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Sunday, November 2, 2008. North Platte to Ogallala (part 5). A half-dozen years after Kerouac rode west through Nebraska on Highway 30 and first felt the shock of the grasslands spreading out around him, Robert Frank pulled his car to the side of the same highway early one afternoon, got out and crossed the two lanes of blacktop to point his Leica camera into the same, almost-empty Nebraska landscape and take the photograph U.S. 30 between Ogallala and North Platte, Nebraska. In The Americans,. It is dif...

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McKay | mckay-cambridge.blogspot.com Reviews
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Sunday, November 2, 2008. North Platte to Ogallala (part 5). A half-dozen years after Kerouac rode west through Nebraska on Highway 30 and first felt the shock of the grasslands spreading out around him, Robert Frank pulled his car to the side of the same highway early one afternoon, got out and crossed the two lanes of blacktop to point his Leica camera into the same, almost-empty Nebraska landscape and take the photograph U.S. 30 between Ogallala and North Platte, Nebraska. In The Americans,. It is dif...
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McKay | mckay-cambridge.blogspot.com Reviews

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Sunday, November 2, 2008. North Platte to Ogallala (part 5). A half-dozen years after Kerouac rode west through Nebraska on Highway 30 and first felt the shock of the grasslands spreading out around him, Robert Frank pulled his car to the side of the same highway early one afternoon, got out and crossed the two lanes of blacktop to point his Leica camera into the same, almost-empty Nebraska landscape and take the photograph U.S. 30 between Ogallala and North Platte, Nebraska. In The Americans,. It is dif...

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McKay: November 2008

http://www.mckay-cambridge.blogspot.com/2008_11_01_archive.html

Sunday, November 2, 2008. North Platte to Ogallala (part 5). A half-dozen years after Kerouac rode west through Nebraska on Highway 30 and first felt the shock of the grasslands spreading out around him, Robert Frank pulled his car to the side of the same highway early one afternoon, got out and crossed the two lanes of blacktop to point his Leica camera into the same, almost-empty Nebraska landscape and take the photograph U.S. 30 between Ogallala and North Platte, Nebraska. In The Americans,. It is dif...

2

McKay

http://www.mckay-cambridge.blogspot.com/2008/11/blog-post.html

Sunday, November 2, 2008. Subscribe to: Post Comments (Atom). North Platte to Ogallala (part 5). North Platte to Ogalla (part 4). North Platte to Ogallala (part 3). View my complete profile.

3

McKay: North Platte to Ogallala (part 5)

http://www.mckay-cambridge.blogspot.com/2008/11/north-platte-to-ogallala-part-5.html

Sunday, November 2, 2008. North Platte to Ogallala (part 5). A half-dozen years after Kerouac rode west through Nebraska on Highway 30 and first felt the shock of the grasslands spreading out around him, Robert Frank pulled his car to the side of the same highway early one afternoon, got out and crossed the two lanes of blacktop to point his Leica camera into the same, almost-empty Nebraska landscape and take the photograph U.S. 30 between Ogallala and North Platte, Nebraska. In The Americans,. It is dif...

4

McKay: North Platte to Ogallala (part 3)

http://www.mckay-cambridge.blogspot.com/2008/11/north-platte-tp-ogallala-part-2.html

Sunday, November 2, 2008. North Platte to Ogallala (part 3). My copy of the third edition is date-stamped May 11, 1918. The front pages of the Road Guide give the 1918 traveler an idea of what to expect that year, and how to prepare for a trip by motor across America. Among the Don’ts for Tourists are several warnings that map a rude geography of hardship. Don’t fail to have warm clothing in the outfit. The high altitudes are cold, and the dry air is penetrating. Don’t wear new shoes.

5

McKay

http://www.mckay-cambridge.blogspot.com/2008/11/blog-post_02.html

Sunday, November 2, 2008. Subscribe to: Post Comments (Atom). North Platte to Ogallala (part 5). North Platte to Ogalla (part 4). North Platte to Ogallala (part 3). View my complete profile.

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27 Stories: October 2009

http://laurathesis.blogspot.com/2009_10_01_archive.html

Tuesday, October 27, 2009. These postcards are my very small haul from the September postcard show in Burlington. I'm trying to come up with ways to insert the postcards that I've collected into my thesis book, and so far all I've got is using them as spacers between stories, even if they don't relate to the story preceding or following. Would this be wierd? Would I have to have an explination for why I placed certain cards in certain places? Elliot Lake, Ontario. Dartmouth, Nova Scotia. The 100 - 43-45.

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For the Goat: September 2009

http://tkeensdee.blogspot.com/2009_09_01_archive.html

Tuesday, September 29, 2009. The use and integration of sailor's prop (the cane) analyzed. Labels: the sailor dance. Wednesday, September 23, 2009. Ignasi de Solà -Morales writes in Differences: Topographies of Contemporary Architecture :. Architecture is not a tree but an event, resulting from the intersection of forces capable of situating an object that is partially signifying, contingent." (p.16). Monday, September 21, 2009. You want to be able to see the music dancing! Subscribe to: Posts (Atom).

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For the Goat: October 2009

http://tkeensdee.blogspot.com/2009_10_01_archive.html

Thursday, October 29, 2009. The carnival mentality seriously, solemnly dedicates itself to the concept of waste, ephemera, of built-in obsolescence, but this is not the built-in obsolescence of manufacture but of art, because in Carnival the creative energy is strictly regulated to its own season. Last year’s intricate sculptures are discarded as immediately valueless when it is midnight on Shrove Tuesday …". Pg 55 Critcial Perspectives on Derek Walcott by Robert D. Hameer. You ‘fraid de devil? An’...

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For the Goat: December 2009

http://tkeensdee.blogspot.com/2009_12_01_archive.html

Monday, December 7, 2009. Jumbie, Jumbie dey. outta body back to yuhself! Dip in the center do the jumbie dance, lean back and reverse do the jumbie dance .". An Old Jewish Story. More hard times came and another generation was excluded from the ritual. Somebody remembered that in the old days their ancestors had gone into the forest and done something, so the rabbi and the people went out into the forest and made up a ritual. And it was sufficient. And then there were more hard times, and all that was l...

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For the Goat: July 2010

http://tkeensdee.blogspot.com/2010_07_01_archive.html

Wednesday, July 14, 2010. Slowly coming together - disguise. The four designs are based on 4 themes of what happens to the body when it dons a costume. These themes are stylized, distorted, disguised and inversed. The origami dress posted previously is the stylized version of the female in carnival and the traditional dragon costume. The rope costume is a distorted and exaggerated version of the female body and form. This one is the 3rd costume 'disguise'. Subscribe to: Posts (Atom). 1000 Hours of Drawing.

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For the Goat: June 2010

http://tkeensdee.blogspot.com/2010_06_01_archive.html

Tuesday, June 15, 2010. Plaster body form contoured with 200 yards of white nylon rope. Thursday, June 3, 2010. LUCY AND BART ART. Tuesday, June 1, 2010. LOOK but don't TOUCH. Completed origami 'threat' paper costume. Look but don't Touch '. Inspired by traditional threat/ dominant costumes and the female role in today's carnival. Subscribe to: Posts (Atom). THESIS ACCEPTED, NO AMENDMENTS! 1000 Hours of Drawing. The 100 - 43-45. To savour this place. I just want to take pictures. LUCY AND BART ART.

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For the Goat: LUCY AND BART ART

http://tkeensdee.blogspot.com/2010/06/lucy-and-bart-art.html

Thursday, June 3, 2010. LUCY AND BART ART. Subscribe to: Post Comments (Atom). THESIS ACCEPTED, NO AMENDMENTS! 1000 Hours of Drawing. The 100 - 43-45. To savour this place. Salad: Cross-referencing seasonal schedules as inspiration. I just want to take pictures. LUCY AND BART ART. LOOK but dont TOUCH. View my complete profile.

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For the Goat: LOOK but don't TOUCH

http://tkeensdee.blogspot.com/2010/06/look-but-dont-touch.html

Tuesday, June 1, 2010. LOOK but don't TOUCH. Completed origami 'threat' paper costume. Look but don't Touch '. Inspired by traditional threat/ dominant costumes and the female role in today's carnival. Subscribe to: Post Comments (Atom). THESIS ACCEPTED, NO AMENDMENTS! 1000 Hours of Drawing. The 100 - 43-45. To savour this place. Salad: Cross-referencing seasonal schedules as inspiration. I just want to take pictures. LUCY AND BART ART. LOOK but dont TOUCH. View my complete profile.

ijustwanttotakepictures.blogspot.com ijustwanttotakepictures.blogspot.com

I just want to take pictures: They may graduate me yet...

http://ijustwanttotakepictures.blogspot.com/2009/06/they-may-graduate-me-yet.html

Thursday, June 11, 2009. They may graduate me yet. An excerpt from "Mediations in Architecture and in the Urban Landscape" by Ignasi de Sola-Morales. Perhaps the veracity that we can concede to the media [graphic, literary, photographic], which enable us to acquire knowledge of architecture and urban landscapes, makes these media inescapable and essential to our approximation of this reality. Posted by white collar green soul. Subscribe to: Post Comments (Atom). Regarding the last post. The 100 - 43-45.

alineinmotion.blogspot.com alineinmotion.blogspot.com

A Line in Motion: A Reservoir of Knowledge

http://alineinmotion.blogspot.com/2009/08/reservoir-of-knowledge.html

A Line in Motion. A Reservoir of Knowledge. With each change of written form, the characters are conceived to be endowed with new meanings that reflect changes in the socio-cultural environment. As a result, written characters as a whole constitute a fecund reservoir of ancient ideas and a record of social history. Subscribe to: Post Comments (Atom). A Line in Motion-Book Format. Time, Space Calligraphy and Architecture. A Landscape Continuously Unfolding. Written Form as Poetry. A Reservoir of Knowledge.

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Sunday, November 2, 2008. North Platte to Ogallala (part 5). A half-dozen years after Kerouac rode west through Nebraska on Highway 30 and first felt the shock of the grasslands spreading out around him, Robert Frank pulled his car to the side of the same highway early one afternoon, got out and crossed the two lanes of blacktop to point his Leica camera into the same, almost-empty Nebraska landscape and take the photograph U.S. 30 between Ogallala and North Platte, Nebraska. In The Americans,. It is dif...

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