio-cum-Exhibition Space. Lawrence Weiner, Re-appropriated. Ode to the Amateur. The Artist’s Studio. The World Explained in the Tropenmuseum. A ‘Theatre of Nature’ in Venlo. Amsterdam’s ‘White Cube’ at the Rotterdam Biennial. Cyprien Gaillard’s The Discovery of Recovery. Museums Google the Future. The Havana Biennial in the 1980s. Reveals similariti...

criticalissuesintheculturalindustries2.wordpress.com

(Re)documenting the Past | Critical Issues in the Cultural Industries II

https://criticalissuesintheculturalindustries2.wordpress.com/museum/redocumenting-the-past

Critical Issues in the Cultural Industries II. The Marvelous Oakland Museum of California. The Museum Goes Outside the Museum. Analog Meets Digital in the Studio-cum-Exhibition Space. Lawrence Weiner, Re-appropriated. Ode to the Amateur. The Artist’s Studio. The World Explained in the Tropenmuseum. A ‘Theatre of Nature’ in Venlo. Amsterdam’s ‘White Cube’ at the Rotterdam Biennial. Cyprien Gaillard’s The Discovery of Recovery. Museums Google the Future. The Havana Biennial in the 1980s. 2009-2011) at Rome...

criticalissuesintheculturalindustries2.wordpress.com

The World Explained in the Tropenmuseum | Critical Issues in the Cultural Industries II

https://criticalissuesintheculturalindustries2.wordpress.com/studio-2/the-world-explained-in-the-tropenmuseum

Critical Issues in the Cultural Industries II. The Marvelous Oakland Museum of California. The Museum Goes Outside the Museum. Analog Meets Digital in the Studio-cum-Exhibition Space. Lawrence Weiner, Re-appropriated. Ode to the Amateur. The Artist’s Studio. The World Explained in the Tropenmuseum. A ‘Theatre of Nature’ in Venlo. Amsterdam’s ‘White Cube’ at the Rotterdam Biennial. Cyprien Gaillard’s The Discovery of Recovery. Museums Google the Future. The Havana Biennial in the 1980s. Visitors’ reaction...

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Critical Issues in the Cultural Industries. People waiting in line to enter Damien Hirst’s exhibition. White Cube, Mason’s Yard, London (2007). Critical Issues in the Cultural Industries. Or have the arts today completely lost out in the battle against standardisation, leveling, commercialisation and popularisation? Has art finally become a lucrative business in the modern economy, a mere component of the entertainment sector, or can it still operate autonomously and critically? To what extent can they s...

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