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Emily's Crit Studies Blog

Emily's Crit Studies Blog. Wednesday, October 8, 2008. 8220;She Writes Like an Artist”. Anna Sanderson, “Brainpark” and “Haesjv van Cleyburg” from Brainpark, Wellington: Victoria University Press, 2006, pp. 9-16. DP Fowler. Narrate and Describe: The Problem of Ekphrasis. The Journal of Roman Studies, Vol. 81 (1991), Society for the Promotion of Roman Studies, pp 25-35 http:/ www.jstor.org/stable/3000486 03/07/2008. Although presented in a story-like form the incidental dialogue and description found in S...

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Emily's Crit Studies Blog | emilycritstudies.blogspot.com Reviews

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Emily's Crit Studies Blog. Wednesday, October 8, 2008. 8220;She Writes Like an Artist”. Anna Sanderson, “Brainpark” and “Haesjv van Cleyburg” from Brainpark, Wellington: Victoria University Press, 2006, pp. 9-16. DP Fowler. Narrate and Describe: The Problem of Ekphrasis. The Journal of Roman Studies, Vol. 81 (1991), Society for the Promotion of Roman Studies, pp 25-35 http:/ www.jstor.org/stable/3000486 03/07/2008. Although presented in a story-like form the incidental dialogue and description found in S...

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Emily's Crit Studies Blog | emilycritstudies.blogspot.com Reviews

https://emilycritstudies.blogspot.com

Emily's Crit Studies Blog. Wednesday, October 8, 2008. 8220;She Writes Like an Artist”. Anna Sanderson, “Brainpark” and “Haesjv van Cleyburg” from Brainpark, Wellington: Victoria University Press, 2006, pp. 9-16. DP Fowler. Narrate and Describe: The Problem of Ekphrasis. The Journal of Roman Studies, Vol. 81 (1991), Society for the Promotion of Roman Studies, pp 25-35 http:/ www.jstor.org/stable/3000486 03/07/2008. Although presented in a story-like form the incidental dialogue and description found in S...

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emilycritstudies.blogspot.com

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Emily's Crit Studies Blog: How Can Creative Practice Be Politically Relevant?

http://www.emilycritstudies.blogspot.com/2008/10/how-can-creative-practice-be.html

Emily's Crit Studies Blog. Wednesday, October 8, 2008. How Can Creative Practice Be Politically Relevant? Nicolas Bourriaud, “Art of the 1990’s”, from Relational Aesthetics, Paris: les presses de reel, 2002, pp25-40. Victoria Lynn, Turbulence: 3rd Auckland Triennial 2007, Auckland Art Gallery Toi o Tamaki, 2007. In outlining the evolution of artistic progression Bourriaud poses the question “What is our relationship with the physical world? 8220;Turbulence can arise from a multitude of places, events, an...

2

Emily's Crit Studies Blog: October 2008

http://www.emilycritstudies.blogspot.com/2008_10_01_archive.html

Emily's Crit Studies Blog. Wednesday, October 8, 2008. 8220;She Writes Like an Artist”. Anna Sanderson, “Brainpark” and “Haesjv van Cleyburg” from Brainpark, Wellington: Victoria University Press, 2006, pp. 9-16. DP Fowler. Narrate and Describe: The Problem of Ekphrasis. The Journal of Roman Studies, Vol. 81 (1991), Society for the Promotion of Roman Studies, pp 25-35 http:/ www.jstor.org/stable/3000486 03/07/2008. Although presented in a story-like form the incidental dialogue and description found in S...

3

Emily's Crit Studies Blog: Damien Hirst : Art as a Brand

http://www.emilycritstudies.blogspot.com/2008/10/damien-hirst-art-as-brand.html

Emily's Crit Studies Blog. Wednesday, October 8, 2008. Damien Hirst : Art as a Brand. Celia Lury, “’Contemplating a Self-portrait as a Pharmacist’: A Trade Mark Style of Doing Art and Science”, Theory, Culture, Society, Vol.22 (1), London: Sage. Pp93-110. Paul Bergin, “Andy Warhol: The Artist as Machine”, Art Journal, Vol. 26, No. 4 (Summer, 1967), College Art Association, pp. 359-363, http:/ www.jstor.org/stable/775065, 09/09/2008 06:29. Lury begins her article with a quote from Damien Hirst:. Pernilla ...

4

Emily's Crit Studies Blog: “She Writes Like an Artist”

http://www.emilycritstudies.blogspot.com/2008/10/she-writes-like-artist.html

Emily's Crit Studies Blog. Wednesday, October 8, 2008. 8220;She Writes Like an Artist”. Anna Sanderson, “Brainpark” and “Haesjv van Cleyburg” from Brainpark, Wellington: Victoria University Press, 2006, pp. 9-16. DP Fowler. Narrate and Describe: The Problem of Ekphrasis. The Journal of Roman Studies, Vol. 81 (1991), Society for the Promotion of Roman Studies, pp 25-35 http:/ www.jstor.org/stable/3000486 03/07/2008. Although presented in a story-like form the incidental dialogue and description found in S...

5

Emily's Crit Studies Blog: Banksy and The Role of the Trickster in the Globalisation of Art

http://www.emilycritstudies.blogspot.com/2008/10/banksy-and-role-of-trickster-in.html

Emily's Crit Studies Blog. Tuesday, October 7, 2008. Banksy and The Role of the Trickster in the Globalisation of Art. Jean Fisher, “Towards a Metaphysics of Shit”, in Documenta 11 Platform 5 The Catalog, Ostfildern-Ruit: Hajte Cantz, 2002, pp63-70. Arun Appadurai, “Disjuncture and Difference in the Global Cultural Economy”, Modernity at Large: Cultural Dimensions of Globalisation, Minneapolis: University of Minnesota Press, 1996 pp27-47. 8220;If our understanding of the world is largely through mediated...

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Emily's Crit Studies Blog

Emily's Crit Studies Blog. Wednesday, October 8, 2008. 8220;She Writes Like an Artist”. Anna Sanderson, “Brainpark” and “Haesjv van Cleyburg” from Brainpark, Wellington: Victoria University Press, 2006, pp. 9-16. DP Fowler. Narrate and Describe: The Problem of Ekphrasis. The Journal of Roman Studies, Vol. 81 (1991), Society for the Promotion of Roman Studies, pp 25-35 http:/ www.jstor.org/stable/3000486 03/07/2008. Although presented in a story-like form the incidental dialogue and description found in S...

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