dalyharpsichords.com
Owen Daly, Maker of Early Keyboard InstrumentsOwen Daly, Maker of Early Keyboard Instruments: Harpsichords and Clavichords, and Fortepianos
http://www.dalyharpsichords.com/
Owen Daly, Maker of Early Keyboard Instruments: Harpsichords and Clavichords, and Fortepianos
http://www.dalyharpsichords.com/
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Owen Daly, Maker of Early Keyboard Instruments | dalyharpsichords.com Reviews
https://dalyharpsichords.com
Owen Daly, Maker of Early Keyboard Instruments: Harpsichords and Clavichords, and Fortepianos
dalyharpsichords.com
Owen Daly, Maker of Early Keyboard Instruments
http://dalyharpsichords.com/About.htm
I have been building clavichords and harpsichords since 1977. Using traditional materials and methods, I am known for instruments of rich character and 'color,' and for attention to details of touch and reliability. I work alone, which allows me to focus all my energy and passion on each instrument. It is very important, I believe, that I am a player myself. All of my instruments receive a proper playing-in, and I expect them to satisfy my own demands as a player before I send them out into the world.
Owen Daly, Maker of Early Keyboard Instruments
http://dalyharpsichords.com/gallery.htm
557 Statesman Street NE. Salem, OR 97301. Original Web Design by owendaly.com.
Owen Daly, Maker of Early Keyboard Instruments
http://dalyharpsichords.com/Prices.htm
As of May 2013. And shipped by them via surface freight. After Giovanni Battista Giusti, 1679. False Inner-Outer" (Integral Case). True "Inner-Outer With Separate Outer Case. Small 17th-century style "False Inner-Outer". Neapolitan after c.1550 in. Boston Museum of Fine Arts. With Separate Outer Case. Small Single-Strung Continuo Harpsichord. Includes Spiral-Turned Stand & , where appropriate, Soundboard Painting. Single-Manual after 1710 Mietke. Includes German-Style Apron Stand. 557 Statesman Street NE.
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Deeper into understanding the harpsichord | david cates
https://davidcatesblog.wordpress.com/2014/01/11/deeper-into-understanding-the-harpsichord
Harpsichords and other living things. Always questions →. Deeper into understanding the harpsichord. January 11, 2014. I have to start with the objective; what should you be aiming for? Unquestionably, playing that engages you emotionally and compels your attention. And what will do that? What I validated through a lot of trial and error is this:. 2 You make the very smallest movements; a finger more than a few millimeters or so off the key isn’t good, well most of the time. Sometimes you want ...4 Lose ...
Helpful tips | david cates
https://davidcatesblog.wordpress.com/2013/06/13/helpful-tips
Harpsichords and other living things. Deeper into understanding the harpsichord →. June 13, 2013. The best strategy for achieving excellent results in a difficult passage is to practice it with rhythmic alterations; instead of playing a passage with equal note values play it with a dotted or double dotted rhythm. And then reverse it; long/short become short/long etc. This works very well for large leaps, as well as practically anything. Sixths; there’s no great fingering formula here, but it’...Trill and...
david cates | Harpsichords and other living things | Page 2
https://davidcatesblog.wordpress.com/page/2
Harpsichords and other living things. Newer posts →. May 5, 2014. I haven’t seen much written about this, and I wonder why. The old school great pianists understood these concepts very well, but it’s less in evidence in most of today’s players. They’re not hands. February 17, 2014. A viola da gamba solo? With an excellent sense of touch, and clarity of musical thought, those first notes can be magical. January 28, 2014. Deeper into understanding the harpsichord. January 11, 2014. The way the harpsichord ...
Touch | david cates
https://davidcatesblog.wordpress.com/2015/02/07/touch
Harpsichords and other living things. Warming up routine →. February 7, 2015. Geez, I feel bad; haven’t written anything here for quite a while. Have been playing a lot of early english music; Byrd, Tomkins, Bull and the like. Amazing music, masterful polyphony and melody. There are so many masterpieces, little ones and big long ones. It’s great music for improving musicianship and expression, the fine pieces support a lot of exploration of possibilities. This entry was posted in Uncategorized.
Time | david cates
https://davidcatesblog.wordpress.com/2014/05/05/time
Harpsichords and other living things. They’re not hands. May 5, 2014. I haven’t seen much written about this, and I wonder why. The old school great pianists understood these concepts very well, but it’s less in evidence in most of today’s players. This entry was posted in Uncategorized. They’re not hands. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your Twitter account. ( Log Out.
davidcembalo | david cates
https://davidcatesblog.wordpress.com/author/davidcembalo
Harpsichords and other living things. Esthetics of the Harpsichord. February 9, 2016. Since I’ve posted about matters of technique and interpretation, I thought I’d add something about the whole esthetic of the harpsichord. Now, this isn’t for people who already know a lot – it’s more for the layman who might want … Continue reading →. December 2, 2015. Ideas about the Goldberg Variations BWV 988. November 20, 2015. November 13, 2015. Concert-goers might find this of interest. And there’s a bit...Learnin...
About | david cates
https://davidcatesblog.wordpress.com/about
Harpsichords and other living things. This is an example of a page. Unlike posts, which are displayed on your blog’s front page in the order they’re published, pages are better suited for more timeless content that you want to be easily accessible, like your About or Contact information. Click the Edit link to make changes to this page or add another page. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public).
Always questions | david cates
https://davidcatesblog.wordpress.com/2014/01/28/always-questions
Harpsichords and other living things. Deeper into understanding the harpsichord. They’re not hands →. January 28, 2014. One of the great things about early music is that we get to constantly ask ourselves “how does this go”? This entry was posted in Uncategorized. Deeper into understanding the harpsichord. They’re not hands →. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). Notify me of new comments via email.
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Blog de dalyhardoos - ROCK - Skyrock.com
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Owen Daly, Maker of Early Keyboard Instruments
Two-manual harpsichord completed in May 2013, after one attributed to Claude Labreche, last quarter of the 17th century. Labreche worked in Carpentras, near Avignon, at that time in the Papal States, not France, so it is not, strictly speaking, a "French" harpsichord. Detailed photo collections of these recent projects are available on Flikr. Click on any to view its set:. Neapolitan Harpsichord c.1550. Single-Manual Harpsichord after Michael Mietke, Berlin 1710. 557 Statesman Street NE. Salem, OR 97301.
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Blog de dalyhass62 - a la ghetto you - Skyrock.com
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Daly History Blog | From the author of 'Portsmouth's World War Two Heroes'
My Books and Articles. 3 September, 2017 · 3:58 pm. 8216;new museum are(nt) rubbish’. It’s been really interesting, over the past few years, visiting newly redeveloped museums. And even more interesting reading the various reviews. Resilience matters. A museum that atracts more people – especially from outside its core audience – will inevitably make more money. Therefore its very existence is assured, and it can look to continue developing. But a museum that preaches only to the ...I’ve been watch...
