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Opera Think Tank

Pushing the boundaries of opera in a new century

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Opera Think Tank | operathinktank.blogspot.com Reviews
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Pushing the boundaries of opera in a new century
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Opera Think Tank | operathinktank.blogspot.com Reviews

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Pushing the boundaries of opera in a new century

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Opera Think Tank: Momento Mori: Elise Sandell on Barber & Menotti's Vanessa

http://operathinktank.blogspot.com/2014/11/momento-mori-elise-sandell-on-barber.html

Pushing the boundaries of opera in a new century. Saturday, November 1, 2014. Momento Mori: Elise Sandell on Barber and Menotti's Vanessa. Next in our collection of outstanding directors discussing the American repertoire, we look at Samuel Barber's Pulitzer Prize winning Vanessa. Which he wrote with his life-long partner and collaborator, Gian Carlo Menotti. Who penned the libretto. While Barber is known for creating such rich and evocative works such as Knoxville: Summer of 1915. The words “opera...

2

Opera Think Tank: July 2011

http://operathinktank.blogspot.com/2011_07_01_archive.html

Pushing the boundaries of opera in a new century. Tuesday, July 12, 2011. Falstaff Bursts through Boston - July 15-24! Set in the 'Me" decade of the 1970s, this hilarious farce is an ode to mafia dons, feminine mystique, boogie nights, and the dusk of Aquarius. And it all goes down in a 1914 vaudeville house with full orchestra, where you can bring the beer into the show and even have your own cupholder! Just keep the concessions away from Big Belly! Ada Smith, and Andrea Lauer. Subscribe to: Posts (Atom).

3

Opera Think Tank: A Fearless Flute: Madeline Sayet on Mozart's Die Zauberflöte

http://operathinktank.blogspot.com/2015/03/a-fearless-flute-madeline-sayet-on.html

Pushing the boundaries of opera in a new century. Sunday, March 29, 2015. A Fearless Flute: Madeline Sayet on Mozart's Die Zauberflöte. Festival will open their season with a new production of Mozart's The Magic Flute. In an exciting debut by director Madeline Sayet. And conductor Carolyn Kuan. Of the top ten opera favorites, The Magic Flute. Of women and minorities, and you have a challenging piece in many ways. OTT: Director Barbara Gaines once said something to the effect of: Once you’ve identif...

4

Opera Think Tank: October 2014

http://operathinktank.blogspot.com/2014_10_01_archive.html

Pushing the boundaries of opera in a new century. Friday, October 31, 2014. State of the Art, and Art of the State: A Gender Bend in Alison Moritz's The Cradle Will Rock. Yesterday Corinne Hayes called us to action. With an exciting look at The Cradle Will Rock. Today will look at a different way this explosive piece questions our notions of power and gender. Together with set designer Charles Murdock Lucas. Costume designer Dina Perez. And lighting designer Kyle Grant. The Cradle Will Rock. Into the 21s...

5

Opera Think Tank: August 2011

http://operathinktank.blogspot.com/2011_08_01_archive.html

Pushing the boundaries of opera in a new century. Monday, August 29, 2011. I Hate Comic Opera. Sometimes. As an actor, I learned comedy through improv theatre, but fell in love with opera for the epic, the heroic, the transcendent. And I've seen a lot of comic opera that is just not, well.funny. Watching us have this much fun? And the audience has to feel like asking,. Am I allowed to have this much fun? I learned this from a fart joke in Pasquale. At least a fart is good for something. Campy, raucous, s...

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Links | Elise Sandell

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The Marriage of Figaro. The Face on the Barroom Floor. The Marriage of Figaro. See below for links to companies and collaborators. Central City Opera- http:/ centralcityopera.org/. The Metropolitan Opera- http:/ www.metopera.org/. Crested Butte Music Festival- http:/ www.crestedbuttemusicfestival.com/index.php. Tulsa Opera- http:/ tulsaopera.com. Lyric Opera of Chicago- http:/ www.lyricopera.org/. Houston Grand Opera- http:/ houstongrandopera.org/. Madison Opera- http:/ www.madisonopera.org/.

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Pushing the boundaries of opera in a new century. Thursday, March 24, 2016. Crazy In Love: LUCIA/DIDO at Heartbeat Opera. In Tiny Thoughts, we respond to a performance based on how a friend would recount their outing to the theatre. What's the deal with this show? A young company in town, Heartbeat Opera, presented an ambitious double-bill for their festival. S opening night: a ninety-minute adaptation of Lucia di Lammermoor. With the complete Dido and Aeneas. Both with small orchestral ensemble. Before ...

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