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The Participatory Museum

A book by Nina Simon. Cover design by Jennifer Rae Atkins. Is a practical guide to working with community members and visitors to make cultural institutions more dynamic, relevant, essential places. It was written by me, Nina Simon. I’m a museum director. And the author of the Museum 2.0 blog. The book is available for purchase. In the time since it was published in 2010, over 25,000 people have bought the book, and another 200,000 have read the online version available for free on this site.

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CONTACTS AT PARTICIPATORYMUSEUM.ORG

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Nina Simon

1040 My●●●●●●●ot Road

San●●●ruz , California, 95065

US

1.83●●●●5460
ni●●@museumtwo.com

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Museum 2.0

Nina Simon

1040 My●●●●●●●ot Road

San●●●ruz , California, 95065

US

1.83●●●●5460
ni●●@museumtwo.com

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The Participatory Museum | participatorymuseum.org Reviews
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A book by Nina Simon. Cover design by Jennifer Rae Atkins. Is a practical guide to working with community members and visitors to make cultural institutions more dynamic, relevant, essential places. It was written by me, Nina Simon. I’m a museum director. And the author of the Museum 2.0 blog. The book is available for purchase. In the time since it was published in 2010, over 25,000 people have bought the book, and another 200,000 have read the online version available for free on this site.
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The Participatory Museum | participatorymuseum.org Reviews

https://participatorymuseum.org

A book by Nina Simon. Cover design by Jennifer Rae Atkins. Is a practical guide to working with community members and visitors to make cultural institutions more dynamic, relevant, essential places. It was written by me, Nina Simon. I’m a museum director. And the author of the Museum 2.0 blog. The book is available for purchase. In the time since it was published in 2010, over 25,000 people have bought the book, and another 200,000 have read the online version available for free on this site.

INTERNAL PAGES

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1

Discuss – The Participatory Museum

http://www.participatorymuseum.org/discuss

A book by Nina Simon. At this point, you. Are the person who can make this book better. Every time someone shares a new comment, reaction, case study, or reference, it makes. A more comprehensive and valuable resource. Please consider sharing your reactions, additions, arguments, and ideas to make this book as useful as possible for all of us. Read and write reviews. Share questions and comments about any chapter by visiting its page and clicking on the left sidebar (start here. Theme by Felipe Lavín.

2

Read Online – The Participatory Museum

http://www.participatorymuseum.org/read

A book by Nina Simon. Welcome to the online version of. This is the complete text of the book, but it lacks the attractive formatting of the paperback and the PDF. Also, you can comment on it. Please do. To learn how you can use and share this material. And now, onto the show. Part 1: Design for Participation. Chapter 1: Principles of Participation. Chapter 2: Participation Begins with Me. Chapter 3: From Me to We. Chapter 4: Social Objects. Part 2: Participation in Practice. Theme by Felipe Lavín.

3

Preface: Why Participate? – The Participatory Museum

http://www.participatorymuseum.org/preface

A book by Nina Simon. Chapter 1: Principles of Participation ». At the end of 2009, the National Endowment for the Arts released a sobering report on the state of arts attendance in the United States. The authors didn’t mince words; in the preface, they wrote, The 2008 survey results are, at a glance, disappointing. How can cultural institutions reconnect with the public and demonstrate their value and relevance in contemporary life? The idea of the. The idea that visitors. Construct their own meaning.

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Chapter 10: Evaluating Participatory Projects – The Participatory Museum

http://www.participatorymuseum.org/chapter10

A book by Nina Simon. Chapter 9: Hosting Participants. Chapter 11: Managing & Sustaining Participation ». Chapter 10: Evaluating Participatory Projects. While participatory projects do not require fundamentally different evaluation techniques from other types of projects, there are four considerations that make participatory projects unique when it comes to their assessment:. Participatory projects are about both process and product. Participatory projects require people to. And describe what happens as ...

5

Chapter 4: Social Objects – The Participatory Museum

http://www.participatorymuseum.org/chapter4

A book by Nina Simon. Chapter 3: From Me to We. Chapter 5: Defining Participation at Your Institution ». Chapter 4: Social Objects. These artifacts and experiences are all social objects. Social objects are the engines of socially networked experiences, the content around which conversation happens. [1]. In 2005, engineer and sociologist Jyri Engeström used the term social objects and the related phrase object-centered sociality to address the distinct role of objects in online social networks. [2].

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Auxiliary MUSEUM: Artistic Fundraising

http://auxiliarymuseumtasmania.blogspot.com/2014/04/artistic-fundraising.html

E-flux . SAVE THE INTERNET! ETHICS: Australian Code of Ethics for Museums. ETHICS: International Council of Museums (ICOM). A FAIR GO FOR ARTISTS NOW. THIRD and FOURTH SPACE MUSING. Sunday, April 27, 2014. Subscribe to: Post Comments (Atom). 30 Participatory DOthings for Museums 2DO! A MUSEUM and CULTURAL TOURISM. PAPER: Wundekammers Now – The museum in the 21st C. PHOTOGRAPHY IN THE MUSEUM. Rhizome.org . a cultural network. The Museum of the Future. The Tamar Institute Discussion Paper. GOOD and BAD NEWS.

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Museum Practices and Co-Creation | Ancash Advocate

https://piaraperublog.wordpress.com/2015/01/29/museum-practices-and-co-creation

La arqueología y la Comunidad en Ancash, Perú. The Women of Hualcayán – Women Workers and Artisans. Implementing Co-Creative Projects in Hualcayán, Peru →. Museum Practices and Co-Creation. January 29, 2015. Post on University of Memphis class projects for the Museum in Hualcayán . . . Archaeology, Museums and Outreach. The paper is part of a volume that Beth Bollwerk and I are editing for the Advances in Archaeological Practice. My regular snippet quotes I use on co-creation include:. You are commenting...

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Auxiliary MUSEUM: Janet Carding Appointed: The long hunt for a new Tasmanian Museum and Art Gallery director has ended.

http://auxiliarymuseumtasmania.blogspot.com/2015/03/janet-carding-appointed-long-hunt-for.html

E-flux . SAVE THE INTERNET! ETHICS: Australian Code of Ethics for Museums. ETHICS: International Council of Museums (ICOM). A FAIR GO FOR ARTISTS NOW. THIRD and FOURTH SPACE MUSING. Thursday, March 5, 2015. Janet Carding Appointed: The long hunt for a new Tasmanian Museum and Art Gallery director has ended. The Tasmanian State Government has announced Janet Carding — who was most recently director of the Royal Ontario Museum in Canada. 8212; would take up the position on April 8. C lick here to read more.

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Ana Carvalho | No Mundo dos Museus

http://nomundodosmuseus.hypotheses.org/author/nomundodosmuseus

No Mundo dos Museus. Entrevistas, livros, conferências…. Saltar para o conteúdo. Aquivo do autor: Ana Carvalho. Relevância: um novo mantra para os museus. The Art of Relevance. É o mais recente livro da americana Nina Simon, que é também a autora do muito citado. 2010) Simon é desde 2011 directora do Santa Cruz Museum of Art and History na Califórnia (Estados Unidos). É a autora do blogue “ Museum 2.0. Através de uma escrita clara e assertiva, Simon defende que a relevância é a chave para criar ligações ...

revistahermus.blogspot.com revistahermus.blogspot.com

Revista Hermus: octubre 2010

http://revistahermus.blogspot.com/2010_10_01_archive.html

Martes, 19 de octubre de 2010. Próximo número de la revista. La coordinación del número está siendo llevada a cabo por Nayra Llonch, doctora experta en museos de indumentaria. Enviar por correo electrónico. Suscribirse a: Entradas (Atom). Edición Digital de la revista. Indicaciones para los autores. Ver todo mi perfil. Grupo de investigación DIDPATRI. Red de profesionales de la museografía. Mi lista de blogs. Our Museum: Extraordinary Resources on How Museums and Galleries Become Participatory Places.

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Things I Love & Things I Hate: Marketing

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Things I Love and Things I Hate. Gedachten over van alles en nog wat. Lees bijvoorbeeld eens dit etiket op een fles Contrexeville mineraalwater. Efficiënte smaak . je moet er maar op komen. Misschien is de vertaling uit het Frans ook niet helemaal zuiver, efficace lijkt me effectief en niet efficiënt. Maar dat terzijde. Laten we hopen dat het bij efficiënt mineraalwater blijft. En dat flexibele boter, pro-actief brood en comptetitieve tomaten ons bespaard blijven. Sep 20, 2011 12:09:28 PM. Ik ben vast ni...

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Museum 2.0: How Museum Hack Transforms Museum Tours: Interview with Dustin Growick

http://museumtwo.blogspot.com/2014/12/how-museum-hack-transforms-museum-tours.html

Tuesday, December 23, 2014. How Museum Hack Transforms Museum Tours: Interview with Dustin Growick. A new company in New York, Museum Hack. Is reinventing the museum tour from the outside in. They give high-energy, interactive tours of the Metropolitan Museum and the American Museum of Natural History (AMNH). The tours are pricey, personalized, NOT affiliated with the museums involved… and very, very popular. Today on Museum 2.0, an interview with Dustin Growick. Here’s how it goes:. Take a few minutes t...

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Revista Hermus: La actualidad museística del País Vasco en el número 10 de la revista

http://revistahermus.blogspot.com/2012/08/la-actualidad-museistica-del-pais-vasco.html

Jueves, 2 de agosto de 2012. La actualidad museística del País Vasco en el número 10 de la revista. 191;Cómo se entreteje la realidad de los museos de un territorio tan particular como Euskadi? 191;Qué tipos de museos podemos visitar? 191;Qué otros importantes equipamientos museísticos se extienden más allá de la sombra del Guggenheim? A estas y otras preguntas pretende responder el último monográfico de la revista Her&Mus. De Iñaki Díaz Balerdi. Enviar por correo electrónico. Ver todo mi perfil. Our Mus...

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The Participatory Museum

A book by Nina Simon. Cover design by Jennifer Rae Atkins. Is a practical guide to working with community members and visitors to make cultural institutions more dynamic, relevant, essential places. It was written by me, Nina Simon. I’m a museum director. And the author of the Museum 2.0 blog. The book is available for purchase. In the time since it was published in 2010, over 25,000 people have bought the book, and another 200,000 have read the online version available for free on this site.

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