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Chris Jannides PhD research

TITLE Occupying space in life and art: a sociokinetic analysis of movement and dance. AIM To re-evaluate through practice and theory analyses of space, human movement, and embodied meaning from the perspectives of choreographic method and sociokinetic activity.

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Chris Jannides PhD research | jannidesdanceresearch.blogspot.com Reviews
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TITLE Occupying space in life and art: a sociokinetic analysis of movement and dance. AIM To re-evaluate through practice and theory analyses of space, human movement, and embodied meaning from the perspectives of choreographic method and sociokinetic activity.
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1 my phd research
2 chris jannides
3 avoidance and detours
4 making space
5 equilibrium
6 space against
7 posted by
8 4 comments
9 desire and distance
10 formless
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Chris Jannides PhD research | jannidesdanceresearch.blogspot.com Reviews

https://jannidesdanceresearch.blogspot.com

TITLE Occupying space in life and art: a sociokinetic analysis of movement and dance. AIM To re-evaluate through practice and theory analyses of space, human movement, and embodied meaning from the perspectives of choreographic method and sociokinetic activity.

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jannidesdanceresearch.blogspot.com jannidesdanceresearch.blogspot.com
1

Chris Jannides PhD research: reflection - 270907

http://jannidesdanceresearch.blogspot.com/2007/09/reflection-270907.html

View my complete profile. Thursday, 27 September 2007. People typically feel in control in their normal surroundings and less in control in strange places.". Lakoff and Johnson,. Philosophy in the flesh. New York: Basic Books. 1999. p. 276). There is a relationship between self control. Also between controlling one's actions. Control = self-control / ease / comfort / security / well being / assuredness / etc. Self-control vs environmental control -. How movement is helping my reflective processes. TITLE ...

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Chris Jannides PhD research: reflection - 210907

http://jannidesdanceresearch.blogspot.com/2007/09/reflection-210907.html

View my complete profile. Friday, 21 September 2007. O care is about ‘not-to-destroy’ things – it is about preservation – preserving the security of a thing – care is the basis of all movement – and it has come from coordinating skills – and learning how to become coordinated. O nature provides examples of things we can learn to duplicate - built environments duplicate ourselves. O open space smiles on abandonment. O the mechanical repetition of walking is built around straight lines and right angles whi...

3

Chris Jannides PhD research: dance - MERCE CUNNINGHAM

http://jannidesdanceresearch.blogspot.com/2007/09/dance-merce-cunningham.html

View my complete profile. Sunday, 16 September 2007. Dance - MERCE CUNNINGHAM. Sounds of dancers feet squeaking on tarquette or thumping in the landings from jumps. Geometrical movements and spatial formations. Structure features groups ranging from 10 down through to 2, with isolated solo work. Split screen is a viewing decision – binocular. Regimented movement with held and posed waiting interludes – regimentation is a theme. The spacing and regimentation is an obedience to structural demands. The danc...

4

Chris Jannides PhD research: reflection - 200907

http://jannidesdanceresearch.blogspot.com/2007/09/reflection-200907.html

View my complete profile. Sunday, 30 September 2007. Thoughts emerging from Renaud Barbaras’s. And his discussion of Bergson’s critique of the metaphysics of nothingness (related ideas from Yves-Alain Bois and Rosalind Kraus in their book. And their examination of works of art that explore the theme of ‘formlessness’ also have a floating influence). O there is only ‘substance’, which has not appeared out of nothing, but is background, source, and outcome all at once. O materiality is a permanent, ontolog...

5

Chris Jannides PhD research: dance - ALVIN AILEY DANCE COMPANY

http://jannidesdanceresearch.blogspot.com/2007/09/alvin-ailey-dance-company-sadlers-wells.html

View my complete profile. Thursday, 13 September 2007. Dance - ALVIN AILEY DANCE COMPANY. FIREBIRD – Maurice Béjart. THE GOLDEN SECTION – Twyla Tharp. REVELATIONS – Alvin Ailey. Maurice Béjart – circular floor patterns enclosing dancers, or linear tight group facing audience in centre of stage – circles and centre – I can’t see past the ballet! 8211; can’t even apply my theories – lot of stiff forced lines – a very small and repetitive vocabulary of movement - what does this indicate? TITLE Occupying spa...

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Chris Jannides PhD research

View my complete profile. Sunday, 30 September 2007. Intro to 'the bridge'. I/ they have emerged as a response to what I am observing. Ii/ they are new or different to the way I habitually talk about, hear, or read about movement and dance. I have no idea how long this bridge will be. At this point in time it contains 6 building blocks:. Sanctified touch (violation &/or approval). Ratios of control (self vs environment). Labels: the bridge of words. Thoughts emerging from Renaud Barbaras’s. O it removes ...

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