walkingkkh.blogspot.com
Walking Critique KKH (Kritika koja hoda): October 2008
http://walkingkkh.blogspot.com/2008_10_01_archive.html
Walking Critique KKH (Kritika koja hoda). Sunday, October 12, 2008. More or Less Infinity. More or Less Infinity. Aurleian Bory and Phil Soltanoff. Written by Nataša Tepavčević. In the first part of the performance, a line made of plastic hose, a thread and light effects dances-draws on its own, while in the second part it becomes accompanied by actors-acrobats whose shapes are dematerialized by their stage movements. We are aware of the fact that gestures always belong to politics as well as to aestheti...
walkingkkh.blogspot.com
Walking Critique KKH (Kritika koja hoda): Bodies without souls
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Walking Critique KKH (Kritika koja hoda). Tuesday, October 7, 2008. Or is it actually a soul trapped within a body? 8220;Except if…? 8221; – a question arises during the performance. Except if - what? Posted by b.djordjev. Labels: Brecht the Hardcore Machine. Subscribe to: Post Comments (Atom). Forum for Performing Arts Critique (in Serbian). Brecht the Hardcore Machine. Plus ou moins linfini. More or Less Infinity. Who talks about soul anymore? The Second Act Giovanni: Leporello, Leporello!
walkingkkh.blogspot.com
Walking Critique KKH (Kritika koja hoda): Who talks about soul anymore?
http://walkingkkh.blogspot.com/2008/10/who-talks-about-soul-anymore.html
Walking Critique KKH (Kritika koja hoda). Sunday, October 12, 2008. Who talks about soul anymore? However, this shock and brutality, at times – where the director uses hyper-realistic details after an ironic severance from the reality as well as the fact that he lures the audience by the space and non-verbal expression – create the astonishment offered to the audience of Bitef as a unique experiment. Posted by b.djordjev. Subscribe to: Post Comments (Atom). Forum for Performing Arts Critique (in Serbian).
walkingkkh.blogspot.com
Walking Critique KKH (Kritika koja hoda): Gretel: Forever, nothing spectacular
http://walkingkkh.blogspot.com/2008/10/gretel-forever-nothing-spectacular.html
Walking Critique KKH (Kritika koja hoda). Friday, October 3, 2008. Gretel: Forever, nothing spectacular. Meg Stuart (USA) and Philipp Gehmacher (Austria). MOŽDA ZAUVEK/ MAYBE FOREVER. Production: Damaged Goods and Mumbling Fish. Globalization, deconstruction, shipwreck, individualization… What about love? Where does it fit in? Could there be a place for it in the world of alienation, racing with time, online communication? Could it exist and could it be expressed through art? I am sure there were people ...
walkingkkh.blogspot.com
Walking Critique KKH (Kritika koja hoda): BRECHT – HARDCORE MACHINE
http://walkingkkh.blogspot.com/2008/10/brecht-hardcore-machine.html
Walking Critique KKH (Kritika koja hoda). Tuesday, October 7, 2008. BRECHT – HARDCORE MACHINE. The Andraš Urban’s performance Brecht – the hardcore machine is his third one at this year’s 42Bitef08. This time, the actors concentrate on the physical; they discard the last grain of intellectual thought from their bodies and from their brains. This process creates the essence of distance characteristic for Brecht’s theatre. Posted by b.djordjev. Brecht the Hardcore Machine. Subscribe to: Post Comments (Atom).
bitefkkh.blogspot.com
kritika koja hoda - KKH: NOVA ADRESA
http://bitefkkh.blogspot.com/2009/01/nova-adresa.html
Kritika koja hoda - KKH. Wednesday, January 14, 2009. Blog je preseljen na novu adresu http:/ kkhgrupa.blogspot.com. Posted by b.djordjev. Subscribe to: Post Comments (Atom).
walkingkkh.blogspot.com
Walking Critique KKH (Kritika koja hoda): Maybe and Forever
http://walkingkkh.blogspot.com/2008/10/maybe-and-forever.html
Walking Critique KKH (Kritika koja hoda). Friday, October 3, 2008. I take it back… …kcab ti ekat I. Is this story of love enough and/or relevant in contemporary society? Posted by b.djordjev. Subscribe to: Post Comments (Atom). Forum for Performing Arts Critique (in Serbian). Brecht the Hardcore Machine. Plus ou moins linfini. More or Less Infinity. Who talks about soul anymore? The Second Act Giovanni: Leporello, Leporello! Hansel: Maybe eternal, but more or less forever. BRECHT – HARDCORE MACHINE.
walkingkkh.blogspot.com
Walking Critique KKH (Kritika koja hoda): More or Less Infinity
http://walkingkkh.blogspot.com/2008/10/more-or-less-infinity.html
Walking Critique KKH (Kritika koja hoda). Sunday, October 12, 2008. More or Less Infinity. More or Less Infinity. Aurleian Bory and Phil Soltanoff. Written by Nataša Tepavčević. In the first part of the performance, a line made of plastic hose, a thread and light effects dances-draws on its own, while in the second part it becomes accompanied by actors-acrobats whose shapes are dematerialized by their stage movements. We are aware of the fact that gestures always belong to politics as well as to aestheti...
bitefkkh.blogspot.com
kritika koja hoda - KKH: January 2009
http://bitefkkh.blogspot.com/2009_01_01_archive.html
Kritika koja hoda - KKH. Wednesday, January 14, 2009. Blog je preseljen na novu adresu http:/ kkhgrupa.blogspot.com. Posted by b.djordjev. Subscribe to: Posts (Atom).
walkingkkh.blogspot.com
Walking Critique KKH (Kritika koja hoda): This is my first and my last bomb!
http://walkingkkh.blogspot.com/2008/10/this-is-my-first-and-my-last-bomb.html
Walking Critique KKH (Kritika koja hoda). Tuesday, October 7, 2008. This is my first and my last bomb! 8221; She seems to be reluctant. Then, a voice. Where is it coming from? From the audience. Then another one. I cannot locate them. I start fidgeting trying to recognize actresses in the audience. Slowly, the voices start coming from all around but the faces are nowhere to be seen. One of these sitting next to me might start talking? Unknown actresses, in fact! Even when those others are more talented?
