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dickson|arch670|UMD: May 2007
http://dickson670umd.blogspot.com/2007_05_01_archive.html
Friday, May 18, 2007. Tuesday, May 8, 2007. My process thus far:. Digitally model the animation. Physically model the digital model. What emerged from this process was a set of drawings used in the constructrion of the physical artifact that were far more compelling than either the animation or the artifact itself. My intention is to begin the process all over again, using the new, emergent diagram as a basis for future investigations. Tuesday, May 1, 2007. Subscribe to: Posts (Atom).
dickson670umd.blogspot.com
dickson|arch670|UMD: January 2007
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Tuesday, January 30, 2007. A room full of monkeys with typewriters . . . will they eventually make Shakespeare? What makes a group of blind and completely unintelligent ants work together in such a beautifully choreographed way? How can thousands of fireflies in Thailand blink with complete synchronization? The next and seemingly obvious question (at least for me) is: "How can a study of emergence be a generator of architectural forms? Subscribe to: Posts (Atom).
dickson670umd.blogspot.com
dickson|arch670|UMD: experience_vs_perception
http://dickson670umd.blogspot.com/2007/04/experiencevsperception.html
Friday, April 27, 2007. Ster·e·ot·o·my. Ster-ee-ot-uh-mee] noun the technique of cutting solids, as stones, to specified forms and dimensions. Preston Scott Cohen’s Stereotomic Permutation. With this new rubric, we can begin to understand Cohen’s intentions. Can the perception of architecture, both conceptually and physically, merge with the experience of architecture? In other words, is it possible to design a form whereby we both see and understand it simultaneously? Subscribe to: Post Comments (Atom).
dickson670umd.blogspot.com
dickson|arch670|UMD: proj2_status
http://dickson670umd.blogspot.com/2007/04/proj2status.html
Monday, April 23, 2007. Subscribe to: Post Comments (Atom). Architectural Representation and the Perspective H.
amaral670umd.blogspot.com
amaral|arch670|UMD: March 2007
http://amaral670umd.blogspot.com/2007_03_01_archive.html
Sunday, March 25, 2007. Project 1 - Virtual Projection. Contemporary Techniques in Architecture. Ali Rahim discusses about the potential of contemporary techniques as something that influences and transforms culture, society and politics. Technology plays an important role being in constant interaction with culture and transforming it by a process of feedback and evolution. The later is what Rahim calls “ actualization in architecture”. Can it really work as nicely as it sounds? The interaction between l...
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chen|arch670|UMD: Stereotomic PermutatoinsPreston Scott Cohen
http://chen670umd.blogspot.com/2007/04/stereotomic-permutatoins-preston-scott.html
Space melts like sand running through one's fingers. Time bears it away and leaves me only shapeless shreds.". Perec SPECIES OF SPACE AND OTHER PIECES. 1997. I suppose that's what we are doing for part b.). Posted by Anita Bui-Yu Chen. 星期二, 4月 24, 2007. 訂閱： 張貼留言 (Atom). Stereotomic PermutatoinsPreston Scott Cohen. Project 2a: Re-Visiting the diagram.
amaral670umd.blogspot.com
amaral|arch670|UMD: Project 1c - Compositional displacements
http://amaral670umd.blogspot.com/2007/02/project-1c-compositional-displacements.html
Tuesday, February 27, 2007. Project 1c - Compositional displacements. Subscribe to: Post Comments (Atom). Project 1c - Compositional displacements. Project 1b - Virtual Projection. Project 1a - compositional lines. View my complete profile.
amaral670umd.blogspot.com
amaral|arch670|UMD: Versioning - Connubial Reciprocities of Surface and Space
http://amaral670umd.blogspot.com/2007/04/versioning-connubial-reciprocities-of.html
Sunday, April 8, 2007. Versioning - Connubial Reciprocities of Surface and Space. 8220; … produce ambiguous readings, blurring the distinction between the real and constructed appearances of buildings; defamiliarising the purported properties of materials and expanding the experiential and semantic effects of architecture.”. To attempt the reconciliation of surface and space dA takes the qualities of the 2 different traditions and combines them using the “ formal and structural effects of the empir...
chen670umd.blogspot.com
chen|arch670|UMD: 2007-02-25
http://chen670umd.blogspot.com/2007_02_25_archive.html
Space melts like sand running through one's fingers. Time bears it away and leaves me only shapeless shreds.". Perec SPECIES OF SPACE AND OTHER PIECES. 1997. Shuhei Endo: Springtecture H. Zaha Hadid's Rosenthal Center for Contemporary Art). Singu-cho, Hyogo, Japon, 1998. Http:/ www.archilab.org/public/2000/catalog/shuhei/shuheien.htm. I still think that there is a separation created by the linear plane. Here the separation is exposed and refuges spaces. However, where Diller Scofidio. 星期六, 3月 03, 2007.
