nigelvanwieck36.blogspot.com
working girls
Pastel on Paper 30x22 inches. Pastel on Paper 18x27 inches. Pastel on Paper 22x30 inches. The spider and the Fly. Pastel on paper 30x22 inches. A Time To Go. Pastel on Paper 22x30 inches. Pastel on paper 22x30 inches. Pastel on Paper 30x22 inches. Pastel on Paper 22x30 inches. Pastel on Paper 22x30 inches. Pastel on Paper 13x17 inches. Pastel on paper 17x13 inches. Pastel on Paper 12x19 inches. Pastel on Paper 22x30 inches. Subscribe to: Posts (Atom).
nigelvanwieck37.blogspot.com
ESCAPE
An Exhibition of paintings at the Elisabeth Michitsch Gallery - Vienna - Nov.18th, 2010 by Nigel Van Wieck. Escape oil on panel 18x24. Love the Day oil on panel 20x16. Heat oil on panel 16x24. Today Tomorrow Always. oil on panel 18x24. Holding the Heavens oil on panel 16x20. Minutes to midnight oil on panel 18x24. Beauty oil on panel 12x16. Safe in your Dream oil on panel 12x16. Blue Skies Gentle Winds oil on panel 18x24. Dark Horse oil on panel 18x24. A Thousand Days oil on panel 20x24.
nigelvanwieck39.blogspot.com
ESCAPE EXHIBIT
Elisabeth Michisch Gallery Vienna Nov18-Jan21. Posted by Nigel Van Wieck. Subscribe to: Posts (Atom).
nigelvanwieck4.blogspot.com
LABOR DAY
An Exhibition of paintings at the Elisabeth Michitsch Gallery - Vienna - 2004 by Nigel Van Wieck. The Builder oil on canvas 16x20. Sunbather 1,2 and 3 oil on panel 16x20. The Roofer 2oil on panel 14x20. The Roofer 1 oil on panel 16x20. The Watertower Man 1 oil on panel 16x20. Workmen on ladders oil on panel 16x12.5. The Watertower Man 2 oil on panel12x12. The Welder oil on panel 17x16. The Streetwasher oil on panel 16x20. Roller Skates For Hire oil on panel 16x20. The Telephone oil on panel 11x14.
nigelvanwieck42.blogspot.com
New York Paintings
Heat oil on panel 18x24 inches. The Wind Can See oil on canvas 24x36 inches. Sailing oil on Canvas 30x40 inches. A Free Wind oil on panel 24x20 inches. Boating Pond 3 pastel on paper 22x30 inches. New Pond oil on panel 16x20 inches. A Perfect Day oil on panel 18x24 inches. Magican oil on panel 18x24 inches. Georgie's Up a Tree oil on panel 16x20 inches. Beauty oil on panel 11x14 inches. The Gardener oil on panel 16x20 inches. The Game oil on canvas 11x14 inches. View paste on paper 13x17 inches. Monday p...
nigelvanwieck45.blogspot.com
Reviews
May 2015 Fine Art Connoisseur. ROOTED IN THE PAST. A VISION FOR TODAY. From one side, the painter Nigel Van Wieck (b. 1947) appears to be the proverbial “Englishman in New York,” having discovered Old Master aesthetics and made them his own since 1979, when he immigrated to the U.S. But from the other side, we see the quintessentially American practitioner of contemporary realism he has become during those same three and a half decades. The matter of solitude is pertinent: when he was just 18 months old,...
nigelvanwieck47.blogspot.com
DANCERS Exhibition
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nigelvanwieck5.blogspot.com
Dancers
There's dancing for the public and there's dancing to forget. Pastel on card 30x40 inches. Pastel on paper 22x30 inches. Pastel on paper 30x22 inches. Pastel on paper 30x22 inches. Study pastel on paper 16x12 inches. In The Blink Of An Eye. Pastel on paper 22x30 inches. Pastel on paper 30x22 inches. Pastel on paper 22x30 inches. Pastel on paper 22x30 inches. Pastel on paper 22x30 inches. Red White And Black. Pastel on paper 22x30 inches. Study pastel on paper 16x12 inches. Pastel on paper 22x30 inches.
nigelvanwieck50.blogspot.com
Essays
Rooted in the Past, A Vision for Today By Peter Trippi. From one side, the painter Nigel Van Wieck (b. 1947) appears to be the proverbial “Englishman in New York,” having discovered Old Master aesthetics and made them his own since 1979, when he immigrated to the U.S. But from the other side, we see the quintessentially American practitioner of contemporary realism he has become during those same three and a half decades. Peter Trippi has been the editor-in-chief of Fine Art Connoisseur magazine since 20...
nigelvanwieck51.blogspot.com
Essays
A Sport and a Pastime". In a real dark night of the soul it is always three o'clock in the morning.". The Dancing pictures also differ drastically from Working Girls and Miami in their formal structure. It is a given that these subjects provide limitless opportunities for theatrical license and artifice, and Van Wieck's drawing is noticeably more emphatic, more abstract, and more tilted toward expressive ends. Van Wieck has repeatedly asserted that color is essential, and in Dancing his chromatic scale d...
nigelvanwieck52.blogspot.com
biography
2 015 Didier Aaron Gallery New York. 2011 Nigel Van Wieck American Realism curated by Elizabeth Michitsch,. Brauneis Klauser, Vienna. 2010 Galerie Elisabeth Michitsch, Vienna. 2008 Galerie Elisabeth Michitsch, Vienna. 2007 Galerie Elisabeth Michitsch Vienna. 2004 Kunsthandel Elisabeth Michitsch, Vienna. 2001 Beadleston Gallery , New York. 1995 The Venice Biennale's Centennial Exhibition, Venice. 1993 Fosse Gallery Stow-on-the-Wold. 1991 Tatistcheff and Company, Inc, New York. 1977 Redfern Gallery, London.
