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Matthew Ritchie

THE TEMPTATION OF THE DIAGRAM. THIS GARDEN AT THIS HOUR. A TIME TO KEEP. WE WANT TO SEE SOME LIGHT. AFTER THE FATHER COSTUME. GAMES OF CHANCE AND SKILL. EVERYONE BELONGS TO EVERYONE ELSE.

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Matthew Ritchie | matthewritchie.com Reviews
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THE TEMPTATION OF THE DIAGRAM. THIS GARDEN AT THIS HOUR. A TIME TO KEEP. WE WANT TO SEE SOME LIGHT. AFTER THE FATHER COSTUME. GAMES OF CHANCE AND SKILL. EVERYONE BELONGS TO EVERYONE ELSE.
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Matthew Ritchie | matthewritchie.com Reviews

https://matthewritchie.com

THE TEMPTATION OF THE DIAGRAM. THIS GARDEN AT THIS HOUR. A TIME TO KEEP. WE WANT TO SEE SOME LIGHT. AFTER THE FATHER COSTUME. GAMES OF CHANCE AND SKILL. EVERYONE BELONGS TO EVERYONE ELSE.

INTERNAL PAGES

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1

Matthew Ritchie

http://www.matthewritchie.com/projects/38Augur/project.php

Exhibited:L and M Arts, Los Angeles, 2011. Music by Bryce Dessner and Shara Worden. Excerpt from Augur; 01:00.

2

Matthew Ritchie

http://www.matthewritchie.com/projects/39Monstrance/project.php

Installation and performances: L and M Arts, Venice Beach, 2011, ICA Boston, 2014, Andrea Rosen Gallery, New York, 2014. Digital and Live Footage. Composite Animation, 2014. Duration: 22 minutes 18 seconds. Music, 'To The Sea', written by Bryce Dessner. Lyrics: Matthew Ritchie, adapted from Paradise Lost by John Milton. Vocals: Shara Worden as the Angel of the Future. The Wonders of the Night: John Bauer, Aaron Parker, Brer Wyant and Michael Koll er as ‘Doc’.

3

Matthew Ritchie

http://www.matthewritchie.com/index.php

THE TEMPTATION OF THE DIAGRAM. THIS GARDEN AT THIS HOUR. A TIME TO KEEP. WE WANT TO SEE SOME LIGHT. AFTER THE FATHER COSTUME. GAMES OF CHANCE AND SKILL. EVERYONE BELONGS TO EVERYONE ELSE.

4

Matthew Ritchie

http://www.matthewritchie.com/projects/40SlowLight/project.php

Installation, Baldwin Gallery, Aspen 2013. Slow Light, Oil and Ink on Linen, Vinyl on Wall, 2013. Installation view: The Seal, Oil and Ink on Linen, Vinyl on Wall, 2013 and Emissary of the Hour, Oil and Ink on Linen, Vinyl on Wall, 2013. Pocket Demon, Oil and Ink on Linen, Vinyl on Wall, 2013. Image:The Making of a Mind, Oil and Ink on Linen, Vinyl on Wall, 2013.

5

Matthew Ritchie

http://www.matthewritchie.com/projects/36TheMorningLine/project.php

Installations: Center for Contemporary Art, Seville, 2008. Eminou Square, Istanbul, 2010. Schwarzenbergplatz, Vienna, 2011. Aluminum, epoxy, cables, interactive sound, video. Concept, drawings and video by Matthew Ritchie. In collaboration with: Aranda Lasch, Daniel Bosia, Arup AGU. Audio design in collaboration with Music Research Center, York University. Installation views; Eminou Square, Istanbul, 2010, Center for Contemporary Art, Seville, 2008.

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LINKS TO THIS WEBSITE

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Favorite Art Links

http://www.timgault.com/links.php

Other sites I find useful or inspirational. Famous and Contemporary Artists. Washington County Art Scene. Washington County Artists and Performers Registry. Village Gallery of Arts. Forest Grove Public Arts Commission. Rental Sales Gallery (Portland Art Museum). Butters Gallery, Ltd. List of influential 21st century artists from PBS. List of art movements from the Guggenheim. Watercolor Society of Oregon. WetCanvas.com - online artists' community.

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ashley blubaugh artist

http://www.ashleyblubaugh.com/links/index.html

Philadelphia Museum of Art. 2012, Ashley Blubaugh.

theandrewsgallery.blogspot.com theandrewsgallery.blogspot.com

The Andrews Gallery: November 2009

http://theandrewsgallery.blogspot.com/2009_11_01_archive.html

Sunday, November 29, 2009. Works by Michael McAlister. November 23 - December 31, 2009. Opening Reception - Saturday December 5, 2009. 7:00 PM @ The Andrews Gallery. Don't miss the chance to see these wild assemblages up close and personal, as well as meet the man behind them. Come share a glass of wine and a good time as we close out what has been an incredible 2009. Links to this post. Saturday, November 28, 2009. Opening Reception: December 13, 2009 1:00 - 4:00 PM. Paul Williams by Drew Snyder. If and...

casomiso.blogspot.com casomiso.blogspot.com

XXI: marzo 2010

http://casomiso.blogspot.com/2010_03_01_archive.html

21 mar. 2010. 20 mar. 2010. Londres, 1964), es un artista que trabaja todo tipo de disciplina artística, ya sea pintura, dibujo o escultura. Este artista inglés, basa su obra en una prolífica y exponencial carga teórica, aunando conceptos pertenecientes tanto a la ciencia como al arte, basando su trayectoria profesional en diversas colaboraciones con todo tipo de científicos, músicos, arquitectos. En algunos casos, el dibujo es el soporte de la escultura, y ésta a su vez su representante en el espacio.

lightmatterresearch.blogspot.com lightmatterresearch.blogspot.com

Light Matter Research

http://lightmatterresearch.blogspot.com/2009/09/theoretical-filmstill-4_25.html

Investigations into visual phenomena and systems of order. Tuesday, November 24, 2009. Subscribe to: Post Comments (Atom). Mental Exercises on the Bus. Char Davies: Layers of Reality. The Theoretical and the Observable. History of abstract painting. The map that takes over the world. The theoretical and the observable. Abbott, Edwin. Flatland. London: Seely and Co, 1884. Arnheim, Rudolf. Entropy and Art: An Essay on Disorder and Order. Berkeley: University of California Press, 1971. Random House, 2003.

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Light Matter Research: Painter as Gardener

http://lightmatterresearch.blogspot.com/2009/12/painter-as-gardener.html

Investigations into visual phenomena and systems of order. Monday, December 28, 2009. This past spring, I became determined to fight and conquer the dandelions in my yard. As a result, I had become hyperaware of their growth patterns and because of the hours I was spending out there, the yard became my favorite spot to daydream about painting. It dawned on me, in the garden, that I need to touch the paint the same way I touch my houseplants. Subscribe to: Post Comments (Atom). History of abstract painting.

lightmatterresearch.blogspot.com lightmatterresearch.blogspot.com

Light Matter Research

http://lightmatterresearch.blogspot.com/2011/03/map-of-science-fiction.html

Investigations into visual phenomena and systems of order. Sunday, March 20, 2011. The Map of Science Fiction". Source: http:/ blogs.suntimes.com/ebert/who-goes-there-a-map-of-scienc.html. The theoretical and the observable. Subscribe to: Post Comments (Atom). The Map of Science Fictionoriginal artist unknow. History of abstract painting. The map that takes over the world. The theoretical and the observable. Abbott, Edwin. Flatland. London: Seely and Co, 1884. Arnheim, Rudolf. Visual Thinking. Boulder, C...

lightmatterresearch.blogspot.com lightmatterresearch.blogspot.com

Light Matter Research: Matthew Ritchie: Origin Myths

http://lightmatterresearch.blogspot.com/2009/10/matthew-ritchie-origin-myths.html

Investigations into visual phenomena and systems of order. Saturday, October 24, 2009. Matthew Ritchie: Origin Myths. Matthew Ritchie "No Sign of the World". Oil and marker on canvas, 99 X 154 inches, 2004. Uses the laws of thermodynamics combined with an interest in creation myths as references for his painting practice. His. Ritchie takes an encyclopedic approach, and translates his vision through each media, off the canvas, on the floor and seeming to seep into reality. Matthew Ritchie: Origin Myths.

lightmatterresearch.blogspot.com lightmatterresearch.blogspot.com

Light Matter Research: September 2009

http://lightmatterresearch.blogspot.com/2009_09_01_archive.html

Investigations into visual phenomena and systems of order. Monday, September 21, 2009. Geometric Abstraction and Minimalism were dominant movements in 20. Century painting. Formalist thinkers such as Clement Greenberg encouraged “art for art’s sake”, removing any kind of image content latent with cultural baggage or any kind of meaning outside of the artistic object itself. Linda Nochlin argues that:. Clement Greenberg] was right when he declared that painting was developing in the direction of. Reductio...

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Matthew Ritchie

THE TEMPTATION OF THE DIAGRAM. THIS GARDEN AT THIS HOUR. A TIME TO KEEP. WE WANT TO SEE SOME LIGHT. AFTER THE FATHER COSTUME. GAMES OF CHANCE AND SKILL. EVERYONE BELONGS TO EVERYONE ELSE.

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