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RHYTHM 'n' POETRY

Monday, April 30, 2012. English and Regional Languages: The Need for a Literary Lingua-Cultural Rendezvous. When it is genuine, when it is born of the need to speak, no one can stop the human voice. When denied a mouth, it speaks with the hands or the eyes, or the pores, or anything at all. Because every single one of us has something to say to the others, something that deserves to be celebrated or forgiven by others. The Book of Embraces. Asserting African self-determination, beauty, dignity and streng...

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RHYTHM 'n' POETRY | manojkuroor.blogspot.com Reviews

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Monday, April 30, 2012. English and Regional Languages: The Need for a Literary Lingua-Cultural Rendezvous. When it is genuine, when it is born of the need to speak, no one can stop the human voice. When denied a mouth, it speaks with the hands or the eyes, or the pores, or anything at all. Because every single one of us has something to say to the others, something that deserves to be celebrated or forgiven by others. The Book of Embraces. Asserting African self-determination, beauty, dignity and streng...

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1 rhythm 'n' poetry

2 pages

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7 60 indian poets

8 manoj kuroor

9 department of malayalam

10 changanacherry

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RHYTHM 'n' POETRY | manojkuroor.blogspot.com Reviews

https://manojkuroor.blogspot.com

Monday, April 30, 2012. English and Regional Languages: The Need for a Literary Lingua-Cultural Rendezvous. When it is genuine, when it is born of the need to speak, no one can stop the human voice. When denied a mouth, it speaks with the hands or the eyes, or the pores, or anything at all. Because every single one of us has something to say to the others, something that deserves to be celebrated or forgiven by others. The Book of Embraces. Asserting African self-determination, beauty, dignity and streng...

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RHYTHM 'n' POETRY: September 2006

http://manojkuroor.blogspot.com/2006_09_01_archive.html

Wednesday, September 27, 2006. 1 ‘Thalasamudravum Keralathile Thalangalum’. Bhashasahithi (Journal of Research and Literary Studies, University of Kerala), Thiruvananthapuram, 1996. 2 ‘Vazhakkangal Bhedicha Sangeetham’. Bhashaposhini, Kottayam, October, 2000. 3 ‘Kaliyachan Enna Kathakali’. Kavithayute Radhotsavam, State Institute of Languages, Thiruvananthapuram, 2002. 4 ‘Vazhi Vettunnavarotu, Vazhipokkarotu’. Bhashaposhini, Kottayam, September, 2002. 5 ‘Thalangalum Avayute Vargeekaranavum’. Kunjupillai ...

2

RHYTHM 'n' POETRY

http://manojkuroor.blogspot.com/2009/04/rhythms-of-kerala-cultural-study-with.html

Monday, April 13, 2009. THE RHYTHMS OF KERALA. A Cultural Study with Special Reference to Ekachuzhati Rhythms. Tapasam: A Quarterly Journal for Kerala Studies. Vol I/Issue 3/January 2006]. So many Desi systems of rhythms such as 120 talas, 101 talas, 108 talas, and Suladi system of 35 talas are some examples.8 Even the classical music and classical dance use these systems of rhythms. Digit-Number of beats. ‘1’ indicates first beat, ‘2’ indicates second beat- so that. X-Gap). 1 Eka Tala 1x. Roopa Tala has...

3

RHYTHM 'n' POETRY

http://manojkuroor.blogspot.com/2006/10/manoj-kuroor-httpen.html

Monday, October 02, 2006. Http:/ en.wikipedia.org/wiki/Manoj Kuroor. Http:/ www.geocities.com/manojkuroor/? കലയും ഗണിതവും: സൗന്ദര്യശാസ്ത്രത്തിലെ ആത്മീയവാദം. Http:/ www.moonnamidam.com/8/kr.htm. മനോജ് കുറൂര്‍. Subscribe to: Post Comments (Atom). Manoj kuroor http:/ en.wikipedia.org/wiki/Manoj K. മനോജ് കുറൂര്‍. View my complete profile.

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RHYTHM 'n' POETRY

http://manojkuroor.blogspot.com/2006/09/published-articles-i-malayalam-1.html

Wednesday, September 27, 2006. 1 ‘Thalasamudravum Keralathile Thalangalum’. Bhashasahithi (Journal of Research and Literary Studies, University of Kerala), Thiruvananthapuram, 1996. 2 ‘Vazhakkangal Bhedicha Sangeetham’. Bhashaposhini, Kottayam, October, 2000. 3 ‘Kaliyachan Enna Kathakali’. Kavithayute Radhotsavam, State Institute of Languages, Thiruvananthapuram, 2002. 4 ‘Vazhi Vettunnavarotu, Vazhipokkarotu’. Bhashaposhini, Kottayam, September, 2002. 5 ‘Thalangalum Avayute Vargeekaranavum’. Kunjupillai ...

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RHYTHM 'n' POETRY: October 2006

http://manojkuroor.blogspot.com/2006_10_01_archive.html

Monday, October 02, 2006. Http:/ en.wikipedia.org/wiki/Manoj Kuroor. Http:/ www.geocities.com/manojkuroor/? കലയും ഗണിതവും: സൗന്ദര്യശാസ്ത്രത്തിലെ ആത്മീയവാദം. Http:/ www.moonnamidam.com/8/kr.htm. മനോജ് കുറൂര്‍. Links to this post. Subscribe to: Posts (Atom). Manoj kuroor http:/ en.wikipedia.org/wiki/Manoj K. മനോജ് കുറൂര്‍. View my complete profile.

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രംഗകല: കഥകളിയിലെ താളങ്ങള്‍

http://kathakalimelam.blogspot.com/2009/05/blog-post_20.html

ചുമ്മാ പല പല വേഷങ്ങള്‍ കെട്ടിയിന്നാത്മസ്വരൂപത്തെയോരാതെയായി ഞാന്‍ - പി. കുഞ്ഞിരാമന്‍ നായര്‍. കഥകളിപ്പദങ്ങള്‍ റേഡിയോയില്‍ കേള്‍ക്കൂ. Wednesday, May 20, 2009. കഥകളിയിലെ താളങ്ങള്‍. കഥകളിയുടെ താളഘടന സാങ്കേതികമായി വിവരിക്കാനുള്ള ശ്രമമാണ് ഇവിടെ. സംഗീതശാസ്ത്രഗ്രന്ഥങ്ങളില്‍‍ താളത്തെ സാങ്കേതികമായി നിര്‍വചിച്ചിട്ടുണ്ട്. ‘ത...സംഗീതചന്ദ്രിക. ക്രിയകള്‍ പൊതുവേ രണ്ടു തരം. 1 സശബ്ദക്രിയ. വാദ്യത്തിലുള്ള അടി (കഥകളിയില്‍). 2 നിശ്ശബ്ദക്രിയ. ഏകചൂഴാതിതാളങ്ങള്‍. 1 ഏകതാളം. 2 രൂപതാളം. 3 ചമ്പടതാളം. 4കാരികതാളം. ഇതിന്റ&#3...താള...

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രംഗകല: May 2009

http://kathakalimelam.blogspot.com/2009_05_01_archive.html

ചുമ്മാ പല പല വേഷങ്ങള്‍ കെട്ടിയിന്നാത്മസ്വരൂപത്തെയോരാതെയായി ഞാന്‍ - പി. കുഞ്ഞിരാമന്‍ നായര്‍. കഥകളിപ്പദങ്ങള്‍ റേഡിയോയില്‍ കേള്‍ക്കൂ. Saturday, May 23, 2009. കഥകളിമേളം: ചരിത്രം, വികാസം- ചില പ്രതിസന്ധികളും -രണ്ട്. കേരളസംഗീത. കര്‍ത്താവായ വി. മാധവന്‍ നായര്‍ (മാലി) രണ്ടു പരിഹാരങ്ങള്‍ മുന്നോട്ടുവയ്ക്കുന്നു. 1 കഥകളിയില്‍നിന്ന് ചെണ്ടയെ ബഹിഷ്കരിക്കുക. കുമ്മിണിയുടെ തെരഞ്ഞടുത്ത കൃതികള്‍. തുടരും). മനോജ് കുറൂര്‍. Links to this post. Wednesday, May 20, 2009. കഥകളിയിലെ താളങ്ങള്‍. സംഗീതശാസ്ത്...1 ഏകതാളം. താളം ...താള...

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