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Hollis Frampton

A specter is haunting the cinema: the specter of narrative. If that apparition is an Angel, we must embrace it; and if it is a Devil, then we must cast it out. But we cannot know what it is until we have met it face to face. - Hollis Frampton, A Pentagram for Conjuring the Narrative.

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A specter is haunting the cinema: the specter of narrative. If that apparition is an Angel, we must embrace it; and if it is a Devil, then we must cast it out. But we cannot know what it is until we have met it face to face. - Hollis Frampton, A Pentagram for Conjuring the Narrative.
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Hollis Frampton | hollisframpton.org.uk Reviews

https://hollisframpton.org.uk

A specter is haunting the cinema: the specter of narrative. If that apparition is an Angel, we must embrace it; and if it is a Devil, then we must cast it out. But we cannot know what it is until we have met it face to face. - Hollis Frampton, A Pentagram for Conjuring the Narrative.

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hollisframpton.org.uk hollisframpton.org.uk
1

Hollis Frampton Quotes

http://hollisframpton.org.uk/quotes.htm

The author has come to suppose that he conserved the things represented herewith against the day when they were to be photographed, understanding them to harmonize with photographs then unmade according to a principle within the economy of the intellect. A photographic text and its proper pretext bear the following resemblance to one another, each is a sign of the perfective absence of the other. I was born during the Age of Machines. The cinema was the typical survival-form of the Age of Machines. T...

2

Hollis Frampton Links

http://hollisframpton.org.uk/links.htm

Sixteen Studies from Vegetable Locomotion. Episodes from a Lost History of Movie Serialism: Interview with Hollis Frampton. Peter Gidal interview with Hollis Frampton. A Lecture by Hollis Frampton. The Invention Without a Future: Lecture by Hollis Frampton. Notes on Composing in Film by Hollis Frampton. Film in the House of the Word by Hollis Frampton. Meditations Around Paul Strand by Hollis Frampton. Digressions on the Photographic Agony by Hollis Frampton. A tribute to Hollis Frampton by Jonas Mekas.

3

Hollis Frampton Imagery

http://hollisframpton.org.uk/imagery.htm

Computer image of Hollis Frampton, circa 1975. The Metahistorian and the Tool, 1976. Hollis Frampton filming Magellan. Steel Mills, Pittsburgh, 1974. Hollis Frampton filming Magellan. Steel Mills, Pittsburgh, 1974. Hollis Frampton at home in Eaton, New York, 1977 (Photo by Marion Faller). Hollis Frampton, 1972. (Photo by Marion Faller). Hollis Frampton editing film strips, 1978. Hollis Frampton on the Screening Room TV programme, 1977. From 'False Impressions' (with Marion Faller) series (1979).

4

Hollis Frampton Biography

http://hollisframpton.org.uk/bio.htm

Then spent the last decade of his life working on Magellan, a 36-hour film meant to be seen at specific intervals over the course of 371 days, which was left unfinished at the time of his death. - Tom Vick, All Movie Guide. Hollis Frampton on Hollis Frampton:. Stan Brakhage on Hollis Frampton and Photography:. 1936 - Born Hollis William Frampton Jr. on March 11 (to Nellie Cross Frampton and Hollis William Frampton) in Wooster, Ohio, USA:. Is a tribute], who taught him to read at the age of three with the...

5

Zorns Lemma

http://hollisframpton.org.uk/zornslemma.htm

A film by Hollis Frampton. The film is also a major influence on Peter Greenaway. It is one of the films he most admires. Zorns Lemma is divided into three sections: an initial imageless reading of the Bay State Primer; a long series of silent shots, each one second photographed signs edited to form one complete Latin alphabet; and finally a single shot of two people walking across a snow-covered field away from the camera to the sound of a choral reading. Has made a film that is absolutely one of its ki...

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diaryfilmworkshop.com diaryfilmworkshop.com

LOST LOST LOST: The Jonas Mekas Diary Film Project | An educational resource chronicling a diary filmmaking workshop | Page 2

https://diaryfilmworkshop.com/page/2

LOST LOST LOST: The Jonas Mekas Diary Film Project. An educational resource chronicling a diary filmmaking workshop. Skip to primary content. Skip to secondary content. The Filmmakers’ Co-Operative. Newer posts →. Happy birthday, Jonas! December 24, 2012. Greetings friends and fellow diarists,. Was dying of cancer. It also expresses his antipathy to the world of consumerism embedded in this time of the season and his belief in the irreversible entropic. But tomorrow is my birthday and I should feel.

kinematografika.blogspot.com kinematografika.blogspot.com

Kinematografika: May 2009

http://kinematografika.blogspot.com/2009_05_01_archive.html

Subtle titles : Subtitles. Saturday, May 16, 2009. The films shown at the Centre Pompidou retrospective. Are quite recent, made between 2002 and 2009. Everson entitled the first cycle (May 13) of his retrospective Broad Daylight and Other Times. The title captures his principal obsession in these films: to show what Zinn calls history of the people, focusing on the singular experience, often in its relation to reported news (which is the first attempt at writing authoritative history). According to.

kinematografika.blogspot.com kinematografika.blogspot.com

Kinematografika: July 2010

http://kinematografika.blogspot.com/2010_07_01_archive.html

Subtle titles : Subtitles. Sunday, July 18, 2010. Wojciech Has, or cinema before death. The theme of departure was already treated by Has in his Pożegnania. The willed or fated separation from a lover, a milieu, a lifestyle. In Nieciekawa Historia. Based on Chekhovs Boring Story. Is, among other things, a portrayal of attitudes before death. A cinematic memento mori. If I were asked to name the essential element of my existence, I would answer without hesitation: sleeplessness. Without sway, that is dead...

kinematografika.blogspot.com kinematografika.blogspot.com

Kinematografika: August 2009

http://kinematografika.blogspot.com/2009_08_01_archive.html

Subtle titles : Subtitles. Saturday, August 15, 2009. The truth of a work of art lies in what it reveals of itself. The way of the detective or the way of the psychoanalyst. Each might elicit a confession and arouse the expectation of punishment. Is each story already a story of a crime? Each story is a transgression. And yet: the crime may take place only after the fact, in the wake of the detection of a crime. Spoken like a true psychoanalyst. Even the margin is a side taken. Yes, like a crime. Lloyd N...

kinematografika.blogspot.com kinematografika.blogspot.com

Kinematografika: April 2010

http://kinematografika.blogspot.com/2010_04_01_archive.html

Subtle titles : Subtitles. Monday, April 5, 2010. Notes from Festival du cinéma réel, part 2. LAuthentique Procès de Carl-Emmanuel Jung. 66, France 1966). On Saturday, March 27, Festival du cinéma réel devoted a day to. LAtelier du cinéaste: Marcel Hanoun à limproviste , with the participation of the film maker. . It is perhaps not a coincidence that, while the first part of my festival notes was devoted to the very last film I saw before leaving Paris, Susana de Sousa Diass 48. Links to this post. Waiti...

kinematografika.blogspot.com kinematografika.blogspot.com

Kinematografika: Notes from Festival du cinéma réel, part 1

http://kinematografika.blogspot.com/2010/04/notes-from-festival-du-cinema-reel-part.html

Subtle titles : Subtitles. Sunday, April 4, 2010. Notes from Festival du cinéma réel, part 1. 93', Portugal 2009). By Susana de Sousa Dias. This film was awarded the Grand Prix Cinéma du Réel. Although such seal of approval is no guarantee of the quality of a work of art. this was one of the most moving, well-composed films I saw in the festival. Out of the darkness of the mute screen, in the exact same place where the other has disappeared, another face emerges. . . . Labels: Centre Georges Pompidou.

kinematografika.blogspot.com kinematografika.blogspot.com

Kinematografika: Mortel Transfert

http://kinematografika.blogspot.com/2009/08/mortel-transfert.html

Subtle titles : Subtitles. Saturday, August 15, 2009. The truth of a work of art lies in what it reveals of itself. The way of the detective or the way of the psychoanalyst. Each might elicit a confession and arouse the expectation of punishment. Is each story already a story of a crime? Each story is a transgression. And yet: the crime may take place only after the fact, in the wake of the detection of a crime. Spoken like a true psychoanalyst. Even the margin is a side taken. Yes, like a crime. A scene...

annual-parallax.blogspot.com annual-parallax.blogspot.com

ANNUAL PARALLAX: 9월 2015

http://annual-parallax.blogspot.com/2015_09_01_archive.html

2015년 9월 첫째 주. 지속시간에 대한 노트 Notes in Duration. 8251; 올해 서울국제실험영화제(EXiS, 2015.8.20 8.27)는 영화제 기간 동안 「카운터-프로덕션 Counter-Production. 12301;이란 주제 하에 시청각갤러리. 에서 전시, 강연, 퍼포먼스 등을 진행했다. (전시 팸플릿은 이곳. 에서 다운받을 수 있다.) 전시 작품 가운데는 앤서니 맥콜(Anthony McCall)의 1975년 설치작품 앰비언트 라이트를 위한 영화 Long Film for Ambient Light. 앤서니 맥콜이 촬영한 전시장 사진. 1975년 6월 19일 오전 3시. 뉴욕의 Idea Warehouse). 맥콜이 직접 작성한 작품 설명. 을 옮기자면 다음과 같다. 필름도 영사기도 사용하지 않는 작품. 세 가지 요소가 모여 이 '영화'를 구성하는데 이 요소들 가운데 어떤 것도 다른 것에 선행하지 않는다. 12300;지속시간에 대한 노트. 12300;지속시간에 대한 노트.

annual-parallax.blogspot.com annual-parallax.blogspot.com

ANNUAL PARALLAX: 1월 2016

http://annual-parallax.blogspot.com/2016_01_01_archive.html

사막은 보이지 않는다: 조지 밀러의. 8251; 아래 글은 계간 『인문예술잡지 F. 12303; 제18호(2015년 가을호)에 실렸던 글이다. 조지 밀러의 매드 맥스: 분노의 도로. 8251; K.S.와 K.T 그리고 P.M에게. 매드 맥스: 분노의 도로 의 클라이맥스, 시타델의 지배자 임모탄의 충실한 ‘워보이’ 가운데 하나였으나 맥스 일행에게로 전향한 눅스는 임모탄의 둘째 아들 릭투스와 함께 불길 속에서 죽음을 맞는다. 맥스 일행의 차량이 무사히 협곡을 빠져나가기 무섭게, 그는 자신이 몰던 트럭의 핸들을 급하게 돌려 일부러 차를 전복시켜 추격자들의 길을 막는다. 트럭이 전복되기 직전, 그는 멀어져가는 맥스 일행의 차량에 탄 이들을 손으로 가리키며 결코 그들에게 가닿을 리 없는 나직한 목소리로 말한다. “Witness Me.”. 우리는 알고 있다. 이것은 임모탄의 워보이들이 자살공격을 행할 때마다 동료들에게 사무치게 사력을 다해 토하던 말로, 그때마다 ‘나를 기억해 줘! Josh and Benny ...

annual-parallax.blogspot.com annual-parallax.blogspot.com

ANNUAL PARALLAX: 1월 2015

http://annual-parallax.blogspot.com/2015_01_01_archive.html

수입되었다고는 하지만 영화관에서는 (거의) 찾아볼 수 없고 VOD로만 서비스되는 영화들이 점점 많아지고 있다. 두기봉의 영화들도. IPTV와 인터넷 다운로드 사이트에서만 떠도는 '디지털 유령영화'의 범주에 속한다. 2014년 한 해 동안 심의를 통과, VOD 서비스되기 시작한 두기봉 영화는 총 4편이다. (2013년에는 두기봉의 1993년 영화 동방삼협 The Heroin Trio. 이 재수입, 재개봉되어 660명의 관객을 동원했다.) 영화진흥위원회 영화관 입장권 통합전산망의 정보를 찾아 보니 다음과 같다. (제작연도가 아닌 개봉일 순으로 정리했다.). 블라인드 디텍티브 Blind Detective. 심의일자: 2013.12.3 개봉일자: 2014.1.23 누적관객수: 1,510명. 심의일자: 2013.11.26 개봉일자: 2014.2.13 누적관객수: 363명. 심의일자: 2014.3.8 개봉일자: 2014.4.24 누적관객수: 37명. 이전에 사용하던 네이버 블로그에 올려두었던 것으로,.

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A specter is haunting the cinema: the specter of narrative. If that apparition is an Angel, we must embrace it; and if it is a Devil, then we must cast it out. But we cannot know what it is until we have met it face to face. - Hollis Frampton, A Pentagram for Conjuring the Narrative.

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