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performativity-symposium.blogspot.com

performativity symposium

jillian peña | lia chavez | michelle williams | susana mendes silva | véronique chance

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performativity symposium | performativity-symposium.blogspot.com Reviews
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jillian peña | lia chavez | michelle williams | susana mendes silva | véronique chance
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performativity symposium | performativity-symposium.blogspot.com Reviews

https://performativity-symposium.blogspot.com

jillian peña | lia chavez | michelle williams | susana mendes silva | véronique chance

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1

performativity symposium: Confession Room

http://performativity-symposium.blogspot.com/2009/05/confession-room.html

Jillian peña lia chavez michelle williams susana mendes silva véronique chance. Wednesday, 13 May 2009. Secrets, confessions, excavations…. Over the past few days, we've had the pleasure of conversing on the topics of performance and perfomativity. Themes of the confessional, sharing secrets, achieving deepened creative liberty, interpersonal connectivity, and personal excavation, have been constant treads throughout our conversation. To visit the Creative Confession Room. The next Art PhD Research Sympo...

2

performativity symposium: background: Michelle Williams

http://performativity-symposium.blogspot.com/2009/05/background-michelle-williams.html

Jillian peña lia chavez michelle williams susana mendes silva véronique chance. Sunday, 10 May 2009. Susana, I had no clue that you were a serial communicator, that you spent your time constructing links with strangers. I wish I had known this about you before. I'm glad that you mentioned this because I feel we can derive so much of the performer that exists in us today from our childhood actions. 1947 film classic of the same name). I would have to enter the belly of the hospital which was covered in pi...

3

performativity symposium: Background: Lia Chavez

http://performativity-symposium.blogspot.com/2009/05/background-lia-chavez.html

Jillian peña lia chavez michelle williams susana mendes silva véronique chance. Monday, 11 May 2009. My onstage concern of the internal. A few years later during a residency with Amnesty International USA Women’s Human Rights Team. Aspen Santa Fe Ballet. In the words of Jean Luc Nancy, "The gesture is the knowledge that doesn't know in advance but knows only of something as it produces it.". So here's a question which takes me back to Susana and Jillian's posts: Why make the doing. Live Art Development A...

4

performativity symposium: The Voice and Everything Else

http://performativity-symposium.blogspot.com/2009/06/voice-and-everything-else.html

Jillian peña lia chavez michelle williams susana mendes silva véronique chance. Thursday, 11 June 2009. The Voice and Everything Else. Http:/ www.tate.org.uk/modern/eventseducation/coursesworkshops/18151.htm. From speaking to gibbering, from whispering to roaring, from singing to yelling, the voice is more versatile than any musical instrument and more malleable than any material. However, its close ties with words put the voice under pressure for meaning.What do we hear in inarticulate voices? The works...

5

performativity symposium: Performance vs Performativity

http://performativity-symposium.blogspot.com/2009/05/performance-vs-performativity.html

Jillian peña lia chavez michelle williams susana mendes silva véronique chance. Monday, 11 May 2009. Lia, my instinct is to respond that process is everything, which goes completely against what I said in my earlier post, that process is irrelevant in my work. In performance, where documentation always fails, process IS the product. Judith Butler, "Gender as Performance," in A Critical Sense: Interviews with Intellectuals, ed Peter Osborne, 111-112. Subscribe to: Post Comments (Atom). Talk Show, ICA.

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performativity symposium

Jillian peña lia chavez michelle williams susana mendes silva véronique chance. Thursday, 11 June 2009. The Voice and Everything Else. Http:/ www.tate.org.uk/modern/eventseducation/coursesworkshops/18151.htm. From speaking to gibbering, from whispering to roaring, from singing to yelling, the voice is more versatile than any musical instrument and more malleable than any material. However, its close ties with words put the voice under pressure for meaning.What do we hear in inarticulate voices? The works...

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