dianashpungincolab15.blogspot.com
diana shpungin / nicole engelmann
Diana shpungin / nicole engelmann. Collaborative work: creamed 2004. Diana shpungin and nicole engelmann. Continuous loop dvd projection. Stills from three channel dvd projections. Creamed consists of 3 parts. The installation allows the viewer to travel from space to space watching the work in sequence: 1, 2 and 3. Each part is projected larger than life dimensions. All images © Diana Shpungin and Nicole Engelmann 2000-2007. BACK TO COLLABORATIVE WORK.
dianashpungincolab16.blogspot.com
diana shpungin / nicole engelmann
Diana shpungin / nicole engelmann. Collaborative work: session 2004. Installation view dual channel dvd projection. Audio: What was said and who said what? Installation: Screen 1 and Screen 2 will be projected within a single space at different proportions. Their size and positioning will be determined upon installation taking into consideration the architectural character of the space. Each installation will be site-specific. Speakers will provide ambient sound to fill the space.
dianashpungincolab17.blogspot.com
diana shpungin / nicole engelmann
Diana shpungin / nicole engelmann. Collaborative work: top and bottom 2004. Top and bottom, 2004. Stills from continuous loop dual channel video installation. All images © Diana Shpungin and Nicole Engelmann 2000-2007. BACK TO COLLABORATIVE WORK.
dianashpungincolab18.blogspot.com
diana shpungin / nicole engelmann
Diana shpungin / nicole engelmann. Collaborative work: shootout 2003. Installation view and stills, sculpture center, nyc. Continuous loop dual channel dvd projections, plexiglass. A blonde and a brunette dressed in identical gray uniforms face one another in opposing projections. They aim a prop gun at each other. The action is a mirrored reflection. All images © Diana Shpungin and Nicole Engelmann 2000-2007. BACK TO COLLABORATIVE WORK.
dianashpungincolab19.blogspot.com
diana shpungin / nicole engelmann
Diana shpungin / nicole engelmann. Collaborative work: ride 2003. Stills from dual channel video installtion. Ride is a dual channel video projection. Each projection appears as if it is a duplicate of the other. The minimal set frames a traditional white leather armchair in an anonymous setting. Two women appear in each projection, alternating their positions. Only one woman is visible in each projection. One hides the other from the view of the camera in a reciprocal action. BACK TO COLLABORATIVE WORK.
dianashpungincolab20.blogspot.com
diana shpungin / nicole engelmann
Diana shpungin / nicole engelmann. Collaborative work: smack 2002. Diana shpungin and nicole engelmann. Still from continuous loop dvd. All images © Diana Shpungin and Nicole Engelmann 2000-2007. BACK TO COLLABORATIVE WORK.
dianashpungincolab21.blogspot.com
diana shpungin / nicole engelmann
Diana shpungin / nicole engelmann. Collaborative work: kiss 2002. Still image from continuous loop video. All images © Diana Shpungin and Nicole Engelmann 2000-2007. BACK TO COLLABORATIVE WORK.
dianashpungincolab22.blogspot.com
diana shpungin / nicole engelmann
Diana shpungin / nicole engelmann. Collaborative work: slap 2002. Still image from continuous loop video. All images © Diana Shpungin and Nicole Engelmann 2000-2007. BACK TO COLLABORATIVE WORK.
dianashpungincolab23.blogspot.com
diana shpungin / nicole engelmann
Diana shpungin / nicole engelmann. Collaborative work: theatre 2002. Diana shpungin and nicole engelmann. Still image from part one, continuous loop video. Theater Part One 2002. Theater Part Two 2002. In Part Two, the blonde and brunette whisper into each other’s ear. The repeated loop allows the women to endlessly share secrets. The silence conceals their conversation from the viewer. The women’s behavior excludes and distances the viewer from their clique. Theater Part Three 2002.
dianashpungincolab25.blogspot.com
diana shpungin / nicole engelmann
Diana shpungin / nicole engelmann. Collaborative work: hand game 2002. Hand game, 2002. Still image from continuous loop video. Ultimate goal is to achieve an infinite level of coordination. The continuous loop allows the characters to perpetuate the rhythmic action eternally. The use of slow motion produces visual trails from the hands and a reverberating sound from the clapping. This aids in transforming the game into a haunting and monotonous fixation. BACK TO COLLABORATIVE WORK.
dianashpungincolab26.blogspot.com
diana shpungin / nicole engelmann
Diana shpungin / nicole engelmann. Collaborative work: routine 2002. Still images from continuous loop video. While the slow motion scenes are silent, the transitory moments are accentuated with sound. In the fast motion scenes the sound is revealed and the viewer/voyeur is suddenly jolted into another invented reality. The sound emphasizes the automatism and the mechanical nature of the movements. All images © Diana Shpungin and Nicole Engelmann 2000-2007. BACK TO COLLABORATIVE WORK.