dianashpungincolab22.blogspot.com
diana shpungin / nicole engelmann
Diana shpungin / nicole engelmann. Collaborative work: slap 2002. Still image from continuous loop video. All images © Diana Shpungin and Nicole Engelmann 2000-2007. BACK TO COLLABORATIVE WORK.
dianashpungincolab23.blogspot.com
diana shpungin / nicole engelmann
Diana shpungin / nicole engelmann. Collaborative work: theatre 2002. Diana shpungin and nicole engelmann. Still image from part one, continuous loop video. Theater Part One 2002. Theater Part Two 2002. In Part Two, the blonde and brunette whisper into each other’s ear. The repeated loop allows the women to endlessly share secrets. The silence conceals their conversation from the viewer. The women’s behavior excludes and distances the viewer from their clique. Theater Part Three 2002.
dianashpungincolab25.blogspot.com
diana shpungin / nicole engelmann
Diana shpungin / nicole engelmann. Collaborative work: hand game 2002. Hand game, 2002. Still image from continuous loop video. Ultimate goal is to achieve an infinite level of coordination. The continuous loop allows the characters to perpetuate the rhythmic action eternally. The use of slow motion produces visual trails from the hands and a reverberating sound from the clapping. This aids in transforming the game into a haunting and monotonous fixation. BACK TO COLLABORATIVE WORK.
dianashpungincolab26.blogspot.com
diana shpungin / nicole engelmann
Diana shpungin / nicole engelmann. Collaborative work: routine 2002. Still images from continuous loop video. While the slow motion scenes are silent, the transitory moments are accentuated with sound. In the fast motion scenes the sound is revealed and the viewer/voyeur is suddenly jolted into another invented reality. The sound emphasizes the automatism and the mechanical nature of the movements. All images © Diana Shpungin and Nicole Engelmann 2000-2007. BACK TO COLLABORATIVE WORK.
dianashpungincolab29.blogspot.com
diana shpungin / nicole engelmann
Diana shpungin / nicole engelmann. Colaborative work: spoon 2002. Still image from continuous loop video. In Spoon two women, one blonde and one brunette are face to face. Each in turn spoon-feeds the other. Playing on ideas of opposites and favorites, the brunette gets fed vanilla pudding while the blonde gets fed chocolate pudding. The use of color and balance transforms something initially repelling into a monotonous formal exercise. All images © Diana Shpungin and Nicole Engelmann 2000-2007.
dianashpungincolab3.blogspot.com
diana shpungin / nicole engelmann
Diana shpungin / nicole engelmann. Collaborative work: attempt #1 jump 2004. Diana shpungin and nicole engelmann. Continuous loop dvd projection. Attempt #1 jump,. Continuous loop dvd video projection. All images © Diana Shpungin and Nicole Engelmann 2000-2007. BACK TO COLLABORATIVE WORK.
dianashpungincolab30.blogspot.com
diana shpungin / nicole engelmann
Diana shpungin / nicole engelmann. Collaborative work: screen 2002. Still images from dual channel video. Screen is a dual channel video projection. Two women, one blonde and one brunette appear simultaneously in each frame. This creates an impossible time structure, with both roles played concurrently. All images © Diana Shpungin and Nicole Engelmann 2000-2007. BACK TO COLLABORATIVE WORK.
dianashpungincolab31.blogspot.com
diana shpungin / nicole engelmann
Diana shpungin / nicole engelmann. Collaborative work: lap 2002. Still image from continuous loop video. In Lap, two women, one blonde, one brunette, take part in sacrificing comfortability for the sake of the other. The absurd act turns into a mechanical game of posing for the camera. The personalities of the women are revealed by their different mannerisms. The women have no hesitation playing the game. Their comfortability with one another makes the action seem oddly natural. BACK TO COLLABORATIVE WORK.
dianashpungincolab32.blogspot.com
diana shpungin / nicole engelmann
Diana shpungin / nicole engelmann. Collaborative work: four legged 2002. Four leggd, 2002. Still image from continuous loop video. The legs wear gray nylon stockings. It is not known whether the rest of the bodies are clothed. The back of the love seat faces the viewer to conceal the true nature of the activity and the identity of the characters. The cropping obscures the love seats reading and in turn alludes to the foot of a bed. All images © Diana Shpungin and Nicole Engelmann 2000-2007.
dianashpungincolab33.blogspot.com
diana shpungin / nicole engelmann
Diana shpungin / nicole engelmann. Collaborative work: puff 2002. Still images from continuous loop dual channel video. Puff is a dual video projection. The projections appear almost identical, except for the difference of the blonde and brunette. Each woman is alone in her space, yet she is sharing an identical experience. All images © Diana Shpungin and Nicole Engelmann 2000-2007. BACK TO COLLABORATIVE WORK.
dianashpungincolab34.blogspot.com
diana shpungin / nicole engelmann
Diana shpungin / nicole engelmann. Collaborative work: hand in hand 2002. Hand in hand, 2002. Still image from continuous loop video. All images © Diana Shpungin and Nicole Engelmann 2000-2007. BACK TO COLLABORATIVE WORK.