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dickson|arch670|UMD

Friday, May 18, 2007. Tuesday, May 8, 2007. My process thus far:. Digitally model the animation. Physically model the digital model. What emerged from this process was a set of drawings used in the constructrion of the physical artifact that were far more compelling than either the animation or the artifact itself. My intention is to begin the process all over again, using the new, emergent diagram as a basis for future investigations. Tuesday, May 1, 2007. Friday, April 27, 2007. Re-combinant variations...

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dickson|arch670|UMD | dickson670umd.blogspot.com Reviews
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Friday, May 18, 2007. Tuesday, May 8, 2007. My process thus far:. Digitally model the animation. Physically model the digital model. What emerged from this process was a set of drawings used in the constructrion of the physical artifact that were far more compelling than either the animation or the artifact itself. My intention is to begin the process all over again, using the new, emergent diagram as a basis for future investigations. Tuesday, May 1, 2007. Friday, April 27, 2007. Re-combinant variations...
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dickson|arch670|UMD | dickson670umd.blogspot.com Reviews

https://dickson670umd.blogspot.com

Friday, May 18, 2007. Tuesday, May 8, 2007. My process thus far:. Digitally model the animation. Physically model the digital model. What emerged from this process was a set of drawings used in the constructrion of the physical artifact that were far more compelling than either the animation or the artifact itself. My intention is to begin the process all over again, using the new, emergent diagram as a basis for future investigations. Tuesday, May 1, 2007. Friday, April 27, 2007. Re-combinant variations...

INTERNAL PAGES

dickson670umd.blogspot.com dickson670umd.blogspot.com
1

dickson|arch670|UMD: January 2007

http://dickson670umd.blogspot.com/2007_01_01_archive.html

Tuesday, January 30, 2007. A room full of monkeys with typewriters . . . will they eventually make Shakespeare? What makes a group of blind and completely unintelligent ants work together in such a beautifully choreographed way? How can thousands of fireflies in Thailand blink with complete synchronization? The next and seemingly obvious question (at least for me) is: "How can a study of emergence be a generator of architectural forms? Subscribe to: Posts (Atom).

2

dickson|arch670|UMD: proj2_animations

http://dickson670umd.blogspot.com/2007/05/proj2animations.html

Friday, May 18, 2007. IS VERY GOOD . June 10, 2010 at 6:37 AM. Subscribe to: Post Comments (Atom).

3

dickson|arch670|UMD: experience_vs_perception

http://dickson670umd.blogspot.com/2007/04/experiencevsperception.html

Friday, April 27, 2007. Ster·e·ot·o·my. Ster-ee-ot-uh-mee] noun the technique of cutting solids, as stones, to specified forms and dimensions. Preston Scott Cohen’s Stereotomic Permutation. With this new rubric, we can begin to understand Cohen’s intentions. Can the perception of architecture, both conceptually and physically, merge with the experience of architecture? In other words, is it possible to design a form whereby we both see and understand it simultaneously? Subscribe to: Post Comments (Atom).

4

dickson|arch670|UMD: April 2007

http://dickson670umd.blogspot.com/2007_04_01_archive.html

Friday, April 27, 2007. Ster·e·ot·o·my. Ster-ee-ot-uh-mee] noun the technique of cutting solids, as stones, to specified forms and dimensions. Preston Scott Cohen’s Stereotomic Permutation. With this new rubric, we can begin to understand Cohen’s intentions. Can the perception of architecture, both conceptually and physically, merge with the experience of architecture? In other words, is it possible to design a form whereby we both see and understand it simultaneously? Thursday, April 26, 2007. Functiona...

5

dickson|arch670|UMD: proj2_status

http://dickson670umd.blogspot.com/2007/04/proj2status.html

Monday, April 23, 2007. Subscribe to: Post Comments (Atom). Architectural Representation and the Perspective H.

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MAO|ARCH670|UMD: Fragmenting the Defragmented

http://mao670umd.blogspot.com/2008/05/fragmenting-defragmented.html

ARCH670 Advanced Comprehensive Computer Technology in Architecture (Modeling and Animation) Associate Professor: Michael Ambrose, University of Maryland, College Park Spring 2008. Tuesday, May 6, 2008. Here, the metaphorically linked events have been fragmented and reconnected to question the temporal relationship between the two events that were otherwise shuffled together. Isolating the "Dog" Sequence. Isolating the "Mob" Sequence. Subscribe to: Post Comments (Atom). MARCH, SAPP, UMD. MAA, The Professor.

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beret_dickson|work: ARCH402_sequence analysis

http://bgdickson.blogspot.com/2007/02/arch402sequence-analysis.html

Stockholm Public Library; 1918-1927. Labels: ARCH402 Studio III. Subscribe to: Post Comments (Atom).

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beret_dickson|work: Recreation Center

http://bgdickson.blogspot.com/2007/10/recreation-center.html

The gymnasium is an ancient typology, the contemporary manifestation of which is remarkably commercialized and image-driven. The quest for health in mind, body and soul has been replaced by a quest to look good. Tenleytown; Washington, DC. Subscribe to: Post Comments (Atom).

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MAO|ARCH670|UMD: March 2008

http://mao670umd.blogspot.com/2008_03_01_archive.html

ARCH670 Advanced Comprehensive Computer Technology in Architecture (Modeling and Animation) Associate Professor: Michael Ambrose, University of Maryland, College Park Spring 2008. Thursday, March 27, 2008. In traditional architectural graphics, moments of framing and sectioning are often treated simultaneously. any orthographic cut is a section, but nevertheless that cut is often the frame for space or is framed by context.). Labels: presentation project 01. Wednesday, March 26, 2008. Forms of Expression...

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MAO|ARCH670|UMD: Surface Generation: Materiality Tests 05

http://mao670umd.blogspot.com/2008/05/surface-generation-materiality-tests-05.html

ARCH670 Advanced Comprehensive Computer Technology in Architecture (Modeling and Animation) Associate Professor: Michael Ambrose, University of Maryland, College Park Spring 2008. Thursday, May 15, 2008. Surface Generation: Materiality Tests 05. MATERIAL: Prismatic (Translucent) Ceiling Panel. Above: Textured Surface Facing Down. Above: Textured Surface Facing Up. Subscribe to: Post Comments (Atom). MARCH, SAPP, UMD. View my complete profile. ARCH670, The Course. MAA, The Professor. SAPP, The School.

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MAO|ARCH670|UMD: Surface Generation: Materiality Tests 01

http://mao670umd.blogspot.com/2008/05/surface-generation-materiality-tests-01.html

ARCH670 Advanced Comprehensive Computer Technology in Architecture (Modeling and Animation) Associate Professor: Michael Ambrose, University of Maryland, College Park Spring 2008. Thursday, May 15, 2008. Surface Generation: Materiality Tests 01. CONCEPT: The movie sequence is the generator for a surface. The diagrammatic elements for each transition is translated into a formwork. Subscribe to: Post Comments (Atom). MARCH, SAPP, UMD. View my complete profile. ARCH670, The Course. MAA, The Professor.

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MAO|ARCH670|UMD: May 2008

http://mao670umd.blogspot.com/2008_05_01_archive.html

ARCH670 Advanced Comprehensive Computer Technology in Architecture (Modeling and Animation) Associate Professor: Michael Ambrose, University of Maryland, College Park Spring 2008. Thursday, May 15, 2008. Formwork Documentation: The Holes (Part 2). Recap: for the four rows of holes away from center, the clamps are repositioned, and additional height on the jig is added to accomodate the clamps' new position as not to conflict with the formwork. Six rows of holes per plate. A lot of carriage bolts are ...

yazdanseta670umd.blogspot.com yazdanseta670umd.blogspot.com

yazdanseta|arch670|UMD: Coop Himmelb(L)au Quote:

http://yazdanseta670umd.blogspot.com/2007/02/coop-himmelblau-quote.html

This blog is dedicaed to arch670 and Professor Michael Ambrose. Friday, February 16, 2007. Nothing is left to us of the architecture of past epochs, just as we can no longer derive any benefit from the literary and historical teaching given in schools." (1926). February 19, 2007 at 6:57 AM. Subscribe to: Post Comments (Atom). Project 1c ComPoSitiOnaL diSpLaCeMenT. ReaDing SyNopSis: WaRping sPaCe. Project 1b ComposiTional Frames pRoCess. Project 1b ComposiTional Frames. View my complete profile.

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yazdanseta|arch670|UMD: May 2007

http://yazdanseta670umd.blogspot.com/2007_05_01_archive.html

This blog is dedicaed to arch670 and Professor Michael Ambrose. Monday, May 14, 2007. Tuesday, May 8, 2007. Subscribe to: Posts (Atom). MArch 2008 University of Maryland MSAAD 2010 Columbia University GSAPP. View my complete profile.

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yazdanseta|arch670|UMD: February 2007

http://yazdanseta670umd.blogspot.com/2007_02_01_archive.html

This blog is dedicaed to arch670 and Professor Michael Ambrose. Tuesday, February 27, 2007. Project 1c ComPoSitiOnaL diSpLaCeMenT. Friday, February 16, 2007. One can never know at the same time what is the condition of society, its so-called 'zeitgeist', and how architecture should respond to it. One has always had to go outside of architecture. I have had to do so in order to address the question of 'what should I do? Tuesday, February 13, 2007. ReaDing SyNopSis: WaRping sPaCe. Here I share with you a p...

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Meet our 2015 Lodge Officers. Dedicated to the upbuilding of moral character of its members and the preservation of personal freedom. Dickson Lodge 468 F&AM Dickson TN 37055. Dickson Lodge 468 F&AM Dickson TN.

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dickson|arch670|UMD

Friday, May 18, 2007. Tuesday, May 8, 2007. My process thus far:. Digitally model the animation. Physically model the digital model. What emerged from this process was a set of drawings used in the constructrion of the physical artifact that were far more compelling than either the animation or the artifact itself. My intention is to begin the process all over again, using the new, emergent diagram as a basis for future investigations. Tuesday, May 1, 2007. Friday, April 27, 2007. Re-combinant variations...

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Dickson's Some Useless Matters ^-^

Dickson's Some Useless Matters -. Monday, May 21, 2007. This Is My 1st Blog n Say Hello To Eveyone. HelloErm,I have tis blogger account longtimes ago but Tonight I jz start.So lazy n tired to type leh.But bo huat la,I follow my friends them ma.See them post till so syok n happy.N bcz I wan join v them oso. My nick name is dickson on msn,friendster n blogger,but normally my frens will call my name lol. You oso can add me on msn and friendster there,tis is my address dickson7476@hotmail.com.