milliss.com

Ian Milliss

From isolation to solidarity. The 1970s and 2010s are not the same but there can be no doubt that they are both periods of social crisis that has carried over in to art. This installation frames the beginning and end of a process for me in the 1970s. I’m sure many others went through their own version of […]. Why don’t we boycott all biennales? This article was originally published in Artlink Issue 36:1, March 2016 Big Ideas edition. Biennales, like war, are the continuation of politics by other means.

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Ian Milliss | milliss.com Reviews

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From isolation to solidarity. The 1970s and 2010s are not the same but there can be no doubt that they are both periods of social crisis that has carried over in to art. This installation frames the beginning and end of a process for me in the 1970s. I’m sure many others went through their own version of […]. Why don’t we boycott all biennales? This article was originally published in Artlink Issue 36:1, March 2016 Big Ideas edition. Biennales, like war, are the continuation of politics by other means.

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Ian Milliss | milliss.com Reviews

https://milliss.com

From isolation to solidarity. The 1970s and 2010s are not the same but there can be no doubt that they are both periods of social crisis that has carried over in to art. This installation frames the beginning and end of a process for me in the 1970s. I’m sure many others went through their own version of […]. Why don’t we boycott all biennales? This article was originally published in Artlink Issue 36:1, March 2016 Big Ideas edition. Biennales, like war, are the continuation of politics by other means.

INTERNAL PAGES

milliss.com

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Ian Milliss – New Artist?

http://milliss.com/new-artist

Was written for the Object and Idea exhibition held at the National Gallery of Victoria in November 1973. The curator Brian Finemore. As 2013 was its 40th anniversary I seriously thought of revisiting it, rewriting and elaborating it, but several publishing offers fell through in the end so there was no real outlet for it. I may well do more with it eventually but for the time being it can reside here. But mainly to alienate, and thus render safe, areas of existence which are dangerous to the existing so...

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bogong-moth.blogspot.com

mystique of the proletariat: September 2013

http://bogong-moth.blogspot.com/2013_09_01_archive.html

Mystique of the proletariat. Nel tempo de li dei falsi e bugiardi. If someone were to say that ignorance is a lack of understanding, he is mistaken. Ignorance is the condition of being wretched and beguiled. Thou hast conquered, O pale Galilean; the world has grown grey from thy breath;. Wednesday, September 18, 2013. The philosophers have only interpreted the world, in various ways; the point is to change it. I find it surprising that - if these plagiarisms are so egregious and so corrosive of the publi...

bogong-moth.blogspot.com

mystique of the proletariat: Fleeing

http://bogong-moth.blogspot.com/2014/07/fleeing.html

Mystique of the proletariat. Nel tempo de li dei falsi e bugiardi. If someone were to say that ignorance is a lack of understanding, he is mistaken. Ignorance is the condition of being wretched and beguiled. Thou hast conquered, O pale Galilean; the world has grown grey from thy breath;. Tuesday, July 29, 2014. Polien hala. Literally the grizzled salt, but obviously Homer is talking about the churning sea water. Odyssey 9.556ff. So then all the day, until the sun sank. May God smile on her! Kindest regar...

bogong-moth.blogspot.com

mystique of the proletariat: Tell Tales

http://bogong-moth.blogspot.com/2014/09/tell-tales.html

Mystique of the proletariat. Nel tempo de li dei falsi e bugiardi. If someone were to say that ignorance is a lack of understanding, he is mistaken. Ignorance is the condition of being wretched and beguiled. Thou hast conquered, O pale Galilean; the world has grown grey from thy breath;. Saturday, September 13, 2014. The sort of night that is the pow er of wo. And like the poet who uses the flowing, alternating vowel to create emotions, or as the cunning rav. House lights off, a spot light, and Bridget N...

bogong-moth.blogspot.com

mystique of the proletariat: June 2014

http://bogong-moth.blogspot.com/2014_06_01_archive.html

Mystique of the proletariat. Nel tempo de li dei falsi e bugiardi. If someone were to say that ignorance is a lack of understanding, he is mistaken. Ignorance is the condition of being wretched and beguiled. Thou hast conquered, O pale Galilean; the world has grown grey from thy breath;. Tuesday, June 24, 2014. I did get to see the Memoriam by Amelia Rowe, which I wrote about here. Living in Dodges Ferry we could see the dancing beams of light from our back yard. In an interview with the Guardian. Omnia ...

verge-gallery.net

SERIES :: THE WANDERING MIND // 2015 – Verge Gallery

https://verge-gallery.net/2015program/the-wandering-mind-creativity-and-lifelong-learning

Press Enter / Return to begin your search. SERIES : THE WANDERING MIND / 2015. August 30, 2015. April 15, 2016. The Wandering Mind: Creativity and Lifelong Learning : Events in May, June, July, August 2015. Curated by Chloé Wolifson. Http:/ www.chloewolifson.com. May 27, 2015. The structure of creative practice. Do creative juices flow better when one has the unbounded freedom to dream, discover and create? Garry Trinh, artist http:/ www.garrytrinh.com/. Emily Hunt, artist http:/ www.emilyhuntartist&...

elizabethpulie.wordpress.com

#41a (Stonevilla) 2013 | Elizabeth Pulie

https://elizabethpulie.wordpress.com/2014/11/04/41a-stonevilla-2013

An archive of my work in a blog. Laquo; #38 – #40 Sarah Cottier Gallery 2013. 41b New Materialism Conference Exhibition, Sydney College of the Arts Galleries 2014. 41a (Stonevilla) 2013 21x15cm acrylic on board. Leave a trackback: Trackback URL. Sydney Ladies Artists Club. Enter your email address to subscribe to this blog and receive notifications of new posts by email. Join 30 other followers. Blog at WordPress.com. Back to the top. Follow “Elizabeth Pulie”. Get every new post delivered to your Inbox.

elizabethpulie.wordpress.com

#41b New Materialism Conference Exhibition, Sydney College of the Arts Galleries 2014 | Elizabeth Pulie

https://elizabethpulie.wordpress.com/2014/11/04/41b-new-materialism-conference-exhibition-sydney-college-of-the-arts-galleries-2014

An archive of my work in a blog. Laquo; #41a (Stonevilla) 2013. 41b New Materialism Conference Exhibition, Sydney College of the Arts Galleries 2014. 41b 2014 bamboo, mixed fibres, 3400×1500 installed at Sydney College of the Arts Galleries photo Jamie North. 41b (detail) 2014 bamboo, mixed fibres, 3400×1500 photo Jamie North. 41b (detail) 2014 bamboo, mixed fibres, 3400×1500 photo Jamie North. Sydney College of the Arts. Categories End of Art. Leave a trackback: Trackback URL. Sydney Ladies Artists Club.

elizabethpulie.wordpress.com

#38 – #40 Sarah Cottier Gallery 2013 | Elizabeth Pulie

https://elizabethpulie.wordpress.com/2014/09/18/38-40-sarah-cottier-gallery-2013

An archive of my work in a blog. Laquo; Graduate Conference Exhibition Sydney College of the Arts 2013. 38 – #40 Sarah Cottier Gallery 2013. A solo show at Sarah Cottier Gallery. 38 – #40 installation view, hessian, metal poles, fimo 2013. 39 – #40 installation view, hessian, metal poles, fimo 2013. Categories End of Art. Leave a trackback: Trackback URL. Sydney Ladies Artists Club. Enter your email address to subscribe to this blog and receive notifications of new posts by email. Join 30 other followers.

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Saving Necropolis | My work in the class ''Animation and Interactivity''

My work in the class ''Animation and Interactivity''. We have officially reached Case 6. Now it is time to put my zombies into the scene. The first thing I thought when I read the Case text was: I have to make an animation where the zombie eats Velcro’s brain! I already have the animation for the pink teddy. What I need now is to make an ‘’attack’ animation. Another thing I have to figure out is a way to make the zombies automatically follow the maincharacter. Ey, Let’s start working pepz ;9. Here’...

milliss.blogspot.com

London

Mitt liv i den lilla stora staden London. Och hur det ar att lamna hemmet for forsta gangen. Tisdag, juni 05, 2007. Hej ny blogg. http:/ malinblum.blogg.se. Där skrivs historien vidare ;). New life, new blogg. Är trött på att blogger.com strular. så jag har bytt till. Hade en mardröm inatt. Eller mest obehaglig dröm. Satt igår kväll och messa med min älskade Annelie som har förstorat sina bröst. Vilket jag stöttar till hundra procent. Och de är skitsnygga! Är opererade bröst mjuka? Jag är stolt över dig!

milliss.com

Ian Milliss

From isolation to solidarity. The 1970s and 2010s are not the same but there can be no doubt that they are both periods of social crisis that has carried over in to art. This installation frames the beginning and end of a process for me in the 1970s. I’m sure many others went through their own version of […]. Why don’t we boycott all biennales? This article was originally published in Artlink Issue 36:1, March 2016 Big Ideas edition. Biennales, like war, are the continuation of politics by other means.

millissa-milly.skyrock.com

millissa-milly's blog - Si tu devais mourir avant moi, demande si tu peux amener un ami - Skyrock.com

Si tu devais mourir avant moi, demande si tu peux amener un ami. 28/11/2012 at 12:57 AM. 28/11/2012 at 1:11 AM. Si tu devais mourir avant moi, demande si. L'amitié - Si tu vis jusqu’à cent ans, je ve. Subscribe to my blog! Si tu devais mourir avant moi, demande si tu peux amener un ami. Si tu vis jusqu'à cent ans, je veux vivre cent ans moins un jour, pour ne pas avoir à vivre. La véritable amitié, c'est comme la santé. tu n'en connais la valeur que lorsque tu. Découvrent ce que tu ne dis pas. Don't forg...

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