lorenzolevrini.blogspot.com
Lorenzo Levrini DOP: July 2013
http://lorenzolevrini.blogspot.com/2013_07_01_archive.html
Monday, 8 July 2013. Picture © Guy Armitage / Sleepless Films. And then came the digital camera. Now we are shown a real-time digital image captured by the sensor. For the first time, we have direct access to how the scene looks once photographed. By and large, we can ‘see what we’re getting’. What is the result? Those of us who are too early in our careers to have deep-set habits (and those who have only. 8217;, it says, ‘Everything of importance is right here! I just rotated it to where the histogram l...
lorenzolevrini.blogspot.com
Lorenzo Levrini DOP: April 2013
http://lorenzolevrini.blogspot.com/2013_04_01_archive.html
Sunday, 14 April 2013. This is a celebration of camera-to-subject distance. Powerful and misunderstood in equal measure, it’s an incredibly important property of any shot. We’ll go through some basic theory, I’ll describe the psychological implications I believe it to have, and we’ll look at how understanding these can affect the way you design shot structures for a scene. In normal life, things that are closer to us appear bigger and things that are further away appear smaller. Let’s call depth. Depth r...
lorenzolevrini.blogspot.com
Lorenzo Levrini DOP: May 2012
http://lorenzolevrini.blogspot.com/2012_05_01_archive.html
Saturday, 5 May 2012. Defining ISO for cinematographers. I realise that this may be unnecessarily technical, but frustrated by the lack of definitions of ISO useful to a cinematographer, I went and worked one out myself:. We all know what foot-candles and foot-lamberts are, and we have a box that can measure them by making use of photoresistance. Easy. But then that box tells us what ISO, T-stop and shutter speed to use. Whaaaat? So bust out your lightmeters and give me some feedback.
newmanhousew1.co.uk
Members — Newman House
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London, W1T 1AR. W1's collective working space. Your Custom Text Here. Newman House is home to a range of creative companies. Click the company's logo below to find out more about our permanent tenants. Live events and film production. Film production and record label. Creative and film production. CLICK HERE FOR MEMBERSHIP FEES. Mar 3, 2016. Mar 3, 2016. Mar 3, 2016. Mar 3, 2016. Katherine Barton, director/professional coach. Mar 3, 2016. Mar 3, 2016. Mar 3, 2016. Mar 3, 2016. Mar 3, 2016. Mar 3, 2016.
hydrafilmsrkm.com
Crew - Hydra Films (RKM)
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The Sky In Bloom. Sky In Bloom Trailer. Sky in Bloom Gallery. Sky In Bloom Press Pack. The Milkyway behind the scenes. The Milky Way Trailer. The Seventeenth Kind Gallery. James, recently Gallery. James, recently Press Pack. James, recently Trailer. In a sentimental mood. Based on the short story 'The Seventeenth Kind' by:. The Sky In Bloom. Sky In Bloom Trailer. Sky in Bloom Gallery. Sky In Bloom Press Pack. The Milkyway behind the scenes. The Milky Way Trailer. The Seventeenth Kind Gallery.
lorenzolevrini.blogspot.com
Lorenzo Levrini DOP: Behind the translation
http://lorenzolevrini.blogspot.com/2013/07/behind-translation.html
Monday, 8 July 2013. Picture © Guy Armitage / Sleepless Films. And then came the digital camera. Now we are shown a real-time digital image captured by the sensor. For the first time, we have direct access to how the scene looks once photographed. By and large, we can ‘see what we’re getting’. What is the result? Those of us who are too early in our careers to have deep-set habits (and those who have only. 8217;, it says, ‘Everything of importance is right here! I just rotated it to where the histogram l...
lorenzolevrini.blogspot.com
Lorenzo Levrini DOP: Proximity
http://lorenzolevrini.blogspot.com/2013/04/proximity.html
Sunday, 14 April 2013. This is a celebration of camera-to-subject distance. Powerful and misunderstood in equal measure, it’s an incredibly important property of any shot. We’ll go through some basic theory, I’ll describe the psychological implications I believe it to have, and we’ll look at how understanding these can affect the way you design shot structures for a scene. In normal life, things that are closer to us appear bigger and things that are further away appear smaller. Let’s call depth. Depth r...
lorenzolevrini.blogspot.com
Lorenzo Levrini DOP: April 2012
http://lorenzolevrini.blogspot.com/2012_04_01_archive.html
Wednesday, 18 April 2012. The myth of the uninflected camera. Camera movement or lack thereof, focal length, camera position; there is. No neutral, standard, uninflected approach to any. Of these. There is no objective place, dear Bazin, to film a scene from; there is no objective focal length; there is no objective camera movement or lack thereof. Not even a lockoff. How is a lockoff ‘objective’? Do we stand still all the time and look at things? To bring this specific material. London, 18th April 2012.
lorenzolevrini.blogspot.com
Lorenzo Levrini DOP: February 2012
http://lorenzolevrini.blogspot.com/2012_02_01_archive.html
Sunday, 12 February 2012. Technicolor Cinestyle LUT curve. At the start of the year I shot a music video using Technicolor's Cinestyle. Loaded into a Canon 7D. I graded the video myself in Apple Color using the S-curve display LUT provided by Technicolor here. Of the LUT unlocks more shadow and highlight detail than you could gain access to without shooting Cinestyle. I did this by using the primary out curves. PS By those alarmed by the 'DR theft' debate, it is unfounded, and you can read why here.
lorenzolevrini.blogspot.com
Lorenzo Levrini DOP: December 2011
http://lorenzolevrini.blogspot.com/2011_12_01_archive.html
Thursday, 22 December 2011. Imaginary response of a famous cinematographer to a real question. Q: Everyone now expects greatness from you! Work effortlessly. So it’s perfectly possible for me to point a lens at something and get garbage. What stands between that and the metaphorical mountain peak? Nothing but the net of hard work and thought you never finish knitting. What is the mountain built of? Sunday, 18 December 2011. The intersection of preparation and spontaneity. PS This is my first blog post...
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