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Critical Issues in the Cultural Industries II

Wouter Davidts, May 2012 In the second edition of the course Critical Issues in the Cultural Industries (2011-2012), once again the fate of the arts within the ever-more pervasive cultural (and other) industries served as the central subject. Starting from a both theoretical and historical topology of the modern artworld we explored the extent to…

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Critical Issues in the Cultural Industries II | criticalissuesintheculturalindustries2.wordpress.com Reviews
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Wouter Davidts, May 2012 In the second edition of the course Critical Issues in the Cultural Industries (2011-2012), once again the fate of the arts within the ever-more pervasive cultural (and other) industries served as the central subject. Starting from a both theoretical and historical topology of the modern artworld we explored the extent to…
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1 introduction
2 museum
3 re documenting the past
4 digital outskirts
5 hollandmania
6 misinterpreting mies
7 resisting annihilation
8 studio
9 a quasi historical document
10 desecrating roark’s studio
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introduction,museum,re documenting the past,digital outskirts,hollandmania,misinterpreting mies,resisting annihilation,studio,a quasi historical document,desecrating roark’s studio,studio city,exhibition,ecce homo,overshooting 35mm film,market,burning art
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Critical Issues in the Cultural Industries II | criticalissuesintheculturalindustries2.wordpress.com Reviews

https://criticalissuesintheculturalindustries2.wordpress.com

Wouter Davidts, May 2012 In the second edition of the course Critical Issues in the Cultural Industries (2011-2012), once again the fate of the arts within the ever-more pervasive cultural (and other) industries served as the central subject. Starting from a both theoretical and historical topology of the modern artworld we explored the extent to…

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criticalissuesintheculturalindustries2.wordpress.com criticalissuesintheculturalindustries2.wordpress.com
1

Lawrence Weiner, Re-appropriated | Critical Issues in the Cultural Industries II

https://criticalissuesintheculturalindustries2.wordpress.com/studio-2/lawrence-weiner-re-appropriated

Critical Issues in the Cultural Industries II. The Marvelous Oakland Museum of California. The Museum Goes Outside the Museum. Analog Meets Digital in the Studio-cum-Exhibition Space. Lawrence Weiner, Re-appropriated. Ode to the Amateur. The Artist’s Studio. The World Explained in the Tropenmuseum. A ‘Theatre of Nature’ in Venlo. Amsterdam’s ‘White Cube’ at the Rotterdam Biennial. Cyprien Gaillard’s The Discovery of Recovery. Museums Google the Future. The Havana Biennial in the 1980s. Lawrence Weiner, A...

2

Misinterpreting Mies | Critical Issues in the Cultural Industries II

https://criticalissuesintheculturalindustries2.wordpress.com/museum/misinterpreting-mies

Critical Issues in the Cultural Industries II. The Marvelous Oakland Museum of California. The Museum Goes Outside the Museum. Analog Meets Digital in the Studio-cum-Exhibition Space. Lawrence Weiner, Re-appropriated. Ode to the Amateur. The Artist’s Studio. The World Explained in the Tropenmuseum. A ‘Theatre of Nature’ in Venlo. Amsterdam’s ‘White Cube’ at the Rotterdam Biennial. Cyprien Gaillard’s The Discovery of Recovery. Museums Google the Future. The Havana Biennial in the 1980s. Daniël van der Poel.

3

A Quasi-Historical Document | Critical Issues in the Cultural Industries II

https://criticalissuesintheculturalindustries2.wordpress.com/studio-2/a-quasi-historical-document

Critical Issues in the Cultural Industries II. The Marvelous Oakland Museum of California. The Museum Goes Outside the Museum. Analog Meets Digital in the Studio-cum-Exhibition Space. Lawrence Weiner, Re-appropriated. Ode to the Amateur. The Artist’s Studio. The World Explained in the Tropenmuseum. A ‘Theatre of Nature’ in Venlo. Amsterdam’s ‘White Cube’ at the Rotterdam Biennial. Cyprien Gaillard’s The Discovery of Recovery. Museums Google the Future. The Havana Biennial in the 1980s. The Rembrandt Hous...

4

Hollandmania | Critical Issues in the Cultural Industries II

https://criticalissuesintheculturalindustries2.wordpress.com/museum/hollandmania

Critical Issues in the Cultural Industries II. The Marvelous Oakland Museum of California. The Museum Goes Outside the Museum. Analog Meets Digital in the Studio-cum-Exhibition Space. Lawrence Weiner, Re-appropriated. Ode to the Amateur. The Artist’s Studio. The World Explained in the Tropenmuseum. A ‘Theatre of Nature’ in Venlo. Amsterdam’s ‘White Cube’ at the Rotterdam Biennial. Cyprien Gaillard’s The Discovery of Recovery. Museums Google the Future. The Havana Biennial in the 1980s. Daniël van der Poel.

5

Museums Google the Future | Critical Issues in the Cultural Industries II

https://criticalissuesintheculturalindustries2.wordpress.com/exhibition/museums-google-the-future

Critical Issues in the Cultural Industries II. The Marvelous Oakland Museum of California. The Museum Goes Outside the Museum. Analog Meets Digital in the Studio-cum-Exhibition Space. Lawrence Weiner, Re-appropriated. Ode to the Amateur. The Artist’s Studio. The World Explained in the Tropenmuseum. A ‘Theatre of Nature’ in Venlo. Amsterdam’s ‘White Cube’ at the Rotterdam Biennial. Cyprien Gaillard’s The Discovery of Recovery. Museums Google the Future. The Havana Biennial in the 1980s. Another merit is t...

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Critical Issues in the Cultural Industries II

Critical Issues in the Cultural Industries II. The Marvelous Oakland Museum of California. The Museum Goes Outside the Museum. Analog Meets Digital in the Studio-cum-Exhibition Space. Lawrence Weiner, Re-appropriated. Ode to the Amateur. The Artist’s Studio. The World Explained in the Tropenmuseum. A ‘Theatre of Nature’ in Venlo. Amsterdam’s ‘White Cube’ at the Rotterdam Biennial. Cyprien Gaillard’s The Discovery of Recovery. Museums Google the Future. The Havana Biennial in the 1980s. In the short piece.

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