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Walking Critique KKH (Kritika koja hoda)

Walking Critique KKH (Kritika koja hoda). Sunday, October 12, 2008. More or Less Infinity. More or Less Infinity. Aurleian Bory and Phil Soltanoff. Written by Nataša Tepavčević. In the first part of the performance, a line made of plastic hose, a thread and light effects dances-draws on its own, while in the second part it becomes accompanied by actors-acrobats whose shapes are dematerialized by their stage movements. We are aware of the fact that gestures always belong to politics as well as to aestheti...

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Walking Critique KKH (Kritika koja hoda) | walkingkkh.blogspot.com Reviews
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Walking Critique KKH (Kritika koja hoda). Sunday, October 12, 2008. More or Less Infinity. More or Less Infinity. Aurleian Bory and Phil Soltanoff. Written by Nataša Tepavčević. In the first part of the performance, a line made of plastic hose, a thread and light effects dances-draws on its own, while in the second part it becomes accompanied by actors-acrobats whose shapes are dematerialized by their stage movements. We are aware of the fact that gestures always belong to politics as well as to aestheti...
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Walking Critique KKH (Kritika koja hoda) | walkingkkh.blogspot.com Reviews

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Walking Critique KKH (Kritika koja hoda). Sunday, October 12, 2008. More or Less Infinity. More or Less Infinity. Aurleian Bory and Phil Soltanoff. Written by Nataša Tepavčević. In the first part of the performance, a line made of plastic hose, a thread and light effects dances-draws on its own, while in the second part it becomes accompanied by actors-acrobats whose shapes are dematerialized by their stage movements. We are aware of the fact that gestures always belong to politics as well as to aestheti...

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Walking Critique KKH (Kritika koja hoda): Hansel: Maybe eternal, but more or less forever

http://www.walkingkkh.blogspot.com/2008/10/hansel-maybe-eternal-but-more-or-less.html

Walking Critique KKH (Kritika koja hoda). Tuesday, October 7, 2008. Hansel: Maybe eternal, but more or less forever. This year, Bitef danced at the very beginning. It was clumsy, as if done by a beginner or maybe it was just an impression caused by the fact that it was at the very beginning. Both dancing performances left an impression of inexperience. Does it mean that the only criterion regarding selection of the performances for the main programme is how spectacular they are? Posted by b.djordjev.

2

Walking Critique KKH (Kritika koja hoda): The Second Act Giovanni: Leporello, Leporello!... Signore? (recitative secco)

http://www.walkingkkh.blogspot.com/2008/10/second-act-giovanni-leporello-leporello.html

Walking Critique KKH (Kritika koja hoda). Tuesday, October 7, 2008. The Second Act Giovanni: Leporello, Leporello! The Second Act Giovanni: Leporello, Leporello! Don Giovanni is thinking up new conquests. He exchanges clothes with Leporello and they venture a new action. But why did we want it so much? Posted by b.djordjev. Subscribe to: Post Comments (Atom). Forum for Performing Arts Critique (in Serbian). Brecht the Hardcore Machine. Plus ou moins linfini. More or Less Infinity.

3

Walking Critique KKH (Kritika koja hoda): October 2008

http://www.walkingkkh.blogspot.com/2008_10_01_archive.html

Walking Critique KKH (Kritika koja hoda). Sunday, October 12, 2008. More or Less Infinity. More or Less Infinity. Aurleian Bory and Phil Soltanoff. Written by Nataša Tepavčević. In the first part of the performance, a line made of plastic hose, a thread and light effects dances-draws on its own, while in the second part it becomes accompanied by actors-acrobats whose shapes are dematerialized by their stage movements. We are aware of the fact that gestures always belong to politics as well as to aestheti...

4

Walking Critique KKH (Kritika koja hoda): Corporative correct

http://www.walkingkkh.blogspot.com/2008/10/corporative-correct.html

Walking Critique KKH (Kritika koja hoda). Tuesday, October 7, 2008. Where does the parallel with corporations come from? 8221; that is how it goes in the world of big corporations and capitalism and high technology. 8221; The performers in More or less Infinity embraced bars and lines but never each other. And, let’s not forget the meaning of the word profit: it is the unpaid work! Posted by b.djordjev. Plus ou moins linfini. Subscribe to: Post Comments (Atom). Brecht the Hardcore Machine. Hansel: Maybe ...

5

Walking Critique KKH (Kritika koja hoda): Maybe and Forever

http://www.walkingkkh.blogspot.com/2008/10/maybe-and-forever.html

Walking Critique KKH (Kritika koja hoda). Friday, October 3, 2008. I take it back… …kcab ti ekat I. Is this story of love enough and/or relevant in contemporary society? Posted by b.djordjev. Subscribe to: Post Comments (Atom). Forum for Performing Arts Critique (in Serbian). Brecht the Hardcore Machine. Plus ou moins linfini. More or Less Infinity. Who talks about soul anymore? The Second Act Giovanni: Leporello, Leporello! Hansel: Maybe eternal, but more or less forever. BRECHT – HARDCORE MACHINE.

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kritika koja hoda KKH: 9/21/08 - 9/28/08

http://kkhgrupa.blogspot.com/2008_09_21_archive.html

Kritika koja hoda KKH. Saturday, September 27, 2008. Šta to Gebels hoće od publike? 25 9 2008, 20h, Sava Centar. Među predstavama koje su prikazane na ovogodišnjem BITEF-u, komad. Hajnera Gebelsa možda najviše problematizuje pitanje odnosa scenskog događaja i publike, umetničkog dela, izvođača i recipijenta. Gebels ovu predstavu gradi na iskustvima svojih prethodnih predstava. Intencija nagoveštena u komadu. BREHT – THE HARDCORE MASCHINE. Retropolitički revi – teatar fizikuma. Razumevanje teatra fizikuma...

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kritika koja hoda KKH: Nova Scena

http://kkhgrupa.blogspot.com/2009/01/nova-scena.html

Kritika koja hoda KKH. Thursday, January 15, 2009. Izbor iz kritika polaznike Škole za teoriju i kritiku izvođačkih umetnosti KKH Kritika koja hoda, objavljen je u novom broju časopisa SCENA. Posted by b.djordjev. Subscribe to: Post Comments (Atom). Tkh forum za kritiku izvođačkih umetnosti. Brecht - the Hardcore Machine. Plus ou moins linfini.

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kritika koja hoda KKH: VEČNO VREME PORAZA

http://kkhgrupa.blogspot.com/2008/09/veno-vreme-poraza.html

Kritika koja hoda KKH. Tuesday, September 30, 2008. Monolitna snaga ove predstave je nesumnjiva i ona je uspela da najstariji sačuvani dramski komad na svetu učini verodostojnim i potresnim i za nas koji živimo dve i po hiljade godina iza vremena u kojem je napisan. Da li zaista nikada ne možemo izbeći hipnotičku snagu moći, čak i kada je u pitanju ulazak na jednu predstavu? Subscribe to: Post Comments (Atom). Tkh forum za kritiku izvođačkih umetnosti. Brecht - the Hardcore Machine. Plus ou moins linfini.

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kritika koja hoda KKH: Istina je u pozorištu. Kako je doseći?

http://kkhgrupa.blogspot.com/2008/09/istina-je-u-pozoritu-kako-je-dosei.html

Kritika koja hoda KKH. Monday, September 29, 2008. Istina je u pozorištu. Kako je doseći? Dokumentacija zločina. Nemački zločini. Srpski zločini. Neprijatno Vam je? Žao mi je, ali i meni. Smejem se, tačno, ali mi na umu ostaje činjenica da se smejem svom odrazu u ogledalu, onome što je deo mene, na čemu sam odrastao. Nadmen? Samo zato što prihvatam taj udarac i imenujem stvari pravim imenima? Da Čuo sam za jednog odličnog. Dr. Dabić. Tako je! On mi sigurno može pomoći da otkrijem istinu! Ne, nećemo tako.

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kritika koja hoda KKH: Šta to Gebels hoće od publike?

http://kkhgrupa.blogspot.com/2008/09/ta-to-gebels-hoe-od-publike.html

Kritika koja hoda KKH. Saturday, September 27, 2008. Šta to Gebels hoće od publike? 25 9 2008, 20h, Sava Centar. Među predstavama koje su prikazane na ovogodišnjem BITEF-u, komad. Hajnera Gebelsa možda najviše problematizuje pitanje odnosa scenskog događaja i publike, umetničkog dela, izvođača i recipijenta. Gebels ovu predstavu gradi na iskustvima svojih prethodnih predstava. Intencija nagoveštena u komadu. Subscribe to: Post Comments (Atom). Tkh forum za kritiku izvođačkih umetnosti. Ovo je moja prva i...

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kritika koja hoda KKH: 9/14/08 - 9/21/08

http://kkhgrupa.blogspot.com/2008_09_14_archive.html

Kritika koja hoda KKH. Saturday, September 20, 2008. Ivica: Možda beskonačno, ali više manje zauvek. Ovogodišnji Bitef se rasplesao na samom svom početku. Da li zbog toga što je početak, stiče se utisak trapavih, amaterskih pokreta nekoga ko je tek krenuo u plesnu školu. Oba plesna ostvarenja ostavljaju utisak neiskustva na ovogodišnjem bitefovskom balu. Da li se to politika odabira ostvarenja koja će se pojaviti na festivalu svela na jedan jedin, konkretni zahtev – spektakularnost? Ima li mesta za nju u...

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kritika koja hoda KKH

http://kkhgrupa.blogspot.com/2008/10/tifterove-stvari-reija-hajner-gebels.html

Kritika koja hoda KKH. Thursday, October 16, 2008. Režija Hajner Gebels (Heiner Goebbels). Ideja vodilja reditelja Hajnera Gebelsa (Heiner Goebbels) bila je da napravi predstavu bez izvođača. Tako nastaju Štifterove stvari. Izvođačka instalacija, neobična kiborg skulptura, muzičko-teatarski produkt, bez muzičara, glumaca i izvođača. Ovakav poduhvat može se smatrati političkom tačkom iz koje Gebels povlači uzlaznu liniju koja se tiče suverenosti publike u teatru. Tekst Adalberta Štiftera (Stifter), romant...

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kritika koja hoda KKH: kritika!

http://kkhgrupa.blogspot.com/2008/10/kritika.html

Kritika koja hoda KKH. Wednesday, October 1, 2008. From Kritika Koja Hoda. Subscribe to: Post Comments (Atom). Tkh forum za kritiku izvođačkih umetnosti. Brecht - the Hardcore Machine. Plus ou moins linfini. Istina je u pozorištu. Kako je doseći?

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kritika koja hoda KKH: 9/7/08 - 9/14/08

http://kkhgrupa.blogspot.com/2008_09_07_archive.html

Kritika koja hoda KKH. Tuesday, September 9, 2008. KRITIKA KOJA HODA teorijsko-kritička škola Teorije koja Hoda na 42 Bitefu 08. U skladu sa tim, svi tekstovi, predavanja, intervjui i ostali materijali nastali u školi biće stavljeni pod copyleft i time spremni za dalju distribuciju, deljenje i korišćenje. TkH platforma za teoriju i praksu izvođačkih umetnosti: www.tkh-generator.net. Urednici škole: dr Ana Vujanović, dr Miško Šuvaković. Koordinator škole: mr Bojan Đorđev. Predavači: dr Hans-Tis Leman (Nem...

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Walking Critique KKH (Kritika koja hoda)

Walking Critique KKH (Kritika koja hoda). Sunday, October 12, 2008. More or Less Infinity. More or Less Infinity. Aurleian Bory and Phil Soltanoff. Written by Nataša Tepavčević. In the first part of the performance, a line made of plastic hose, a thread and light effects dances-draws on its own, while in the second part it becomes accompanied by actors-acrobats whose shapes are dematerialized by their stage movements. We are aware of the fact that gestures always belong to politics as well as to aestheti...

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