lorenzolevrini.blogspot.com

Lorenzo Levrini DOP

Sunday, 31 May 2015. The world of lighting in front of the lens. Of the camera are the tools with which to understand how light is playing in the physical world. Today I want to discuss this in a more practical manner by introducing the way I try to think about exposure and the light in the scene, and how a thought process like this can lead to valuable conclusions about how to light and expose. So what happens after that? The footlambert ray representing a given part of the scene passes through the lens...

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Lorenzo Levrini DOP | lorenzolevrini.blogspot.com Reviews

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Sunday, 31 May 2015. The world of lighting in front of the lens. Of the camera are the tools with which to understand how light is playing in the physical world. Today I want to discuss this in a more practical manner by introducing the way I try to think about exposure and the light in the scene, and how a thought process like this can lead to valuable conclusions about how to light and expose. So what happens after that? The footlambert ray representing a given part of the scene passes through the lens...

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1 sound easy

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3 read the negative

4 and the print

5 by ansel adams

6 posted by

7 lorenzo levrini

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Lorenzo Levrini DOP | lorenzolevrini.blogspot.com Reviews

https://lorenzolevrini.blogspot.com

Sunday, 31 May 2015. The world of lighting in front of the lens. Of the camera are the tools with which to understand how light is playing in the physical world. Today I want to discuss this in a more practical manner by introducing the way I try to think about exposure and the light in the scene, and how a thought process like this can lead to valuable conclusions about how to light and expose. So what happens after that? The footlambert ray representing a given part of the scene passes through the lens...

INTERNAL PAGES

lorenzolevrini.blogspot.com

1

Lorenzo Levrini DOP: Proximity

http://www.lorenzolevrini.blogspot.com/2013/04/proximity.html

Sunday, 14 April 2013. This is a celebration of camera-to-subject distance. Powerful and misunderstood in equal measure, it’s an incredibly important property of any shot. We’ll go through some basic theory, I’ll describe the psychological implications I believe it to have, and we’ll look at how understanding these can affect the way you design shot structures for a scene. In normal life, things that are closer to us appear bigger and things that are further away appear smaller. Let’s call depth. Depth r...

2

Lorenzo Levrini DOP: Behind the translation

http://www.lorenzolevrini.blogspot.com/2013/07/behind-translation.html

Monday, 8 July 2013. Picture © Guy Armitage / Sleepless Films. And then came the digital camera. Now we are shown a real-time digital image captured by the sensor. For the first time, we have direct access to how the scene looks once photographed. By and large, we can ‘see what we’re getting’. What is the result? Those of us who are too early in our careers to have deep-set habits (and those who have only. 8217;, it says, ‘Everything of importance is right here! I just rotated it to where the histogram l...

3

Lorenzo Levrini DOP: The world of lighting in front of the lens

http://www.lorenzolevrini.blogspot.com/2015/05/the-world-of-lighting-in-front-of-lens.html

Sunday, 31 May 2015. The world of lighting in front of the lens. Of the camera are the tools with which to understand how light is playing in the physical world. Today I want to discuss this in a more practical manner by introducing the way I try to think about exposure and the light in the scene, and how a thought process like this can lead to valuable conclusions about how to light and expose. So what happens after that? The footlambert ray representing a given part of the scene passes through the lens...

4

Lorenzo Levrini DOP: April 2012

http://www.lorenzolevrini.blogspot.com/2012_04_01_archive.html

Wednesday, 18 April 2012. The myth of the uninflected camera. Camera movement or lack thereof, focal length, camera position; there is. No neutral, standard, uninflected approach to any. Of these. There is no objective place, dear Bazin, to film a scene from; there is no objective focal length; there is no objective camera movement or lack thereof. Not even a lockoff. How is a lockoff ‘objective’? Do we stand still all the time and look at things? To bring this specific material. London, 18th April 2012.

5

Lorenzo Levrini DOP: May 2015

http://www.lorenzolevrini.blogspot.com/2015_05_01_archive.html

Sunday, 31 May 2015. The world of lighting in front of the lens. Of the camera are the tools with which to understand how light is playing in the physical world. Today I want to discuss this in a more practical manner by introducing the way I try to think about exposure and the light in the scene, and how a thought process like this can lead to valuable conclusions about how to light and expose. So what happens after that? The footlambert ray representing a given part of the scene passes through the lens...

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Sunday, 31 May 2015. The world of lighting in front of the lens. Of the camera are the tools with which to understand how light is playing in the physical world. Today I want to discuss this in a more practical manner by introducing the way I try to think about exposure and the light in the scene, and how a thought process like this can lead to valuable conclusions about how to light and expose. So what happens after that? The footlambert ray representing a given part of the scene passes through the lens...

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