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Emji Spero

Journal entry from this date one year ago. December 28th, 2014. Reading The New Jim Crow. Going to read it. Again, I say thank you. Boarding the connecting flight to Oakland. Empty middle seat between a black man and a black woman; I think of Claudia Rankine’s poem on the perpetually empty seat beside the black man on public transit. I sit down in the seat. I tire of my own dialogic realism. How much is not said in speaking. We sit quietly in the context of our shared colonial history. December 28, 2015.

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Emji Spero | emjispero.wordpress.com Reviews

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Journal entry from this date one year ago. December 28th, 2014. Reading The New Jim Crow. Going to read it. Again, I say thank you. Boarding the connecting flight to Oakland. Empty middle seat between a black man and a black woman; I think of Claudia Rankine’s poem on the perpetually empty seat beside the black man on public transit. I sit down in the seat. I tire of my own dialogic realism. How much is not said in speaking. We sit quietly in the context of our shared colonial history. December 28, 2015.

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4 installation

5 performance

6 publication

7 upcoming

8 workshops

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Emji Spero | emjispero.wordpress.com Reviews

https://emjispero.wordpress.com

Journal entry from this date one year ago. December 28th, 2014. Reading The New Jim Crow. Going to read it. Again, I say thank you. Boarding the connecting flight to Oakland. Empty middle seat between a black man and a black woman; I think of Claudia Rankine’s poem on the perpetually empty seat beside the black man on public transit. I sit down in the seat. I tire of my own dialogic realism. How much is not said in speaking. We sit quietly in the context of our shared colonial history. December 28, 2015.

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emjispero.wordpress.com

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Journal entry from this date one year ago | Emji Spero

https://emjispero.wordpress.com/2015/12/28/journal-entry-from-this-date-one-year-ago-2

Journal entry from this date one year ago. December 28th, 2014. Reading The New Jim Crow. Going to read it. Again, I say thank you. Boarding the connecting flight to Oakland. Empty middle seat between a black man and a black woman; I think of Claudia Rankine’s poem on the perpetually empty seat beside the black man on public transit. I sit down in the seat. I tire of my own dialogic realism. How much is not said in speaking. We sit quietly in the context of our shared colonial history. December 28, 2015.

2

Workshops | Emji Spero

https://emjispero.wordpress.com/workshops

Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email. Journal entry from this date one year ago. Inter pellated: Day One. Blog at WordPress.com.

3

from Aggressively Edited Interviews No.1 | Emji Spero

https://emjispero.wordpress.com/2015/06/18/from-aggressively-edited-interviews-no-1

From Aggressively Edited Interviews No.1. Well, actually I mean, in terms of Anyway, in that. Well, you pub publicity Um, Um, and like, I mean, but yeah, things, interesting things. People you you know, um, Um, you know, you know,. And then the contingencies of, the contingencies of the sort of, you know, you know, uh, you know, aren’t that are very, that are very very Um, so, is, is, is you, you sort of. And then also, I mean also, the, the, the thing that’s coming up, I mean, sort of you can’t just like.

4

Code Dependence (with Ted Rees) | Emji Spero

https://emjispero.wordpress.com/2015/10/03/code-dependence-with-ted-rees

Code Dependence (with Ted Rees). The benefits of the air’s suggestive unbreathability include allusions to hope, prancing in reddish form atop the foothills. As if air is breath is allusion is hope is red is form is foothills. Playing house, the small human chews, digits caress strange nylon manes and lips move in dialogic attempts at narrative, collected sorts of gutturally spittled tiny gesture. But no: let’s just smoke it all right now and sloganeer on every wall:. ALL WAR ALL THE TIME. We caption the...

5

Installation | Emji Spero

https://emjispero.wordpress.com/installation

Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email. Journal entry from this date one year ago. Inter pellated: Day One. Blog at WordPress.com.

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“The Dream Clock” and other visual poetry by Susan Connolly | Poethead

https://poethead.wordpress.com/2015/08/01/the-dream-clock-and-other-visual-poetry-by-susan-connolly

A Poetry Blog by Chris Murray. All poets published on Poethead 2008-2016. An Index of Women Poets. Contemporary Irish Women Poets. A woman and a poet. 25 Pins in a packet women creators. Contemporary Irish Women Poets. Published on August 1, 2015. 8220;The Dream Clock” and other visual poetry by Susan Connolly. Written by Christine Elizabeth Murray. First collection of poetry For the Stranger. Was published by the Dedalus Press in 1993. She was awarded the. In 2001. Her second collection Forest Music.

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Emji Spero

Journal entry from this date one year ago. December 28th, 2014. Reading The New Jim Crow. Going to read it. Again, I say thank you. Boarding the connecting flight to Oakland. Empty middle seat between a black man and a black woman; I think of Claudia Rankine’s poem on the perpetually empty seat beside the black man on public transit. I sit down in the seat. I tire of my own dialogic realism. How much is not said in speaking. We sit quietly in the context of our shared colonial history. December 28, 2015.

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